20 10 196 https://archivesoralhistories.csusm.edu/files/original/e24d158796639884e608761a96307eb3.pdf 2610199d500af06717da987ed89ee24d PDF Text Text MAX DISPOSTI TRANSCRIPT INTERVIEW, 2022-04-26 MJ Teater: Hello. My name is MJ Teeter. Today is Tuesday, April 26th, 2022, and it is 3:00 PM. I'm here with Max Disposti. Thank you for joining me, Max. How are you today? Max Disposti: I'm honored to be here. Absolutely good. It's a beautiful day out there. Even though I haven't been able to go and see the light <laugh> <affirmative> I mean, at the center working, but we're all very excited. Yes. Teater: Yeah. Great. For the recording, can you introduce yourself what your name is? Your pronouns, when you were born, and what you do for work? Disposti: Okay. My name is Max Disposti, pronouns he/him. I'm a cisgender gay male and I was born in Rome in 1968, long time ago. And I am the executive director and founder of the North County LGBTQ Resource Center. Teater: Awesome. And what did your parents do for work? Disposti: Oh, my parents now are retired because they're 85 years old. They're still alive and they live in Rome, Italy, but they were both working class individuals, actually my mom stayed at home even though she was an activist all her life, very active feminist in the city of Rome and my father as well. Teater: Well, that's awesome. <affirmative> Can you tell me about, maybe a little bit about your childhood and some of your educational experience? Disposti: Sure. When I grew up in Rome, you know, I came from a family that was poor, but you know not too poor not to provide for me in terms of, you know, food and a good safe environment, you know healthcare and education in Italy and Europe are still free. Definitely having access to a higher education was not a challenge, at least not from the standpoint of view of affordability. I grew up in a very safe environment, even though, you know, we were struggling every month to make ends meet. I would say my childhood has been affected by the activism of both of my parents. I only have one siblings that's five years older than me also lives in Rome right now, my brother. And so throughout my life I was always exposed to diversity and others in Italy at the time. And still nowadays, there was a big migration from Africa and our country and Middle East or Eastern Europe. It depends on the time at the time, it was mostly from North Africa and my family was hosting people and greeting them and making sure that they were safe. I grew up in an environment where we always care about others, even though we had little for ourselves. Our table was always with more people and usually people from different cultures as well. My family exposed me to all of this, even though my own mom and my own dad didn't have any academic education, so to speak, they couldn't pursue a higher education, but also they were during the Transcribed By Sierra Jenkins 1 2022-10-21 �MAX DISPOSTI TRANSCRIPT INTERVIEW, 2022-04-26 war at the time <affirmative> even going to high school was a privilege that just few wealthy families could afford. I consider myself lucky, of course, when I came out at the age of thirteen there's always that struggle of homophobia, transphobia in a city, in a country that's dominated by Catholic Church. Even though my parents were not religious whatsoever it infiltrates into the patriarchal narratives. When I came out as a gay man at the time it definitely was a surprise and an issue at first to a point I needed to detach from my family. They never pushed me outside so they were not against me but I needed my own space. I was thirteen, fourteen and I was already an activist in the community. But it was never a traumatic experience. I went through my time of self-affirmation and then I came back to them with more-- I knew I could conquer their hearts and mind around this because there were people I could talk to. I was definitely in a privileged position versus other friends of mine. They just end up on the street. <affirmative>. So that's my childhood. That's who I am. For me early on, on my sense of social justice, that activism around issues that they were not just LGBT related you know, human rights, immigration rights and against the war all the time. And at the time America, I was definitely not a place where I was aiming to live. It was this big monster imperialistic country that goes around to conquer spaces and lifestyles. We were not a fan of it, but love brought me to California and my first love, I would say serious enough to drag me there. And then one thing led to another, I end up staying in California. Again, though I overstay my visa. I became undocumented for about five, six years of my first time. I had to experience all of that fear because now I'm in love with someone. I didn't want to lose them. <affirmative> so that's a little bit my story, even though I always recognized my privilege to come from a place that was definitely not devastated by war and crime or violence. I still felt that I couldn't go back to it just because if I did at the time, I could never return to the U.S. I did my best and my education helped me to go through all the application process and so forth to become a citizen and live the best of both world[s] pretty much, back at home and here in California. So, yeah, I hope I didn't share too much. Teater: No, that's great. I love this. Can you tell me a bit more about your education? What did you study? Disposti: When I was in Italy I was really driven by social studies since day one. But my high school years were troubled by a lot of strikes that I organized. I can’t even blame anybody, I was always striking for better schools, better conditions against discrimination. At the time being openly gay was a threat. It was a threat to myself. I think people never touched me or attacked me physically because I was so out that would have exposed them as well. Right. <affirmative> It was one of those I realized the more vocal out I was, the more protection I was bringing to myself because the people there to be that kinda person, especially in a religious country like that, there's always that fade. I mean, that face that you had to keep, you know, in order decency. High school was problematic. I did finish high school and then I went to the university, high school was just-- in Europe, you already pick in high school what you think you're gonna do in the future. It was graphic design related, a fashion design. Then I look around me, you're in Italy with amazing talented artists. And I look at me and say, “oh my gosh, I would never make it.” These people are just-- each one of them is an artist. I realize it wasn't really for me as well. I went into university and developed more social sociology and social studies. I graduated from-- I got my bachelor[s] over there, but didn't do much with it after a few years-- I mean when I was 30 years old, then I decided to move to the U.S. And here I started over my study and I took my bachelor[s] in political science. And then I went back to get a master [in] nonprofit management in leaderships, which I graduated from in 2016. Not really long ago. Recent, because it was a means for me, I didn't need the academic title. I really needed to know more about the work I was doing, particularly in nonprofit. I had to tell you it was money well invested, even though I'm still paying for it, <laugh> after so many years. Transcribed By Sierra Jenkins 2 2022-10-21 �MAX DISPOSTI TRANSCRIPT INTERVIEW, 2022-04-26 And it really helped me to understand more about nonprofit governments and leadership as well. In addition to what I already knew. So yeah, that's my academic background pretty much. Teater: Man, you've lived such a fascinating life. <laugh> So you touched on it a little bit, but what was your career like before the North County Resource Center? Disposti: The north county resource center, I would say around 2007 or 2008 is when I made that decision to do what I do, even though at first was not a paid position. I needed to save as much as I could, reserve anything, because I didn't know where this was going to take me. <affirmative>. Prior to that, when I came in the U.S. even though I was very active and volunteering for different things, I was fortunate enough-- at the beginning I was working in hotel, the hotel industry, I used to be in San Francisco for four years. Then it was a little bit of dot com, I was doing a lot of translating because I speak Spanish and Italian. I was doing a lot of translating from one and to another with platforms, Yahoo platform and so forth. That was a very well-paid job. <affirmative> Even at the time that helped me out a little bit uplift my resources, but I wasn't documented at the time. I couldn't really invest into school or nothing because I knew I just couldn't do that to that point. And so I married my previous husband at the time in San Francisco, we decided to come down here because he had family members in the military. And when we moved to Oceanside was the place where it was cheaper and affordable. I did like the beach. I liked the fact it was Southern California. I bought at first into the life okay. Once I finish with my own immigration status, which lasted 10 years struggle. So that's why I'm very, not only sympathetic, but not many people understand about what it means to be an immigrant in this place where I had at that point, the money and the lawyers to fight the system and an education, but if it was running away from any other country from famine, war, or violence, there is no way that the U.S. will have offered me an alternative there is just no one, legally speaking. There is not an alternative if you become undocumented to fix your record, really not even if you marry someone. It's just not the way it is anymore. It took me 10 years. Yes. I feel privileged because I was able to go through all of that. In the process, I started working to make some money because my dream was always to open a community center. <affirmative> And as I was making the money, I joined some real estate firms. I was a broker and I became very successful because I was this guy that was very realistic. I didn't have dreams of screwing people over to make money. My dream was building LGBT center. I think people saw that in me, that was honest that sometimes I told people, don't buy this house because really too big for you, is not gonna be a good choice, because then you're gonna have this huge mortgage. I was having this conversation with folks, and I think the more I was honest with them, the more business was coming to me. I was doing really well at a certain point, I needed to make the decision to pull the plug and go into unemployment. Mind you I didn't say thousands of thousands of dollars, just enough to go by that unemployment lasted. I mean, I was unemployed for two years because the center couldn't pay me. I mean, it was me <affirmative> and starting a center I needed full-time dedications on everything from gathering resources, putting people together, dynamics of power that you encounter, opening the door and having someone there eight hours a day, it was a huge, huge undertaking. But I never felt alone. I always felt fortunate that people trusted me in the process. And also my leadership style has always been very sharing. The resources was never about me, my name and putting my name in top of the things I did, even though at the beginning, it shows a lot me and the center. My name is very linked to it, but mostly I started the center, but I always bring the honor, the credit to the many people, many, many people that made the center what it is today. So that's how