8 10 196 https://archivesoralhistories.csusm.edu/files/original/e39a7269adfb6f617332ddb8b0f26292.pdf 93a95fbeaad3844a182564173482e50e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Transcripts Description An account of the resource Written oral histories and transcripts are available for researchers that prefer the written word, or to see the whole interview in a document. Transcripts of <a href="https://archivesoralhistories.csusm.edu/collections/show/5">audio and video files</a> are also available as part of those video files. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gilmore, Geoffrey. Interview transcript, April 14th, 2021. Description An account of the resource Dr. Geoffrey Gilmore played a key role in the development of the Black Student Center at CSUSM. In this interview, Gilmore touches on the issues of Black people within academic spaces and his experience helping students to succeed on a university level. Dr. Gilmore also discusses his own history as he moved from Los Angeles to Seattle, and back to California. Creator An entity primarily responsible for making the resource Geoffrey Gilmore Contributor An entity responsible for making contributions to the resource Sierra Jenkins Date A point or period of time associated with an event in the lifecycle of the resource 2021-04-14 Subject The topic of the resource Activism, Student Anti-Black Racism California State University San Marcos, Black Student Center Student Success, Black Black experience in America Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Los Angeles (Calif.) Seattle (Wash.) San Marcos (Calif.) Publisher An entity responsible for making the resource available California State University San Marcos University Library Language A language of the resource English Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC/1.0/?language=en." target="_blank" rel="noopener">In copyright</a> Rights Holder A person or organization owning or managing rights over the resource. Geoffrey Gilmore Format The file format, physical medium, or dimensions of the resource text Identifier An unambiguous reference to the resource within a given context GilmoreGeoffrey_JenkinsSierra_2021-04-14_transcript Is Part Of A related resource in which the described resource is physically or logically included. Black Student Center Oral History Project Black experience Black Student Center Oral History Project https://archivesoralhistories.csusm.edu/files/original/5c41e45a9e19b8754a22c3428a572fc2.mp4 e282ae6225774ef6b527980b1089ce42 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral Histories Description An account of the resource Video and audio oral histories can be viewed here. Histories are listed alphabetically by last name. Individual histories are indexed and transcribed and can be searched. Publisher An entity responsible for making the resource available California State University San Marcos University Library Rights Information about rights held in and over the resource <p>Rights to oral histories vary depending on the history. The library owns the copyright to some histories, and has license to reproduce for nonprofit purposes for others. Please contact CSUSM University Library Special Collections at <a href="mailto:%20archives@csusm.edu">archives@csusm.edu</a> with any questions about use.</p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral history of Karen Schaffman, June 5, 2025 Creator An entity primarily responsible for making the resource Karen Schaffman Contributor An entity responsible for making contributions to the resource Jennifer Fabbi Date A point or period of time associated with an event in the lifecycle of the resource 2025-06-05 Language A language of the resource English Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC/1.0/?language=en" target="_blank" rel="noopener">In copyright</a> Rights Holder A person or organization owning or managing rights over the resource. Karen Schaffman License A legal document giving official permission to do something with the resource. https://creativecommons.org/licenses/by-nc/4.0/ Description An account of the resource Dr. Karen Schaffman is a Professor of Dance at California State University San Marcos since 2002. She has been pivotal to the development of the Dance program at CSUSM. For Karen dancing is a transformative, healing and transgressive force for self-awareness, political change and social communication. In this interview, Schaffman covers her early exposure to dance, her formal education, international work, and her time at CSUSM. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Connecticut Amherst (Mass.) Riverside (Calif.) San Francisco (Calif.) Holland Germany San Marcos (Calif.) Subject The topic of the resource Higher education Dance Study and teaching Improvisation in dance Movement education California State University San Marcos -- Faculty Type The nature or genre of the resource moving image Art and artists CSUSM history Women's experience https://archivesoralhistories.csusm.edu/files/original/7dcf86c4fe6bc8b429316d83d49b9a41.mp4 4b944af44d5690584c9a4c8d3ca857cd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral history of David Taitingfong, August 30, 2024 Description An account of the resource David Taitingfong is a member of the Chamorro community and involved with the group Prugraman Sinipok, which teaches a two week Chamorro language immersion program. David describes his involvement with Prugraman Sinipok and how his interest in sharing the Chamorro lanugage and culture has shaped his life. Creator An entity primarily responsible for making the resource David Taitingfong Contributor An entity responsible for making