Art Miles Project]]> Bosnian Women's Initiative]]> International Atomic Energy Agency]]> Military base closures]]> Mural painting and decoration]]> Muramid Art and Cultural Center (Oceanside, Calif.)]]> Orphanages--Bosnia and Herzegovina]]> Srebrenica Massacre, Srebrenica, Bosnia and Herzegovina, 1995]]> Unesco]]> United States. Army]]> United States. Navy]]> Women artists]]>
Tawfilis has had a storied career and has worked with the United Nations Environment Program (UNEP), the International Atomic Energy Agency (IAEA), the Women of Srebrenica Project, and UNESCO. In her interview, Tawfillis discusses her career working as a civilian employee of the military, as well as her work with the United Nations, IAEA, and the Women of Srebrenica Project. Tawfilis also discusses the creation of the Art Miles Mural Project, the Muramid Arts and Cultural Center, and her thoughts on art as a vehicle for healing, empathy, and peace.]]> Joanne Tawfilis]]> Linda Kallas]]> In copyright]]> https://creativecommons.org/licenses/by-nc/4.0/]]> English]]> Oceanside (Calif.)]]> Srebrenica (Bosnia and Herzegovina)]]> Art Miles Project]]> Bosnian Women's Initiative]]> International Atomic Energy Agency
]]> Military base closures
]]> Mural painting and decoration
]]> Muramid Art and Cultural Center (Oceanside, Calif.)
]]> Orphanages--Bosnia and Herzegovina
]]> Srebrenica Massacre, Srebrenica, Bosnia and Herzegovina, 1995
]]> Unesco
]]> United States. Army
]]> United States. Navy]]> Women artists]]>
Tawfilis has had a storied career and has worked with the United Nations Environment Program (UNEP), the International Atomic Energy Agency (IAEA), the Women of Srebrenica Project, and UNESCO. In her interview, Tawfillis discusses her career working as a civilian employee of the military, as well as her work with the United Nations, IAEA, and the Women of Srebrenica Project. Tawfilis also discusses the creation of the Art Miles Mural Project, the Muramid Arts and Cultural Center, and her thoughts on art as a vehicle for healing, empathy, and peace.]]> Joanne Tawfilis]]> Linda Kallas]]> Melissa Martin]]> In copyright]]> https://creativecommons.org/licenses/by-nc/4.0/]]> English]]> Oceanside (Calif.)]]> Srebrenica (Bosnia and Herzegovina)]]> Songwriters -- United States]]> Folk music]]> Counterculture -- United States]]> Guthrie, Woody, 1912-1967 ]]> Joel Rafael]]> Jennifer Fabbi]]> In copyright]]> https://creativecommons.org/licenses/by-nc/4.0/]]> English]]> Escondido (Calif.)
]]> Chicago (Ill.)]]> Covina (Calif.) ]]> West Covina (Calif.)]]> Portland (Oregon)]]> Seattle (Wash.)