it brought to me. I brought those corporate leaderships into this business. I brought my nonprofit academic research. I brought my life experience as Transcribed By Sierra Jenkins 3 2022-10-21 �MAX DISPOSTI TRANSCRIPT INTERVIEW, 2022-04-26 an activist. And I think everything just worked together. I was there for the right reason and not to rush things through. And I just had hope in my community here that things will have become like they are today or even more. Yeah, the dream's still on and we still have a lot of things we want to accomplish. <affirmative> Teater: In terms of the LGBT community, what was that like in North County? Because I know North County doesn't really have much of a presence as far as LGBT representation, as much as say Downtown or Hillcrest has. Disposti: <affirmative> It was not easy. I had to fight internally and externally, it was opening the door of the center in a military town. I knew it was going to be difficult because it was at the time all North County was extremely conservative. We received threat. We had our windows smashed several times. We elected people that didn't wanna meet us in person. This was obviously 2008 and 2009. Also 2008 was the year of the campaign for marriage equality. The center at this point was not open because we opened 2011, but we were active as a group. It was called North County LGBT coalition. So we were meeting weekly. We were an organizations with all we were grassroot at the same time. We had a board of directors. I mean we were an organization, but not yet with a space because we were saving money to open one. And yeah, North County was quite brutal, but also interesting enough because we were the only organized entity in North County, we received a lot of support and a lot of love from a lot of people from family and youth and so forth. We connected right away with preexisting grassroot groups in North County, in particular, with Link Lesbian in North County, there is a lot of history around what they've done here in North County for 20 years since women met under cover every Friday to create a support system for themselves, even the gay guys were cruising and the whole spots Oceanside had, the Marines were here. There was a lot of LGBT presence in Oceanside. We used to have two gay bars up to 2002, then they closed down just because the owners got old. But there was a lot of LGBT happening. It reminds me what it used to be in San Diego prior to the seventies when the Marines were there. And it became an LGBT Hillcrest [?] in particular place to go because there were a lot of Navy and Marines coming to town and finally they could be true to themself, right? Oceanside, North County was brewing with Marines that they were gay and Navy officers as well, but it was always-- the community was always in denial. Oceanside was a place where there were a lot of street workers, a lot of LGBT people, a lot of trans women, that had to, not by choice, in that case, to become strict workers because they didn't have opportunity for jobs. So quite a rough place, when we came in people couldn't believe that there [were] enough to put ourself out there and call ourself an LGBT center and having the rainbow flag outside. At first we had people just walking into the door. I remember the seniors in particular, literally were emotionally taken by the fact that we were just there. And at first I saw we're not doing anything special. We're just here with a flag outside, running some support groups, but we didn't realize at first the impact we're having soon, so many lives and people that came and dropped their life story on us, seniors and youth. And then all of a sudden we started seeing more and more, our amazing trans kiddos <laugh>. And that was when we started advocating within our own community with our old generation of gay male to the fact that this is the time for us to give back to those of us that are still struggling and understanding how, not only embrace our trans identities, not as a plus or a sign of solidarity, but as a full part of the community, that's always been there, but always been hidden, not by their choice. It was the constitutions of our mission statement at the center. We were fortunate enough that since day one, when no one was talking about trans rights, other than trans people, of course, by meaning the mainstream of the LGBT community. <affirmative> Our board was composed by trans folks, the support Transcribed By Sierra Jenkins 4 2022-10-21 �MAX DISPOSTI TRANSCRIPT INTERVIEW, 2022-04-26 groups. We started hiring therapists, everybody was volunteering at the time to work with our folks. And we had hundreds, hundreds of kids coming at the center during a week basis. And we learned so much from them, their struggle, their pain, one of this kids became my son because he decided to adopt me. Now he's 22, so he's already grown up and he's a trans male, lives with his girlfriend now and everything else. But so it was a overall real experience. That was never a job for me, never just a job or never just a phase. Right. And I think at that time already, we realized that we needed to educate those old leaderships that they were popping up. And they were excited that we were there, but they started warning us. Hey, this place is becoming, you guys always only care about transcripts. It seems like, what about gay people? Or what about, I say, we don't exclude anyone, but now we need to be together to enhance the voices. So those that haven't been, that have been left out for so many years, because when I grew up in Rome at the age of thirteen, fourteen, I was always surrounded by trans people. They were my friends <affirmative>. When people tell me, “Oh, I dunno, what's going on now? All of a sudden, everybody is trans or whatever,” say, “no, it's always been like that.” We always been around. I say, we, even though I'm a cisgender gay guy, because I've been blessed to be educated through the experience for many years when I was thirteen, fourteen. For me to hear an older white male that tells me that I say “You haven't looked around too much. You have been focused on yourself for too long.” I would say that was a journey that allowed me to create a center with a culture and a vision where people, when they joined, they needed to know the old that were on board with the whole spectrum, LGTQI or that wasn't the place for them. And we lost some people in the process. We lost some donors, no regrets. We earned again so much more. And now that people are finally recollecting the necessity to bring home what we’ve started thirty, forty years ago, or fifty years ago with Stonewall to bring it back home with everyone, or just some of us, I think, now people are looking at us and say, “Oh wow, you guys were right. You were always there.” And yeah, we were, we are, and we will. And now we're embracing the intersex identities and struggle because again, they're being ask[ed] to be part of our community because many of them are, and that we've been advocating with them now at the children hospital in San Diego to change the horrible practices of mutilation of our organs just to feed the stereotypical expectations [of] what gender or sexes of birth is all about. We always been there in the forefront and when we weren't, we look into ourself to do better. You can imagine how the past three, four years with the Black Lives Matter Movement with adding colors to our flag, how not only we wanted to embrace, but realize that all our identities are not just one identity, right? That we had to be vocal of about the struggle that our own queer people in our own community BIPOC folks are still enduring because of police brutality, institutional violence, and a way to do nonprofits has been whitewashed for many years. And how white supremacists in filtered into our own community. How it shows up? Recognizing how to do that and making yourself vulnerable to it and not defensive on when you might be perpetuating those dynamics. I think it's part of everyday challenges is what I love the most to be honest, because I don't wanna come to a point where I say, “Oh, I think I know everything, and now I got all of my boxes checked.” Nothing else comes through when it's not true. Life is always moving. Right. And so are we, so, yeah. That's how difficult it was in North County, but I focus on the positive, but we lost some kids in the process in 2014 and by loss, I mean, Taylor, Alisana[?], Sage, and Tyler took their own life. There were transcripts that made national news and there were three of them served by our center. And still troubling for me to talk about it. But I always try to honor their lives because they didn't go in pain, even though I wish they were here. But they taught us a bigger lesson. We believed our kids when they were telling us they were struggling to a point they didn't wanna live anymore. There wasn't just a face or a way to drag attention to themselves. It was a real struggle of pain. Some of us didn't have the privilege. Some of us had the privilege not to experience, by being cisgender. We learn a lot in that process. Sorry. <laugh> Teater: Transcribed By Sierra Jenkins 5 2022-10-21 �MAX DISPOSTI TRANSCRIPT INTERVIEW, 2022-04-26 No, it's okay. I appreciate you sharing with me. I'll shift to maybe a lighter subject <laugh> for a quick second. What are some of the resources and services that are offered at the North County Resource Center and how have they changed over time? Disposti: Yeah. You know we started in a way at the beginning, really. We didn't have need assessment. We didn't know really how to do any of it eleven years ago. We just said, “Hey, if more than three people come forward and tell us, can we have a super group? For seniors, for non-binary folks, for trans folks?” they say that means it's needed. So, we'll find a facilitator and create guidelines. We were always very serious around policies and procedures and guidelines and protecting ourselves and others in the process. So, we're never easy about that. The opposite. I think that so many times, because while we were a grassroot organization, we knew exactly the level of liability we could incur by just gathering people. You know, there were people [who] were coming because they were stalking other people, right. They were. So how do we protect folks without introducing our own biases in the conversation? We created a support group model that responded to the need of the community. Definitely our trans and non-binary groups was the most populated resources. I mean, sometimes we have 40 people in one room cramped in there because it was the only big room. And I say, “Oh my God the fire department show[ed] up, now they're gonna shut us down.” Because it was a small space at the time. So super groups, then we started doing behavioral health and in the way we wanted to see happening for our people. So, things have changed and housing, case working-- I would say [in] two years we became more experienced. We know how to navigate the system and cut the BS about advocating for people and how to do it well. Creating more safety for our community. So sometimes we're like, for instance, human trafficking is a real, real problem in our community. And we notice that a lot of LGBT centers and churches and sport clubs were place[s] where people are going to groom. And sometimes these people are just a year or two years older than the kid that you're serving. You have to be careful to provide a safe space where you're not there to over micromanage people and their own identity, their own sexuality, their own affirmation are the same, but at the same time, provide a space where people can come to