contributions to the resource Robert Sheehan Date A point or period of time associated with an event in the lifecycle of the resource 2024-08-30 Subject The topic of the resource Language revival Chamorro language Chamorro (Micronesian people) -- History Chamorro (Micronesian people) -- Social life and customs Colonization -- Spain -- Oceania Colonization -- Japan Colonization -- United States -- Guam Decolonization -- Guam Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Guam, United States Publisher An entity responsible for making the resource available California State University San Marcos University Library Language A language of the resource This interview is conducted in English and Chamorro Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC/1.0/?language=en"><strong>In copyright</strong></a> Rights Holder A person or organization owning or managing rights over the resource. David Taitingfong License A legal document giving official permission to do something with the resource. https://creativecommons.org/licenses/by-nc/4.0/ Type The nature or genre of the resource Audio file Identifier An unambiguous reference to the resource within a given context TaitingfongDavid_SheehanRobert_2024-08-30 Is Part Of A related resource in which the described resource is physically or logically included. community history https://archivesoralhistories.csusm.edu/files/original/b428ee31bab3ba47aa9b2353b1ee70e4.pdf 88bb2f40eee9163df7c45f0134d9cf7f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Transcripts Description An account of the resource Written oral histories and transcripts are available for researchers that prefer the written word, or to see the whole interview in a document. Transcripts of <a href="https://archivesoralhistories.csusm.edu/collections/show/5">audio and video files</a> are also available as part of those video files. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stevenson, Ariel. Interview transcript, April 15, 2021. Description An account of the resource Ariel Stevenson works in the Office of Inclusive Excellence at California State University San Marcos where she works closely with students to increase the diversity on campus. Stevenson has been on campus for 15 years. In this interview Stevenson discusses her impact on campus, including the way she helped get the Black Student Center open through student impact and support. She also discusses her experience as a Black student and CSUSM employee. Creator An entity primarily responsible for making the resource Ariel Stevenson Contributor An entity responsible for making contributions to the resource Ayana Ford Date A point or period of time associated with an event in the lifecycle of the resource 2021-04-15 Subject The topic of the resource Activism, Student Anti-Black Racism California State University San Marcos, Black Student Center California State University San Marcos, Office of Inclusive Excellence Student success, Black Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Marcos (Calif.) Farrell (Penn.) Warren (Ohio) Reading (Penn.) Publisher An entity responsible for making the resource available California State University San Marcos University Library Language A language of the resource English Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC/1.0/?language=en" target="_blank" rel="noopener">In copyright</a> Rights Holder A person or organization owning or managing rights over the resource. Ariel Stevenson Format The file format, physical medium, or dimensions of the resource text Identifier An unambiguous reference to the resource within a given context StevensonAriel_FordAyana_2021-04-15_transcript Is Part Of A related resource in which the described resource is physically or logically included. Black Student Center Oral History Project Black experience Black Student Center Oral History Project https://archivesoralhistories.csusm.edu/files/original/7544e0fd4dd9179f144e1eb4d985afb4.pdf aa25757789fa26e5e45dc03a2a2c51dd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Transcripts Description An account of the resource Written oral histories and transcripts are available for researchers that prefer the written word, or to see the whole interview in a document. Transcripts of <a href="https://archivesoralhistories.csusm.edu/collections/show/5">audio and video files</a> are also available as part of those video files. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Johnson, Jamaéla. Interview transcript, April 30, 2021. Description An account of the resource Jamaéla Johnson is an alumna of California State University San Marcos. While at CSUSM, she worked in various capacities on campus with the Gender Equity Center, the Black Student Union, and Associated Students Incorporated (ASI). Much of her work involved talking and working with fellow students regarding their shared needs around campus. In her interview, Johnson discusses her roles in advocating for the Black Student Center, as well as the journey towards the Center's opening. Creator An entity primarily responsible for making the resource Jamaéla Johnson Contributor An entity responsible for making contributions to the resource Ayana Ford Date A point or period of time associated with an event in the lifecycle of the resource 2021-04-30 Subject The topic of the resource Black experience in America California State University San Marcos, Associated Students Incorporated California State University San Marcos, Black Student Center California State University San Marcos--Students Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Marcos (Calif.) San Diego (Calif.) Publisher An entity responsible for making the resource available California State University San Marcos University Library Language A language of the resource English Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC/1.0/?language=en" target="_blank" rel="noopener">In copyright.