]]> Fallbrook (Calif.)]]> Songwriters -- United States]]> Folk music]]> Counterculture -- United States]]> Guthrie, Woody, 1912-1967]]> Joel Rafael]]> Jennifer Fabbi]]> In copyright]]> https://creativecommons.org/licenses/by-nc/4.0/]]> English]]> Escondido (Calif.)]]> Chicago (Ill.)]]> Covina (Calif.)]]> West Covina (Calif.)]]> Portland (Oregon)]]> Seattle (Wash.)]]> Fallbrook (Calif.)]]> Songwriters -- United States ]]> San Diego Wild Animal Park]]> Folk music festivals—United States]]> California condor — Conservation — United States]]> Record labels]]> Folk music — United States — The Joel Rafael Band]]> Joel Rafael]]> Jennifer Fabbi]]> In copyright]]> English]]> ]]> Escondido (Calif.)]]> West (U.S.)]]> Santa Monica (Calif.)]]> Burbank (Calif.)]]> Poway (Calif.)]]> Los Angeles (Calif.)]]> Kerrville (Texas)]]> Songwriters -- United States ]]> San Diego Wild Animal Park]]> Folk festivals]]> California condor — Conservation — United States]]> Record labels]]> Folk music — United States — The Joel Rafael Band]]> Joel Rafael]]> In copyright]]> Jennifer Fabbi]]> https://creativecommons.org/licenses/by-nc/4.0/]]> English]]> Escondido (Calif.)]]> West (U.S.)]]> Santa Monica (Calif.)]]> Burbank (Calif.)]]> Poway (Calif.)]]> Los Angeles (Calif.)]]> Kerrville (Texas)]]> Songwriters -- United States]]> Folk music]]> Guthrie, Woody, 1912-1967]]> Folk music — United States — The Joel Rafael Band]]> Folk music festivals—United States]]> Music festivals—Oklahoma]]> Woody Guthrie Folk Festival]]> Baez, Joan, 1941–]]> Communism—United States]]> United States Merchant Marine]]> Lynching—United States]]> Joel Rafael]]> Jennifer Fabbi]]> In copyright]]> English]]> Salinas (Calif.)]]> Los Angeles (Calif.)]]> Austin (Tex.)]]> Santa Monica (Calif.)]]> Okemah (Okla.)]]> Boley (Okla.)]]> New York (N.Y.)]]> Songwriters -- United States]]> Folk music]]> Guthrie, Woody, 1912-1967]]> Folk music — United States — The Joel Rafael Band]]> Folk music festivals—United States]]> Music festivals—Oklahoma]]> Woody Guthrie Folk Festival]]> Baez, Joan, 1941–]]> Communism—United States]]> United States Merchant Marine]]> Lynching—United States]]> Joel Rafael]]> Jennifer Fabbi]]> In copyright]]> English]]> Salinas (Calif.)]]> Los Angeles (Calif.)]]> Austin (Tex.)]]> Santa Monica (Calif.)]]> Okemah (Okla.)]]> Boley (Okla.)]]> New York (N.Y.)]]> Afghan War, 2001-2021]]> Iraq War, 2003-2011]]> Marine Corps Air Ground Combat Center (U.S.)]]> United States. Marine Corps]]> United States. Marine Corps -- Recruiting and enlistment]]> Veterans -- Health aspects -- United States]]> Veterans -- United States]]> Veterans' spouses]]>
This interview was conducted as part of the CSUSM Veterans Voices project, a collaboration of the California State University San Marcos History Department and CSUSM Student Veterans Center (now the Epstein Family Veterans Center), from 2012-2013. Veterans Voices (originally called War at Home and Abroad) documents, preserves, and makes accessible the experiences of CSUSM's student veterans. This interview was conducted with a "self-interviewing" protocol, a process drawn from a technique known as Digital Storytelling, which invites the narrator to self-author the interview, telling their story from their perspective, in their own words, and in their own manner. Narrators were provided a list of topics and interview guidelines emphasizing that they could use all, some, or none of the topics as they fashioned their stories about military service and related experiences, thus allowing each narrator to decide what they deemed to be historically important.]]> John Aguilar, Jr.]]> In copyright]]> English]]> Twentynine Palms (Calif.)]]> Afghan War, 2001-2021]]> Iraq War, 2003-2011]]> Marine Corps Air Ground Combat Center (U.S.)]]> United States. Marine Corps]]> United States. Marine Corps -- Recruiting and enlistment]]> Veterans -- Health aspects -- United States]]> Veterans -- United States]]> Veterans' spouses]]>
This interview was conducted as part of the CSUSM Veterans Voices project, a collaboration of the California State University San Marcos History Department and CSUSM Student Veterans Center (now the Epstein Family Veterans Center), from 2012-2013. Veterans Voices (originally called War at Home and Abroad) documents, preserves, and makes accessible the experiences of CSUSM's student veterans. This interview was conducted with a "self-interviewing" protocol, a process drawn from a technique known as Digital Storytelling, which invites the narrator to self-author the interview, telling their story from their perspective, in their own words, and in their own manner. Narrators were provided a list of topics and interview guidelines emphasizing that they could use all, some, or none of the topics as they fashioned their stories about military service and related experiences, thus allowing each narrator to decide what they deemed to be historically important.]]> John Aguilar, Jr.]]> In copyright]]> English]]> Twentynine Palms (Calif.)]]>