you and tell you, “Hey, I'm an active fifteen year old person, I’m sexually active with this person. Maybe they're at my age or a year older.” How do we go about-- how can I be safe? And things like that. Our youth were coming to us opening their hearts because they knew we weren’t there to judge them. We learned all of that, how to be safe, right? If I have a teenager or thirteen [years old] [who] tells me that they were having a relationship, a sexual relationship with someone at twenty-two, we have major red flags. And we’re also mandated a reporter, right. We've done that too in the past. Navigating through all of that was quite interesting. And we learned how to do it. Now we know so much that we are the one training others youth providers around or the police, when the police shows up because someone called them because maybe they're dynamic of stress. We tell the police what to do and how to approach other people. If they don't agree with that, we don't let them in. This is not place for additional violence and trauma. We educated a lot of these institutions that have been the cause of a lot trauma for our community. We work with them when we can, and we do training and we sit on the same table so that we can advocate and build the trust too. But at the same time, we make it clear that as a service, a clinical provider, this is not a space where they're invited. We need to find other way, how to collaborate and do prevention in a community, without having them finding the queer spaces in San Diego County. <affirmative> That's one of the things. Things have changed. And then COVID of course, we moved everything virtually. I have to say, now that we came back, they were coming back in person. We never closed the center. We always been open throughout the pandemic. We just couldn't afford to close. We receive a lot of support from foundations and founders. They realize that we made everything possible to support people. I would say what has changed and now we have support groups, but people prefer the one-on-one because they Transcribed By Sierra Jenkins 6 2022-10-21 �MAX DISPOSTI TRANSCRIPT INTERVIEW, 2022-04-26 can't find socialization quite easily nowadays in different spaces, even virtually, but they like the one-onone, “Hey, help me go through this,” family reification or mental health crisis, or finding a job, or just supporting their ego and the self-esteem. It looks like they will be more successful to do that one by one, instead of putting everyone in a super group, which we do have some people just love that, but they're usually mostly social, like let's come together for an all queer and non-binary or let's come together. And because those spaces are very vital, important. We are not denying that. I would say though, that we are seeing more progress by doing that different kind of intervention. So maybe we're creating a hybrid, whatever the community needs. We'll have to respond to that. Teater: Oh, I love that. What are some of the challenges that you and the center face today? Disposti: I would say challenges, but also opportunities. <affirmative> I do believe that LGBT centers are the Planned Parenthood of United States. And what I mean is we are vital spaces and resources for our queer community that no other institutions will ever provide. And preserving, not only preserving, but supporting those spaces. I think it's a commitment to the government, state, federal, county will have to commit to, because as we know, as it's happening, if you take away resources from a Planned Parenthood, that's why the comparison, I mean, half of the population of women in particular, but not just women will not have access to reproductive rights, a fundamental human rights. And if they're left to the single communities, and this is a conversation I have with our elected official Mike Levin, people that they're being very willing to understand. I said, I realized during COVID that if it wasn't <affirmative> for the private donors and support people with money that stepped in, we would not be open nowadays. And <affirmative> the government, you have [to] allow us to close our resources. And now it's eleven years old that has helped thousands of people. And now employs twelve people. And that's just not fair. This is not just a volunteer experience, this is the livelihood, but also the safe space for thousands of people. And that's true in many region[s], right? For the San Diego Center, so forth. <affirmative> While it's good for us to build our own funding streams so that you can stay independent. You don't want the government to give you everything for everything you do, because then they want to have a say about how you run your business. But definitely it's important that, especially in California, where supposedly we have a more progressive leadership to start supporting LGBT center so they can provide vital care, healthcare services, the others don't provide. [Be]cause when people get sexually assaulted that are queer, they don't go to the police station. They come to us when they are in a mental health crisis given by different reasons. They come to us first, when they're in poverty, they come to us when experiencing certain kind of relationships or a tougher life or because of drugs or substance abuse, they come to us because they know we're not here to judge. I would say that's why we’re the planned parenthood of the community <affirmative> [be]cause it's an essential vital resource. The challenges are that we're not there yet, so that we are left alone to do this work. And now that we have experienced and seen the highest record of anti-LGBT legislation passing in Congress, a passing or proposed in different states and in Congress, this conversation, as you know, they hit home, our kids, even though they're in California. And we know that we're a little bit more protected here. We still have people at the school district level showing up and addressing and stigmatizing and penalizing our queerness. We still have people in position of power taking advantage of those narratives and bring back the same old recycled anti-LGBT religious based narratives. The trauma continues every time we hear that, even though it's not here geographically speaking. That's the challenges that in a time where communication goes past left and right, that sometimes even news needs to be vetted. The trauma that the previous administration has caused, we're still dealing with it. Or the Trump administration for those in the Transcribed By Sierra Jenkins 7 2022-10-21 �MAX DISPOSTI TRANSCRIPT INTERVIEW, 2022-04-26 record that might watch this years to come, or even now with all the anti-LGBT bills from Florida in Texas, in Ohio, South Dakota, I mean, these are thousands, hundreds of thousands LGBT youth in particular trans youth. They are denied their own assistance. And in 2022 I was hoping not to see that again, instead we are (inaudible) <affirmative> I have hope, I think we have a lot of things going our favor, including a history of resilience, but it's tough. It's tough for a lot of people. <affirmative> (Unintelligible) will fight because it's value our own existence, but for a lot of people don't have the means the energy <affirmative> and we will have to fight for them too. <affirmative> I see a lot of challenges. They are not just political or cultural, or educational and people really go around spreading a lot of misinformation around the (unintelligible) kids, supposedly getting surgery at the age of eight, which is total bullshit <affirmative> when it's actually through the opposite. I think that's the challenge of nowadays, they still go and the racism, the institutionalized violence that it's part of the North American culture unfortunately. I think we are an extremely violent culture. <affirmative> I can say that because coming from another-- when a different kind of violence from the European experience in Italy in particular, I can say though, that a lot of people that are born and raised here don't even realize the, the level of competitive individualism that's being created here in North America to a point that now we have a national pandemic and a worldwide pandemic, and people are even struggling to care for their own neighbors by protecting their self and other, right. <affirmative> I'm really concerned about those dynamics of violence and isolation, individualism that our society has brought us to be <affirmative> That goes along with building an LGBT center. Teater: Yeah. You touched on this a little bit earlier, but given the history of policing with the LGBTQ+ community even in San Diego, how do you feel that police and sheriff trainings are received? Disposti: I'm gonna say that really, even though I train the Escondido police, the Oceanside police, Carlsbad Sheriff Department, we do training with FBI. I met amazing people in those spaces. I mean, here and there <affirmative> I don't wanna generalize. [Be]cause I met folks with coming from, they shouldn't be there in my opinion. I don't have any trust that the police or any law enforcement will ever, ever represent the interest of those that are working and living. And those of us that are really struggling for a better tomorrow, I mean law enforcement is there to preserve the status quo and we don't like the status quo <affirmative> of course we like democracy and all of that, but I don't have any confidence in that. You know what I say that to even the officer I train, I tell them I don't dehumanize you because I think people [that] are there are human beings and making their own decisions. Their own sacrifices with their family and many of them risk their life, <affirmative> for something that [they’re] living. I'm not here to dehumanize individuals and call them and isolate them. I have a lot of relationships with police in the relations to, in a very transparent way, there are not. For instance, we have meetings that we sit at the table I'm always very clear about: I don't think that policing belongs to queer spaces. I don't think that policing, and even though I know that police gets, especially LGBT law enforcement feel like betrayed by the fact that “I'm a police LGBT officer, I [want to] be in this space because I earn it.” But the problem that they can't forget or separate themselves from the uniform they're wearing and what has represented for our, it's still percent for our queer and people of color in North American particular. Any region is different, but-- <affirmative>. What I would say is I believe that training reduce the impact of policing in our community. I believe that building relationships can build trust. That something happens. I can go to the police advocate for my people, and I want answers and vice versa, I think will help the police to understand why there is fear in our community of reporting to the police. Because when you have been called faggot by a police officer, when nobody is watching, it's your word against Transcribed By Sierra Jenkins 8 2022-10-21 �MAX DISPOSTI TRANSCRIPT INTERVIEW, 2022-04-26 theirs. So that happens a lot of time <affirmative> on watch. But then there is no way we can prove it. That happens everywhere all the time. And so personally speaking, and this is, I wouldn't say it's a statement to my organization, even though I would say it's a common vision. I think collaborations with police, it's important to, in terms of creating relationships, reducing the impact of policing in our community. But I think the institution of policing is to be completely reinvented from zero. If we wanted to be the force that serves the community, it doesn't protect status quo. I know some people might say radical