</a> Rights Holder A person or organization owning or managing rights over the resource. Jamaéla Johnson Format The file format, physical medium, or dimensions of the resource text Identifier An unambiguous reference to the resource within a given context JohnsonJamaéla_FordAyana_2021-04-30_transcript Is Part Of A related resource in which the described resource is physically or logically included. Black Student Center Oral History Project Black experience Black Student Center Oral History Project https://archivesoralhistories.csusm.edu/files/original/f9051e89eaf3907515a0840ab7845661.pdf b10d29ee67186d73e18da3f3f54052eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Transcripts Description An account of the resource Written oral histories and transcripts are available for researchers that prefer the written word, or to see the whole interview in a document. Transcripts of <a href="https://archivesoralhistories.csusm.edu/collections/show/5">audio and video files</a> are also available as part of those video files. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cull, Lynda. Interview transcript, May 11, 2017. Description An account of the resource Oral history interview of Lynda Cull on May 11, 2017 at Stone World Bistro and Gardens, Escondido, CA. Cull is a home brewer and financial consultant specializing in the beer industry. In this interview, Lynda discusses how she got into home brewing and her career as a financial professional in the brewing industry. She speaks to her experience with brewing groups in the San Diego area and as a woman in the brewing industry. Creator An entity primarily responsible for making the resource Lynda Cull Contributor An entity responsible for making contributions to the resource Judith Downie Date A point or period of time associated with an event in the lifecycle of the resource 2017-05-11 Publisher An entity responsible for making the resource available California State University San Marcos University Library Language A language of the resource English Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC/1.0/?language=en" title="In copyright">https://rightsstatements.org/page/InC/1.0/?language=en</a> Rights Holder A person or organization owning or managing rights over the resource. California State University San Marcos Format The file format, physical medium, or dimensions of the resource text Identifier An unambiguous reference to the resource within a given context CullLynda_DownieJudith_2017-05-11_ADAtranscript Subject The topic of the resource Brewing industry -- California -- History Microbreweries -- California -- San Diego County Home brewing Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Escondido (Calif.). San Diego (Calif.), Spain Brewchive(r) Community history Women's experience https://archivesoralhistories.csusm.edu/files/original/b7e2e7222d260ca5443d68b16165a3cd.pdf 906ec8914dc64d4d28d2752d91f3e08a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Transcripts Description An account of the resource Written oral histories and transcripts are available for researchers that prefer the written word, or to see the whole interview in a document. Transcripts of <a href="https://archivesoralhistories.csusm.edu/collections/show/5">audio and video files</a> are also available as part of those video files. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Macchia, Jerry. Interview transcript, May 13, 1992. Description An account of the resource Transcript of interview conducted May 12, 1992 by CSUSM Library Dean Marion Reid with Green Tiger Press owner/publisher Jerry Macchia. In his interview, Macchia speaks to his experience in taking over Green Tiger Press in 1986; his work before taking over Green Tiger Press with a forklift company in Michigan; shifting from a printing house to a publisher model; the Press's original owners, Harold and Sandra Darling and Harold Leigh; and the general history of the Press, its logo and name, and business operations. Macchia delves into the sale of Green Tiger Press to Simon & Schuster in detail, and discusses his involvement in leasing the San Marcos, California former Green Tiger building to California State University San Marcos, where the university's Foundation operations were housed, as well as overflow shelving for the library. Creator An entity primarily responsible for making the resource Jerry Macchia Contributor An entity responsible for making contributions to the resource Marion Reid Sean Visintainer Date A point or period of time associated with an event in the lifecycle of the resource 1992-05-13 Subject The topic of the resource California State University San Marcos California State University San Marcos. Foundation California State University San Marcos. University Library Green Tiger Press Publishers and publishing -- California -- San Diego -- History Simon and Schuster (Inc.) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Diego (Calif.) San Marcos (Calif.) Publisher An entity responsible for making the resource available California State University San Marcos University Library Language A language of the resource English Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC/1.0/?language=en">In copyright</a> Format The file format, physical medium, or dimensions of the resource text Identifier An unambiguous reference to the resource within a given context SC060-01 MacchiaJerry_ReidMarion_1992-05-13_transcript Community history CSUSM history Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral Histories Description An account of the resource Video and audio oral histories can be viewed here. Histories are listed alphabetically by last name. Individual histories are indexed and transcribed and can be searched. Publisher An entity responsible for making the resource available California State University San Marcos University Library Rights Information about rights held in and over the resource <p>Rights to oral histories vary depending on the history. The library owns the copyright to some histories, and has license to reproduce for nonprofit purposes for others. Please contact CSUSM University Library Special Collections at <a href="mailto:%20archives@csusm.edu">archives@csusm.edu</a> with any questions about use.</p> Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Ayana Ford Interviewee The person(s) being interviewed Jamaéla Johnson OHMS Object This field contains the OHMS Hyperlink (link to the XML file within the OHMS Viewer) https://archivesoralhistories.csusm.edu/ohms-viewer/render.php?cachefile=JohnsonJamaela_FordAyana_2021-04-30_access.xml Interview Keyword This filed adds keywords to the Omeka Oral History item type. Keywords are included in the OHMS XML, this field in Omeka will allow for full data migration between OHMS XML and the Omeka Record. This field does not impact the OHMS / Omeka integration and is optional if you do not need to map the "keywords" field in the OHMS XML to the corresponding Omeka record. CSUSM Alumni;Black Student Center;Black Alumni;Black Hair Movement;, Black Lives Matter;Historically Black Colleges and Universities OHMS Object Text This field contains the OHMS Index and / or Transcript and is what makes the contents of the OHMS object searchable in Omeka 6.0 Johnson, Jamaéla. Interview April 30th, 2021. SC027-06 01:27:19 SC027 California State University San Marcos University Library oral history collection CSUSM This oral history was made possible in collaboration with the Black Student Center and with generous funding from the Instructionally Related Activities fund. csusm CSUSM Alumni ; Black Student Center ; Black Alumni ; Black Hair Movement ; , Black Lives Matter ; Historically Black Colleges and Universities Jamaéla Johnson Ayana Ford moving image JohnsonJamaela_FordAyana_2021-04-30_access.mp4 0 https://archivesoralhistories.csusm.edu/files/original/d1cb5006f34388220bea424317dbad95.mp4 Other video 0 Introduction Oral history interview of Jamaéla Johnson, April 30th, 2021, by Ayana Ford, University Library, California State University San Marcos. 0 ["[\"[\\\"\\\"]\"]"] 41 Childhood Johnson briefly discusses her childhood in southeastern region of San Diego and her appreciation for growing up with people who look like her. southeastern San Diego ; only child ; culturally dense 0 [""] 128 Discovering an understanding of Blackness Johnson speaks about how her experience in school including her first teachers of color contributed to her belief that she was capable of excelling in education. values ; gifted and talented education ; GATE ; academics ; teachers of color ; potential 0 ["[\"\"]"] 284 Learning about Black history and the Black experience in childhood and adolescence Johnson talks about her exposure to Black history in school, which was superficial at first but became deeper as she as she got into high school and joined the Black Coal and Rose Society. Black history ; Rosa Parks ; Malcom X ; Black Coal and Rose Society ; Black History Month ; Garrett Morgan ; Ida B. Wells ; Civil Rights Movement ; Dr. Martin Luther King, Jr. 0 ["[\"[\\\"[\\\\\\\"[\\\\\\\\\\\\\\\"[\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\"\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\"]\\\\\\\\\\\\\\\"]\\\\\\\"]\\\"]\"]"] 493 Personal impact of Black activism and social justice movements Johnson reflects on how the Civil Rights Movement, Black feminism, and the natural hair movement played an important part in her identity development. Civil Rights Movement ; natural hair movement ; Black feminism ; Women's Center, Gender Equity Center, Historically Black Colleges and Universities ; HBCUs 0 ["[\"\"]"] 1314 Impact of the Black Lives Matter movement Johnson discusses her early recollections of the Black Lives Matter movement, with the death of Trayvon Martin. She talks about the impact of police brutality and her identity formation around being a Black student in a predominantly white institution. Black Lives Matter ; Trayvon Martin trial ; police brutality ; predominantly white institution 0 [""] 1590 Johnson’s role in the establishment of the Black Student Center Johnson speaks about her role as Vice President of Student University Affairs for Associate Students Incorporated (ASI) and how this role afforded her the ability to listen to students needs and understand their desires for a Black Student Center. She was able to then convey this information to the campus administration. During this time, she was also a member of the first all-women of color executive team for ASI. Black Student Center ; Associated Students Incorporated ; diversity and inclusion ; student advocacy ; Tiffaney Boyd ; Bianca Garcia ; Black African American fraternities and sororities ; leadership ; women of color 0 [""] 2080 Vision of the students and faculty for the Black Student Center Johnson discusses the top three priorities for a Black Student Center: community, mentorship, and scholarship. community ; mentorship ; scholarship ; vision ; Black Student Center 0 [""] 2289 University Administration’s vision for the Black Student Center Johnson speaks about two administrative priorities for the Black Student