views, but I met police in different countries, just in North America and they were never on our side. Teater: Yeah. How does local policing here compare to in Italy per se or places in Europe? [Be]cause I'm not too familiar with their policing practices. Disposti: America is anomaly. The whole integration of LGBT experiences into the normalcy of the everyday life has a good outcome, but also has developed contradictions. The fact that the police needs to show up in our places and parade with us as a-- in North American seen as a progress, when in Italy it’[s] like, “Okay, we don't need to hate each other, but my job is policing. It's not to lead the LGBT movements into propolicing know against policing.” Right? It's a different experience with police when I was, even though it was a different time policing in our LGBT experience in Italy was always a (unintelligible) <affirmative>. There were never-- nobody will ever think that we need policing in our streets with us. It's a different comparison. Of course, I don't live in Italy now, even though I go back every year and my family's there and they're still active. I definitely have a sense of what's going on, but <affirmative>, it's just a different thing. People look at us and say, why you need the whole military marching with you, why you need the whole-- and I understand the sense of the fact that LGBT people are everywhere. We [want to] show the normalcy, that being queer is not anything that's out there, but you know, you can be a police officer queer, a doctor, and I do like that. I do marry the cost that every price should be open to everyone that marches. But we got in a point here in Northern America, where now police is telling us how they [want to] show up. They are in San Diego in particular, they are dictating almost the way they should be representing themselves when maybe they have only three, four LGBT police officer. And they're using them as a token to show that the whole force is pro-LGBT. Then they run surveys through the UCSD [University of California San Diego] or through the service for the Sheriff department that you realize how much homophobic and transphobic and racist the force still is. To me, they haven't earned that spot. I'm just gonna be frank. And I told this to chief of police from Oceanside to San Diego to Chula Vista. I tell that in a very not threatening way, they trust me actually. And they like to talk to me because I'm truthful. I don't beat the bush around. I'm just gonna tell I'm gonna work with you and everything else. But I think you were invited at the table and now you think you own the table and that's okay with me, but the police has an incredible force in America. The lobby of policing, the elected officials get money from policing <affirmative> San Diego Police Departments extremely powerful, and they impose their will on, or social organizations and organizing. <affirmative> To ask, for instance, going back in the merit, I will have been happy to see the police marching maybe with their own t-shirts and shorts, you know, so that you can tell everybody you are the San Diego Police Department. And so that your department can be proud of you. And I think that should be alright. But the whole presence of uniform and weapons in a inclusive parade is meant to be inclusive of everyone. Includes those that are now super patriotic, or nationalistic, nationalist and so forth. I think it's very not conducive of a good relationship. It's just a parade. <affirmative> I don't feel it's very-- so I'm sorry if I took you a little bit off, but this is-- Transcribed By Sierra Jenkins 9 2022-10-21 �MAX DISPOSTI TRANSCRIPT INTERVIEW, 2022-04-26 Teater: No, you're good. I'm right there with you. Disposti: It's such a current happening. Maybe people watching this many years from now, I wonder what they will think of it, but right now I feel that we're not there. They have to earn their space. And also let's remember talking about our region when you have a pride parade, you have people coming from all over the county, you have people coming from LA Mesa, Fallbrook in places where policing, the impact of policing on the streets is not as kind of transparent as it could be in any other spaces where we earn that. Right. Like in Hillcrest <affirmative> right. We need to be mindful of the experience of our queer people of policing in Chula Vista or other places, not just San Diego proper. What you see the police marching, is not everyone has the same reaction, and you cannot normalize policing by just marching an parade. You need to work every single day. So that's my-Teater: Yeah, exactly. So, what is the center's relationship with military members of the community then? [Be]cause I know they sort of have a kinship, but like they're different, but they're not, but they are. Disposti: Well. Because we cannot, I mean, I can tell you my personal stance about <affirmative> worth’s, and army, and the military. I think we spend too much money into it when this country struggle to support its own people that live here. Obviously, I'm not sympathetic about any choice of military that's military related, but when it comes to LGBT experience, I have to say the immediate impact of let's say the Marines here, the Navy on our immediate community is incomparable with policing. And what I mean, they're not doing racial profiling here in San Diego. They're not doing-- There is not a direct impact and <affirmative> for a city like Oceanside, which every family member has someone in the military. I would say that also understanding the importance of what they give and how they feel it. That is their dedication, their passion. We need to respect that. We serve a lot of veterans, a lot of military folks, but many of these folks, LGBT usually we serve them because they struggle through the military services. They went through <affirmative> health, sexual assault abuses that could never report from their commanders, <affirmative> transphobia, homophobia, punishments of any kind. We support folks because these are our people. <affirmative> It's not my place to tell them where they should go. We meet them where they are. <affirmative> But definitely it's a different experience. I would say I met amazing folks that actually have been a resource for the center and helping others from the army, from some of the Marines or the many, many veterans that they are a part of our volunteer team. I'm sure some of them might not share my views. These are personal view, again, not the center view, but definitely we did think about building a center in a military community. You could completely subject to it and be dictated on how to express your sentiment around military actions. You can be who you are and supporting the queer people around the world. That's my goal as a human rights and civil rights activist that I-- doesn't believe in any borders, or in any particular nationality, I focus on the help that my folks need in the entire world. If the America gets in the middle of that, then I will definitely denounce it but it's beyond the scope of the center. It's more my personal perspective. <affirmative> I think we are all connected in so many different ways. Teater Transcribed By Sierra Jenkins 10 2022-10-21 �MAX DISPOSTI TRANSCRIPT INTERVIEW, 2022-04-26 <affirmative> I love that. I have a couple more questions. I'm [going to] switch gears a little bit. What does it mean to you that the resource center has been open for eleven years now? Disposti: <laugh> It means a lot. I can't believe it. And I don't look back too many times, when I do I get emotional. We had our first staff meeting after a while. I mean, in person and in the past six months alone, we hire[d] six people. So now we're[employees] twelve. <affirmative> And just look around the table with beautiful queer diversity around us, people with incredible (unintelligible). And I just couldn't even envision this years ago, I knew it was coming, but now seeing these people around me, each one of them gives so much, it brings so much to the center. I get really emotional, but I tend to look ahead of me in terms of, there's so much we [want to] do. Just to give you an idea, this center is really small. Now we really need that center is four or five times bigger, so we can grow and serve really serve North County. I don't feel, we are able to say we are the North County LGBT center because we serve everyone, but truly serving everyone from Escondido to--, it’s just not, at this moment, practically possible. It takes resources. <affirmative> Not just volunteers and time and resources and money. I can't imagine a queer person in Escondido, in order to be served they have to come to Oceanside. That alone is a barrier. We encourage, even though we like to serve the whole region, that there are new experiences that we can support them and share with them what we did so they can learn it. We're not in competition with other spaces growing and coming up, but it's not an easy thing to do. I would say I'm proud of what we did, of what we accomplished, but before I finish with the center experience, whenever that is, I [want to] see a huge building, thriving with a lot of people in it. And mostly with a lot of brand-new leaderships that can take that, toward and moving forward. That would make me happy in so many different ways. So, yeah. Teater: Oh, that's so nice. During your time as an activist, and this'll be my final question, during your time as an activist, what has brought you the most joy? Disposti: Oh gosh. I don't think I can single out one. Teater: What were some of the experiences? Disposti: Opening the center, the grand opening of the center. Definitely. People showed up for that dream. Really so many, I've been so fortunate to have so many memories, but definitely the opening the center. The meeting that we had two weeks ago, I told you looking around and see, oh my gosh, these are my people and the staff, and the center is growing. The people coming forward after a few years of months that visit us, and we help them and thanking us for truly-- And when I say save the life, I don't mean in such a-- these were people struggling with their own existence. When I say save the life, I mean, it physically not--I mean, taught them the way. Right. I don't [want to] be so pretentious of presumptions or, we are not telling people what to do, but many people really couldn't survive without our support that has to do with mostly believing in them. When stories like that are coming back to you, you know, you're on the right path, are doing the right work. So many, I can't pin it down, but mostly had to do with my community being there for my community and here at the center. So-- Transcribed By Sierra Jenkins 11 2022-10-21 �MAX DISPOSTI TRANSCRIPT INTERVIEW, 2022-04-26 Teater: Yeah. Awesome. Well, thank you for sharing with me. Is there anything else you wanted to mention before we sign off? Disposti: No, it's hard to recollect now, but I'm sorry for getting through the emotions. Teater: Oh no, I love it all. It's perfect. Disposti: You know, me? Yeah. I don't shy away from that. No, thank you. Thank you for doing this work. That's what I [want to] say that I know how important it's because we're doing an archive here at the center as well, and we are doing the same interviews to the people that were here, the key leaders in the communities, even prior to the opening of the center, it's a very tedious, slow process that takes years in the making. I appreciate you and your team for even thinking about this. And for creating this record that one day will be so helpful for people, or maybe not for people to watch. And I wish I had that when I started the center, looking back to the stories and the voices of those that came before us, because we always stand on the shoulder. Those that came became before us, even though there was not an LGBT center, but, you know, yeah. That's what we got. Thank you. Thank you. Teater: Thank you. Well, I'm [going to] stop the recording now. Disposti: Perfect. Transcribed By Sierra Jenkins 12 2022-10-21 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Transcripts Description An account of the resource Written oral histories and transcripts are available for researchers that prefer the written word, or to see the whole interview in a document. Transcripts of <a href="https://archivesoralhistories.csusm.edu/collections/show/5">audio and video files</a> are also available as part of those video files. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Disposti, Max. Interview transcript. April 26, 2022. Description An account of the resource Max Disposti is the founder and Executive Director of the North County LGBTQ Resource Center. In this interview, Max discusses his upbringing in Rome, Italy as a queer male and his experience coming to the U.S. and his quest to open the Resource Center. Max Disposti also talks about the parallels in how the LGBTQ+ community is treated in Italy in comparison to America. Creator An entity primarily responsible for making the resource Max Disposti Contributor An entity responsible for making contributions to the resource MJ Teater Sierra Jenkins Date A point or period of time associated with an event in the lifecycle of the resource 2022-04-26 Subject The topic of the resource LGBTQ+ activism LGBTQ+ rights North County LGBT Resource Center Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant North County (San Diego County, Calif.) 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Format The file format, physical medium, or dimensions of the resource text Identifier An unambiguous reference to the resource within a given context SC027-14 Activists and activism Community history History Department internship Immigrant experience LGBTQIA+ experience https://archivesoralhistories.csusm.edu/files/original/c59f8053d23c1136aee09f68020277ec.pdf 6cb14bd4ab0132b818c6e2422620a6fc PDF Text Text ALEXA CLAUSEN TRANSCRIPT, INTERVIEW, 2022-04-12 Jake Peirce: I'm speaking today with Mrs. Alexa Clauson from the Adobe Home Tour – among her many accomplishments – and so I would like to start with just a little background information, if you don't mind. Where are you from? What got you to where you could start with the Adobe Home Tour? Alexa Clausen: Well, thank you. And I'm happy to be here since we only have an hour, I'll try to do the mini version. <affirmative> I grew up in Riverside, California. I got my advanced degrees in San Diego, so University of San Diego undergraduate, and then master's degree at San Diego State. At the same time that I was studying, my master's degree took me seven years because I was working full-time for California State Parks. So, I have a career with state parks and essentially doing local regional statewide and contextual related history for projects with state parks. So, when I retired in 2008, we had moved to Escondido in 1993, I think. And I had some friends in the history business, Lucy Burke, who was very active in historic preservation, always nagging me: When are you going to retire? You know, join us and, and all this stuff. So finally, when I did retire, I had our son – I had him late in in life – so he was still in elementary school, high school. So, I wasn't too involved, but I did have the sense that I want to give back to the community of history because when I was working professionally without internet and all this, I was visiting people who were saving history in boxes under their beds. You know, there was some places didn't have historical societies; it was just mom and pop trying to save history. So, you know, I felt like I wanted to give back, and so I started volunteering and then, when my son was at St Mary's in elementary school, there's another student. His name was Sean McCoy. Well, his father, they had a little birthday party. I think they were in fifth grade, so this might go back to maybe 2004 or 2005, and he lived in Valley Center. The house was adobe, and I was really curious, but in their study there were all these houses on craftsman architecture. I looked at Tom, who's just a really gregarious, hardy guy that runs a landscaping business. He's Cal[ifornia] Poly[technic] [State] [University] educated and in landscaping. And I'm like, no, it's not. It must be his wife. <laugh> So eventually at the swim party, the kids were busy and I said, “Hey, you know, Tom who's collection of books here, you're doing craftsmen?” Well, that unleashed Tom, and he found a soulmate in the interest. And as a few years went on, he always said there, “We have to do something. I go to Pasadena to the home tours and they're all rooted in Green and Green Architecture, which was known for the craftsmen, but we have our own, you know, handcrafted Adobes here.” And I'm like, “[O]kay, Tom, let's do a tour.” And he claims that, you know, I kept pushing him to, oh, won't this be fun? And so the two of us kind of started Adobe Home Tour, but we were fortunate that the director Wendy Barker at the historical society wanted to go ahead and take our little idea under her wing. They had been doing garden tours, so they were familiar with parking and talking to homeowners, so we really had a jump there and we were lucky. And of course with the insurance that the Escondido History Center was all behind us. And our very first brochure was a front-to-back 8.5”x11” piece of paper off a copier, and that's kind of where it started. Peirce: Well, you have to start somewhere, right? Clausen: Yeah. It's funny, and of course I was thinking, “[O]h, he'll get over it.” You know, this is one year we had maybe 60 people come and it was word of mouth, mainly his friends and the historical society, people and friends of the homeowners, so it was really grassroots or mom and pop, whatever you want to call it. And our last tour we sold out at 500 tickets. Transcribed by Jake Peirce and Sierra Jenkins 1 2022-05-13 �ALEXA CLAUSEN TRANSCRIPT, INTERVIEW, 2022-04-12 Peirce: Wow. Clausen: Yeah. So that was the route. I came here through my training, I don't own an adobe home and it was really a feeling to give back to history essentially. Peirce: Absolutely. Absolutely. Going back to your previous stops in your career with the California State Parks, was this something that was kind of in the same realm of what you were doing? Looking at architecture and looking at stuff like that and giving tours, or did you do something different while you were there? Clausen: You know, it really wasn't. The historic preservation and the architecture was handled mainly by specialists, and a lot of that was rooted in the state office of historic preservation, which was like a cousin branch of State Parks and the very highly trained historians specializing in architecture. So, I was really weak and had to do a catch up self-trained. All of my projects were budget driven. For example, if they, maybe the volunteers of the Rangers wanted to do a new booklet for a visitor center and it had a historical element in it, they would budget for hours for that. Or if there's a general plan, they needed a historian to do the cultural. So a lot of my jobs were just skipping around and providing research and history for whatever was budgeted and needed. And generally, if there was like an architectural survey, they were contracted out by specialist, or the state office would contract. So, during my career, for example, they did a thematic statewide survey of the Civilian Conservation Corps buildings that were still in state parks. Now they took their cue from the feds who were doing a survey in national parks and in the forest service, but again, that was handled by specialists. So, you know, while we would exchange, read material, go to the same conferences, it is a specialty that I'm probably not the best at, but I do provide that research for Adobe Home Tour. So, it was a different kind of specialty, yeah. Peirce: Absolutely. It sounds more like you were – in your role with the state parks – you were more of a jack of all trades rather than a master of specifically architecture in that field. Clausen: Oh, absolutely, and in time they umbrellaed all that under cultural resources management and it was the archeologist and the historians and sometimes the landscape architects depending on the project. Peirce: Absolutely. Given that Tom seemed to be your partner in crime in the beginning of this adventure, –and he seemed to have more of the specific knowledge when it came to the adobe tours, based on what you're saying – what would you say that was your biggest contribution to the beginning of it? Was it the organization? Was it your specific knowledge of how to provide background information? What would you say was your biggest contribution in the beginning? Clausen: Well, actually, I think Tom felt like I was just the cheerleader. <laugh> But, you know, I think it helped Tom have the confidence. With his career running a landscape business, he wasn't as free to do some Transcribed by Jake Peirce and Sierra Jenkins 2 2022-05-13 �ALEXA CLAUSEN TRANSCRIPT, INTERVIEW, 2022-04-12 things, and I think he always saw me as a little bit of the conduit to the history community. He's second generation – grew up in Escondido through his business and his family – they know every nook and cranny in the city, but Tom I think felt like I was the person that can talk to the historical society and get that connection. And then when it came to maybe talking to some families about the history of their homes – although Wendy did a lot of it in the beginning – in time, I took over all of that as eventually she took another job, but, you know, they had the historical society to run. I think Tom just really needed someone who talked a little more of the language to keep connected with the historical society and the history side of it. That's my take, if you ever tape Tom, maybe he'll have a different, <laugh> a different take on it. Peirce: <laugh> No, that's absolutely fair. That takes me into something else I kind of wanted to explore with you if don't mind. I'm very interested in how you and Wendy and Tom and everybody else who was involved – especially in the beginning – how you managed to convince people to take part in this project. Because like you said, a lot of these people, these aren't just like “Oh, I own this random home that is just sitting out here for display.” This is where people live and work and raise their families. How did you manage to convince people to take part in what you were trying to achieve? Especially in the beginning. Clausen: You know, I haven't thought about it. Some of it was Tom's personal contacts and he knows people who know people and he knocked on doors, and then Wendy at the historical society, they also knew people who had adobe homes and was literally making lists, like, “Should we call this one? Should we call that one?” but I have to wonder now that you brought it up if the timing was right. Garden tours were becoming very popular at the time. They were fundraisers for not just historical societies, but you know, maybe natural garden clubs. I think garden clubs maybe had a longer history of that, but history house tours were becoming popular at the time. I think a lot of that starts going backwards to the US bicentennial, where historic preservation was taking off, and I have to wonder if people who buy adobe homes sort of needed a validation. Recently he had a potluck, and I ran into a lady who said, “My friends tell me you're crazy to have bought this home. You know, why would you live in this mud home?” <laugh> so maybe there's just a little twinkle of wanting the validation. You know, I'm really taking a guess at this; I hadn't really thought about it. But I do think people had the confidence –the historical society had been doing an annual home tour and then the old neighborhood in downtown Escondido, they started doing a Mother's Day home tour – so the idea of a home tour maybe wasn't as foreign had we been maybe one of the first to ever do this in Escondido. I think those two projects really made people aware and it wasn't just so scary that other people were opening their houses. In the old neighborhood after COVID, it'll be the first time in a few years, and they will do another Mother's Day home tour, and I think they're on their like 25th anniversary. And the historical society, they partnered with that, so they had the experience also and word of mouth that this isn't kind of some creepy people knocking on the door saying, “Whoa, you know, what you can do is clean up your house and let people in.” So, I really didn't think about it and it's not scientific by any manner, but I think there is an opening and I find that Adobe Home Tours love the validation. They love to know that other people, once they've seen their house, they get it. They really think it's something special. That's just my take on it. Peirce: Transcribed by Jake Peirce and Sierra Jenkins 3 2022-05-13 �ALEXA CLAUSEN TRANSCRIPT, INTERVIEW, 2022-04-12 Absolutely. I mean, that makes complete sense. One question I did have as well: was there any sort of impetus? Was this just organic? You just happened to bring this up and it just kind of grew up? Or was there any sort of given that some people want that validation, right? A lot of people may not want to live in this kind of home. Was there any sort of preservation or were these houses being torn down or was there any sort of event like that that was kind of like, “Man, maybe we should foster some sort of appreciation within the region to make sure that we keep this history alive a little bit.”? Clausen: You know, I think that became one of our causes or mantras or whatever is as we backed into this – like just a couple of mom and pop <laugh> people with no experience but some dumb luck and some decent connections – is that as these homes aged, and of course, in the history of a lot of the homes, the midcentury, the builders and the real estate developers, they picked out, we call it ‘cherry picked’ the lots. You could go into orange groves and carve out incredible views – and many of the adobe homes have incredible views – and I believe that before property values really started to skyrocket that they were at risk because once you have an incredible view, then you know, we came the era of McMansions. This is happening in cities everywhere: Los Angeles and San Francisco are some of the worst cases where the beautiful Spanish revival homes are gone. They're bulldozed for these – you know, it's probably not polite to call McMansions; someone coined that phrase for overbloated size of houses with great views. I think we all, the core of us that worked on this had the feeling that they were at risk. The other timing of this is many homes are not eligible for Mills Act and historic preservation review unless they've reached 50 years old. Now, many of the adobes that were in the midcentury revival, the boom that started with the edges of Longview Acres and up and down here in the Via Rancho Parkway area around Felicita Park, Adobe homes were starting to be built in the late forties and into the fifties. If the home had not reached 50 years old, it was not eligible for review as a candidate for a higher level of putting out on a register for review and protection. There's no guarantee, but I think that the age started working for us as these homes were turning fifty and the appreciation with the old neighborhood and appreciation everywhere was starting to grow and the concern for being bulldozed. So it's almost like you had a little bit of a perfect storm coming in for the recognition of an adobe home, and they did stop construction by state law in the eighties. So, then another one of our “Gee, you, you're not going to see these again. You have a chance to really see something special.” Peirce: Was there a reason that they stopped the construction at that point? Was it just not feasible for like a, what is it, like an earthquake code or something like that? Clausen: Well, I talked to several builders. George Patterson when he was living and then Mike Burton, whose father and grandfather – Hiram Smith his grandfather and then Don Burton his father – they had no concerns about earthquakes. They were using a lot of rebar and the adobe block by that time had added a petroleum-based product developed in the late thirties and through the war time, so adobe block now was solid construction. I was told it was all about thermal and insulation. Both builders said it was an argument with the state of California with, I don't know, engineering approval people that went down to the county, that an adobe will take in thermal heating, you know, it takes three days to warm up and, you know, on and on, and they refused to approve adobe construction based on that. The other thing the builder said is that the labor became too costly; you had labor, construction workers still willing up to a certain time to take and build these, you know, carry these blocks and do this kind of labor. It was Transcribed by Jake Peirce and Sierra Jenkins 4 2022-05-13 �ALEXA CLAUSEN TRANSCRIPT, INTERVIEW, 2022-04-12 easier to get a job somewhere else, and it didn't, you know, literally break your back. So between the rise of cost of labor – and then in Escondido, the adobe block yard went out of business; the blocks now had to be shipped from Fresno or elsewhere – and it became just too costly to build. So, it was all those things. Peirce: Yeah. That makes sense. You know, it tends to go when things become cost prohibitive, it definitely will stop people in their tracks and in terms of doing that kind of stuff. Clausen: Right. So that ended adobe construction in California, because of course there still is adobe construction in New Mexico, Arizona, and globally, for that matter, you know, worldwide. The adobe is still a popular way to build a cheap way if you have the labor. Peirce: Yeah, absolutely. Seeing that this isn't the only place where Adobe houses were built – and are built even to this day – as you guys kind of built this program and as it continued to grow, was there any sort of view of trying to expand to a larger area or working with other tours if they existed in places like New Mexico, to try and collaborate in any way? Or was this a very grassroots, “We’re sticking where we are and just kind of making this grow naturally where it is?” Clausen: Well, I think we would've loved to become a bigger, wider organization, but it all comes down to volunteers. And as you know, a lot of this, unless you're a paid staff putting on something like this-Although we were thrilled: we had a tour in Pauma Valley a few years ago, we've been invited to work with Valley Center Historical Society; there's a number of adobes there. We were also invited through Dominic Calarco who supervises the park system in Carlsbad; they would like to feature Leo Carillo and find some adobe homeowners there. So, we do have an interest, very North County interested people, and we'd like to do that, and then it keeps it from being boring Escondido; not boring, but, you know, you do sort of run out of homes or people that are willing. We do have bigger interest, and we know that people have traveled from Los Angeles and from other places to come and see the homes and be on the tour. In an ideal world? Yeah, wouldn’t it be neat to have this grand old, famous tour? You know, some cities do – the Palm Springs mid-century modern tour is just crazy famous, the Pasadena tours are – but we're restricted now by just a small group of volunteers. Peirce: Absolutely. Yeah, it can be difficult even with that outside interest when you don't have the facility to make it happen, whether it's personnel or whatever. There's always a friction, there's always that rub that kind of keeps you from doing more, even if there's the interest. Did you take anything from other tours? Did you learn from them? Or did you go, “We want to do something different. We want to kind of stick to our own program here?” Clausen: You know, the way I think this evolved, with a number of our Adobe homeowners haved jumped in after their home was on the tour to take a role and to help out. And so, for example, our current webmaster, Transcribed by Jake Peirce and Sierra Jenkins 5 2022-05-13 �ALEXA CLAUSEN TRANSCRIPT, INTERVIEW, 2022-04-12 Don, he took over the website. Intense interest in adobe, and really likes to post a lot of stuff, even adobe homes for sale. And then we had a lady – Mary Del May – she had taken over for Wendy in 2015 I want to say, I'll have to look it up, and professionalized it, and Tom; all of them have been on other home tours. So, I think what they brought to the table was things they liked, like, “Gee, you know, it was nice when we had a booklet, a full booklet and, you know, we could cut costs by having sponsor pages. That'll help the printing if we do a bigger booklet.” So, our homeowners who jumped in, I think they did bring experience from things they liked going on other tours. Then as we planned this, I think some things from other tours come in like don't let people stand too long. “Oh, we were in Tucson. We had to wait 45 minutes, but they sold cocktails.” <laugh> We're like, oh, we can't sell cocktails, but you know, we do have these, yeah. I think that everyone who has participated brings what they like, and they don't like, suggestions, they work, they don't, we've tried some things. So yeah, I'd say that we have benefited from other tours. Peirce: And it also sounds like you've benefited from, as you've done this program, collaborating with some of the people that have owned these homes, right? Like you said earlier-Clausen: Oh, absolutely. Peirce: It sounds like that's really been honestly, and correct me if I'm wrong, kind of the heart of the program as it's moved forward. Clausen: It really was helpful because in order to invite and ask people “Would you have your home on the tour?” They're shaking in their boots and to have other homeowners say, look, here's some information, which they've developed a little “Hello, homeowner, potential homeowner. This is what we did, little hit lists of this is what happens.” And then we also developed a security docent guide and docent stations. And that came out of the feedback from the homeowners to pace our volunteers throughout the home and allow people not to wander through on their own, but in groups as a group tour. And a lot of this came from the feedback of the homeowners wanting a little more security, a little more confidence, and most of the kind of tips for, “Hey, do you want to be on our tour,” came from the other homeowners. Absolutely. You know, lessons learned or could have, should have, would have. It's always a little growing thing. I think you're right. I think that this definitely comes from within. Peirce: Absolutely, and that's incredible, right? To really get that kind of support from people who see what the benefit is of highlighting this stuff, and just kind of doing that because it not only gets people to participate, but it brings their energy and their enthusiasm along with it. Speaking of enthusiasm, I know that there has been concern in some sectors of historians who are worried about people not being interested in history, people being ignorant of history. What efforts, if any, do you guys have to put in to get people interested in this part of history? Was there any sort of education that you had to put out? Did you have to teach people about this stuff? Did you find any struggles in getting people to come at any point? Or was this something that kind of once people heard about it, they were like “I'd like to learn more about that” or did you fight any struggles? Transcribed by Jake Peirce and Sierra Jenkins 6 2022-05-13 �ALEXA CLAUSEN TRANSCRIPT, INTERVIEW, 2022-04-12 Clausen: You know, we're always amazed at how easy this comes. I think being in the San Diego drivable region, that we're lucky because we are a county where we can still on a Sunday, get somewhere without a lot of trouble, and we do have the support of... like I mentioned, a lot of other historical societies have done garden tours, home tours, many cities have. And so people that love it, we find from our ticket holders, are a very strange combination with flat out “looky loos”: people that want to remodel their kitchen and they want to see others, as realtors are being a little more cautious about appointments and who comes in – for good reason, not to waste their time and security. So we have the people that just love to see other people's homes, and then we have just very hardcore interested – either mid-century modern architecture, maybe even students of architecture, and hobbyists – they are there for the architecture. We have a pretty neat little group of people interested in the garden now. Not every home is going to have a fancy garden – not by any means – but they're there primarily to see the garden and enjoy the garden. And then we do have history buffs; like that's what I'm just labeling people that love the history. Then year by year, we've tried to pick a theme. LIke last year: “The Romance of the Rancho” where we just call it out that maybe some of this is California fantasy, you know, and the places were carved out of orange groves, they're close to the earth. In some cases, the adobe block was made right there, right on the acreage that was formed and bulldozed, lot of use of heavy beams, sort of that romance of the Rancho. So we've brought that up. In Pauma, we had a chance to talk about the Luiseños building the Pauma mission. We had that be one of our stops and made sure that we arranged to include that. A lot of people told us, “You know, we've always heard about Pauma Mission and we've never gone. It was a chance to go out there.” Um, so we always get a very different mix, but always a mix of people. The strong elements that we always bask in is the people interested in the architecture, and of course, in the history. But I think some of this is people come along, they will read our booklet or the docents will tell them something and we feel there's an appreciation for the historic preservation that leaves every tour. Peirce: Absolutely. It's fascinating, right? You really have to find your niche and it sounds like this program really has found it in just a wide spectrum of people who are trying to see what you guys are displaying out there. You brought up how not every home has a garden or anything like that. Is there any sort of prerequisite to being on a tour for any of these houses or is it literally just, “Hey, you're an adobe house, you can be on it.” Are you a little choosy? How does that specifically work where you decide what goes on each tour? Clausen: We do have some levels. We've had some very simple, honest homes and then we've had some just outrageously beautiful homes from adobe. In some cases we've had to turn people down because in the times they were built the driveways and the parking are impossible. There still are a lot of niches around the Escondido area where they were carved out of an old orange or avocado grove and the parking and the in and out is just out of the question. So that's always a consideration, although we've had some pretty narrow tight squeezes. Some homes, once we've talked to the homeowners, they say, you know, we're really not ready. We would like our home to be, uh, a little closer to ready. They often bought the adobe as a fixer upper, but as everyone knows, it takes time and money and planning, and we've had homeowners who've come back and say, you know, now we're ready. In some cases, we had to turn down people because they were just way too out of the way. I'll give you an example: last tour we had on the edge of Rancho Santa Fe the Osuna adobe, and then a home in Del Dios and then across Escondido, just behind the mall, two homes in that general area – that were drivable. I think we had a Transcribed by Jake Peirce and Sierra Jenkins 7 2022-05-13 �ALEXA CLAUSEN TRANSCRIPT, INTERVIEW, 2022-04-12 house offer way on Deer Springs Road. And so John – our webmaster – sometimes he would take and calculate the mileage, and then if you're 25 minutes one way and the only home out there, we would think that the homeowner would get gypped, you know, people would just say “Let's just go get lunch. We won't drive out there.” So we've tried to save some of the names and the addresses, so we could do a closer cluster of homes and hopefully we haven't missed out on anyone yet, and hanging onto names lets us be able to do that. We've had people who, as they've moved forward, say we just can't do this, you know, family circumstances or everyone just couldn't get on board. You know, a lot of things we expect could happen. We've gotten two thirds of the way and we've had people bail for very legitimate, understandable reasons. In a few cases, we've had previous homes on the tour again. We've had a few homes in that circumstance where an owner stepped up and a lot of times they've made changes. They've learned more about their home and it was enough years for our ticket holders. We have a lot of new ticket holders, so they're not saying, oh, we just saw that home. So yeah, I think there's been a combination of how we get there when the doors open. Peirce: Absolutely. So the individual houses, are the owners responsible for the histography of the tour for those places? Do you guys assist? How does that collaboration work? Clausen: In the last five years, I think I've done the majority of the history. In a lot of cases though, with new owners, sometimes we've gotten really lucky. They're walking their dog, they run into an old timer from the neighborhood, you know, someone who has lived there 40 years, and they'd come back as we're developing the history of their home, or they'd get a lead: a phone number of someone who knew who still own the home. So we've had a combination. I'd say maybe I do easily 70 to 75% of the research, and then 25% comes in from a lot of odd places and on occasion the homeowner themselves. So yeah, I think I've been doing most of it. For the internal side of it, the docent guide, then we lean on the homeowner for their remodel or what they were told about the remodel. If they have a newer kitchen maybe put in in the late eighties – they were told about it by the realtor – the docent on the kitchen stop will let people know what they're looking at. I'd say I've done a good portion of the research. Peirce: Awesome. Has that been a struggle as well, given that some of these houses - I don't wanna say they're not important, right? They are important, they're historical in their own way. But it’s not like Greta Garbo lived there; they're just regular homes in Escondido. Has that been difficult to gather that information? Clausen: You know, I've been stuck on homes for variety of reasons. Sometimes what happens is, let's say the homeowner had the adobe built for themselves and they worked the rest of their career at a conveyor belt as an engineer and retired, and perhaps their spouse was a schoolteacher and, you know, very wonderful everyday people. When we actually go look at the house, we generally will start finding jewels on some of the architecture. I think we've been pretty fortunate to have builders who have included architecture to keep the story going. This will be the treatment of the open beams or the fireplaces. Very often, we've had wonderful surviving fireplaces that were not remodeled; they're still there. We've had homes where the windows were yet not removed; they were still the old aluminum encasement crank windows, really neat, like ribbon style. It would even be the placement of arches, you Transcribed by Jake Peirce and Sierra Jenkins 8 2022-05-13 �ALEXA CLAUSEN TRANSCRIPT, INTERVIEW, 2022-04-12 know, opening the arch of one room into the next. The unbelievable plate glass windows from floor to ceiling, capturing a style that is brought in from the craftsman era – Cliff May, who has been considered the father of the ranch house style that became mid-century and popularized – how they took the sense of bringing the outdoor to the edge of the indoor. The adobe builders in the mid-century – we’ve found the Weir brothers and others – they will do that plate glass window with the view, right from the bottom, right to the edge of the eaves with phenomenal views, taking advantage and placing the home on that view. Without a doubt, the architecture will jump in and take over. Funky chimney treatments, little touches like a little hut, an opening to put in firewood, right by the fireplace treatment of the mantle or the hearth. Maybe there's some amber inserted glass that's still from the original; once in a while, even the lighting fixtures. So, many homes where the owner isn't recognized as such as a fantastic story, usually the architecture jumps right in; there's something that has survived the floor treatment. We have homes with original flagstone, original tile, you know, goes on and on. So from room to room, as we're giving the tours and highlighting these things, we can keep the audience, the visitor very interested. And that's usually very rewarding to know that these original features are still there. Peirce: Absolutely. Have you had, has there been a home that was just completely original or do they all need work at some point? Clausen: Well, we have had a few that had a remarkable amount of original features left, and that usually gets us going pretty good. Now of course, I think the thing that happens to most houses is the kitchens need updating very badly, and often the bathrooms. But we have homes where even there's been extensive remodeling, we still recognize – I'll just use Weir for example because they're so well-known – some of the weird features are cabinet treatments, maybe even the lintels on the window trim, possibly the addition of a certain shape of a breakfast nook. So, we almost always see these features survive. We haven't really had homes that were entirely gutted. We've had some pretty good luck. Peirce: That's amazing. I mean, just thinking about how homes are now and people just rip them up and then build them back up.... Clausen: They do, and some of us don't even like to watch those shows where they come into a midcentury modern home with a sledgehammer; sometimes it's kind of creepy. Peirce: And a little upsetting, especially for someone who has been doing these kinds of tours, right? Looking at the big picture: do you feel that the tour has been successful in achieving the initial goals of what you were trying to do? Did it kind of mushroom beyond that? And if so, do you feel like there are things that you never thought were possible and things that you kind of wish you could have branched out into? Clausen: No, I think that those of us who started early on are honestly always amazed how this can sustain interest. And we're always thrilled for the feedback; not everyone's happy on our tours, of course not. Transcribed by Jake Peirce and Sierra Jenkins 9 2022-05-13 �ALEXA CLAUSEN TRANSCRIPT, INTERVIEW, 2022-04-12 But we believe that the awareness of adobe construction and word of mouth and people wanting to see an adobe home, the inside of one, was well beyond our expectations. Absolutely. In terms of getting bigger, there's not enough of us. We think we will always have to limit our ticket sales. I mean, it'd be wonderful to run it two days. It'd be wonderful to raise more money, but there's just not enough of us. Really, I think raising people's understanding of what this construction is and what it was, and then historically its roots, you know, the adobe as construction material in California, I think we've done a pretty good job getting the message across and getting interest. Absolutely. We'd like to keep going. We hope we always have enough people and enough houses, but we think with the invitations to Carlsbad and maybe one day Rancho Santa Fe, and certainly Pauma again, Fallbrook has many adobe homes, Vista does... there are communities we still think we can keep going. Peirce: Absolutely. My last question is, it feels like you've created something here in North County that has really kind of stood the test of time here in terms of creating something from scratch and creating something that people come back to. You have repeat customers, you have all these things. What do you hope your legacy is with Adobe Home Tours and where do you hope to see it moving forward? Clausen: Well, I think for most of us and, you know, I can't speak for everyone, but I think for most of us, the importance of having the homes preserved – this is something that's stopped in time. Of course any development is at risk, no matter what, and that the stronger we stay and the higher the appreciation is the less likely that someone will want to buy the home, and as the prices and their value increase, we feel there's a less likelihood that it would be demolished for yet a bigger investment. Although many have been. But we really, I think we'd all like to know that the core of many of these homes will remain and that they'll go another hundred years. Peirce: Absolutely. Yeah, absolutely. Is there anything about this program or anything about your career that you feel that we haven't touched on that you'd like to talk about before we start wrapping this up? Clausen: I think we covered it pretty well. And since we have a lot of programs that are a PDF on the Adobe Home Tour website, and Don keeps posting information – he's very good about answering questions people will forward to him and he'll forward to the rest of us so we can help. I think there's a lot out there now that was not available 10 years ago, so I think anyone that's interested has a check to jump on the website and dig around a little more and if needed con to contact any of us and the steering committee small, but we're out there to just keep promoting the adobe heritage. Peirce: Absolutely. And once again, that was adobehometours.com, correct? Clausen: That's correct. Yes. Peirce: Transcribed by Jake Peirce and Sierra Jenkins 10 2022-05-13 �ALEXA CLAUSEN TRANSCRIPT, INTERVIEW, 2022-04-12 Awesome. Just so just making sure we get that plug out there. Clausen: Okay. Right. Well, Jake, thank you so much. It's been great to talk to you and thanks for taking the interest. Peirce: I appreciate that, absolutely. I want to thank you very much from the bottom of my heart for taking this much time to talk about this. It's been fascinating. Transcribed by Jake Peirce and Sierra Jenkins 11 2022-05-13 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Transcripts Description An account of the resource Written oral histories and transcripts are available for researchers that prefer the written word, or to see the whole interview in a document. Transcripts of <a href="https://archivesoralhistories.csusm.edu/collections/show/5">audio and video files</a> are also available as part of those video files. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clausen, Alexa. Interview transcript. April 12, 2022. Description An account of the resource Alexa Clausen is one of the founders of the Adobe Home Tours in North County San Diego, providing much of the historiography of each stop on their yearly tours. She was employed as a historian with California State Parks prior to her involvement with Adobe Home Tours. In this interview, Alexa speaks about how Adobe Home Tours started, the successes and difficulties with running a program like Adobe Home Tours, and how her background with California State Parks helped prepare her for her current role. This oral history was made possible with generous funding from the Ellie Johns Foundation. Creator An entity primarily responsible for making the resource Alexa Clausen Contributor An entity responsible for making contributions to the resource Jacob Peirce Sierra Jenkins Date A point or period of time associated with an event in the lifecycle of the resource 2022-04-12 Subject The topic of the resource Adobe houses Historic buildings -- Conservation and restoration Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego County (Calif.) 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral history of Theresa Rios, April 7, 2022 Description An account of the resource Theresa Rios is a retired Escondido librarian, where she created Las Embajadores Biblioteca. In this interview, Theresa discusses teaching children to read, empowering children to learn, and how her childhood impacted her passion for teaching children to read and love learning. This oral history was made possible with generous funding from the Ellie Johns Foundation. Creator An entity primarily responsible for making the resource Theresa Rios Contributor An entity responsible for making contributions to the resource Madison Teater Date A point or period of time associated with an event in the lifecycle of the resource 2022-04-07 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Escondido (Calif.) Arizona Publisher An entity responsible for making the resource available California State University San Marcos University Library Language A language of the resource English Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC/1.0/?language=en" target="_blank" rel="noopener">In copyright</a> Rights Holder A person or organization owning or managing rights over the resource. Theresa Rios License A legal document giving official permission to do something with the resource. <a href="https://creativecommons.org/licenses/by-nc/4.0/">https://creativecommons.org/licenses/by-nc/4.0/</a> Type The nature or genre of the resource Sound https://archivesoralhistories.csusm.edu/files/original/45c2cfd31ca6068f7c1bbef6263d29e6.mp3 05a3636e7fc2dd411965b397ba53648a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral history of Alexa Clausen, April 12, 2022 Description An account of the resource Alexa Clausen is one of the founders of the Adobe Home Tours in North County San Diego, providing much of the histiography of each stop on their yearly tours. She was employed as a historian with California State Parks prior to her involvement with Adobe Home Tours. In this interview, Alexa speaks about how Adobe Home Tours started, the successes and difficulties with running a program like Adobe Home Tours, and how her background with California State Parks helped prepare her for her current role. This oral history was made possible with generous funding from the Ellie Johns Foundation. Creator An entity primarily responsible for making the resource Alexa Clausen Contributor An entity responsible for making contributions to the resource Jake Peirce Date A point or period of time associated with an event in the lifecycle of the resource 2022-04-12 Publisher An entity responsible for making the resource available California State University San Marcos University Library Language A language of the resource English Rights Information about rights held in and over the resource https://rightsstatements.org/page/InC/1.0/?language=en Rights Holder A person or organization owning or managing rights over the resource. Alexa Clausen License A legal document giving official permission to do something with the resource. https://creativecommons.org/licenses/by-nc/4.0/ Type The nature or genre of the resource Sound https://archivesoralhistories.csusm.edu/files/original/3b6624b33deba86cb7ceb886c3d6cec2.mp4 b5ff77a5c0e25454c0dcaa2b8a431ee0 Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral history of Tanis Brown, April 13, 2022 Description An account of the resource Tanis Brown is the President of the San Marcos Historical Society and is involved in many local history projects and educational outreach initiatives. In this interview, Tanis discusses her involvement in the city of San Marcos, CA since the 1970s. Tanis quickly became active in the San Marcos Chamber of Commerce and was among the first group of students to enroll in California State University San Marcos. A few years later, she became an employee of CSUSM, establishing the university’s first housing program and working in human resources. Now as President of the San Marcos Historical Society, Tanis is passionate about sharing San Marcos’ local history with her community and with future generations. This oral history was made possible with generous funding from the Ellie Johns Foundation. Creator An entity primarily responsible for making the resource Tanis Brown Contributor An entity responsible for making contributions to the resource Julia Friedman Date A point or period of time associated with an event in the lifecycle of the resource 2022-04-13 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Marcos (Calif.) 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Title A name given to the resource Oral history of Thao Ha, April 19, 2022 Description An account of the resource Dr. Thao Ha is a Vietnamese refugee who has become a sociology professor at Mira Costa College. Her path to personal, and professional success wound its way through traditional immigrant struggles as well as gang violence. In this interview Dr. Ha discusses her families escape from Vietnam at the end of the Vietnam War, her childhood in the United States, her involvement around gangs, and her educational pathway. This oral history was made possible with generous funding from the Ellie Johns Foundation. Creator An entity primarily responsible for making the resource Thao Ha Contributor An entity responsible for making contributions to the resource Robert Sheehan Date A point or period of time associated with an event in the lifecycle of the resource 2022-04-19 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego (Calif.) Ho Chi Minh City (Vietnam) Houston (Tex.) Publisher An entity responsible for making the resource available California State University San Marcos University Library Language A language of the resource English Rights Information about rights held in and over the resource <table width="137"> <tbody> <tr> <td width="137"><span data-contrast="none"><a href="https://rightsstatements.org/page/InC/1.0/?language=en">https://rightsstatements.org/page/InC/1.0/?language=en&nbsp;&nbsp;</a></span></td> </tr> </tbody> </table> Rights Holder A person or organization owning or managing rights over the resource. 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