Center: acknowledging student voices and creating a vehicle for student success of some of CSUSM’s most vulnerable populations. She also discusses other campus centers that could be used as a blueprint for the Black Student Center. student success ; resolution ; blueprint ; Women's Center ; Gender Equity Center ; LGBTQ Pride Center ; California Indian Culture and Sovereignty Center ; Latinx Center 0 [""] 2452 Opposition to the creation of the Black Student Center Johnson reflects on the opposing viewpoints and tensions preceding the approval of the Black Student Center. During this time, ASI passed a resolution in favor of creating a Black Student Center but not without opposing viewpoints being shared. A list of demands was also created and sent to University administration. Black Student Center ; resistance to change ; finances ; Compton Cookout ; Black Lives Matter ; Black Power movement ; Black Student Union ; demands ; resolution ; opposing views ; task force ; Associated Students Incorporated ; heightened police presence 0 [""] 3334 The process of opening the Black Student Center Johnson discusses the lead up to the opening of the Black Student Center, including the development of a task force, budget approval, and allocated physical space. task force ; budget ; Black Student Center ; University Student Union ; physical space ; renovation 0 [""] 3561 The Black Student Center Grand Opening Johnson reflects on the grand opening of the Center, her transition from student to staff, and sitting in on the first Black Student Center director search. grand opening ; rewarding ; transition to staff ; Akilah Green ; Tiffaney Boyd ; director 0 [""] 3676 Leaders on the Black Student Center project, their contributions, and unsung heroes Johnson lists organizations and people who were instrumental in the development of the Black Student Center and reflects on the connections she made through the process. Movimiento Estudiantil Chicano de Aztlán ; MEChA ; Kai Guzman ; Dr. Sharon Elise ; Geoffrey Gilmore ; Dr. Dang Chonwerawong ; Akilah Green ; Tiffaney Boyd ; Bianca Garcia ; Louis Adamsel ; Jake Northington ; Daniel Fare ; Dr. Lorena Checa ; President Karen Haynes ; graduation ; connections 0 [""] 4033 Early focus of the Black Student Center’s initiatives, programming, events Johnson lists some of the early initiatives of the Black Student Center including collaborations to bring in prominent Black speakers and connections with local community colleges. University Hour ; Unity Hour ; community building, community colleges ; Miracosta College ; Tulsa Race Riots ; Black Wall Street ; Dr. Cornell West ; Black Faculty and Staff Association ; collaboration ; Black Panther Party ; women’s appreciation 0 [""] 4479 Insight on the main purpose of establishing the Black Student Center and its role as students return to campus post-Covid Johnson discusses how the main purpose of the Black Student Center is to have a space for Black students, faculty, and staff to be able to meet and fellowship with one another. This will be even more important as people return to campus post-Covid closure. fellowship ; Covid ; return to campus ; one-stop shop 0 [""] 4643 The Black Student Center's impact on the campus community Johnson talks about how the Black Student Center is bringing awareness to topics that affect Black people and exposing people within the campus community to specific topics and conversations. Black Student Center ; campus community ; natural hair ; Black Lives Matter ; policy ; community-based learning ; police brutality 0 [""] 4804 Personal impact of the Black Student Center on Johnson Johnson reflects on how the process and the development of the Black Student Center impacted her, leading her to believe in herself and in support of a village. She also talks about how she learned to never take no for an answer. support ; doubts ; fears ; potential ; persistence 0 [""] 4958 Future expectations of the Black Student Center Johnson shares what she would like to see for the Black Student Center in the future, including space expansion, increased funding for staffing, and additional partnerships. space expansion ; funding ; staffing ; recruitment ; Black Faculty and Staff Association ; partnerships ; Omega Psi Phi ; Sigma Gamma Rho 0 ["[\"\"]"] 5144 Johnson's final thoughts about the Black Student Center In conclusion, Johnson shares her hopes that the Black Student Center will continue to fulfill its purpose, expand, and endure over time. purpose ; endurance ; expansion ; future 0 [""] Oral history Jamaéla Johnson is an alumna of California State University San Marcos. While at CSUSM, she worked in various capacities on campus with the Gender Equity Center, the Black Student Union, and Associated Students Incorporated (ASI). Much of her work involved talking and working with fellow students regarding their shared needs around campus. In her interview, Johnson discusses her roles in advocating for the Black Student Center, as well as the journey towards the Center's opening. NOTE TRANSCRIPTION BEGIN 00:00:00.000 --> 00:00:25.000 Today is Friday, April 30th, 2021 at 11:05 a.m. I am Ayana Ford, a student at CSU (California State University) San Marcos, and today I'm interviewing Jamaéla Johnson for the Black Student Center Oral History Project, a collaboration with CSUSM Black Student Center and the CSU (San Marcos) University Library Special Collections. Thank you for being here. Is it okay if we start with talking with-- 00:00:25.000 --> 00:00:27.000 Thank you for having me. 00:00:27.000 --> 00:00:33.000 Is it okay if we start by talking about your childhood, when and where were you born? 00:00:33.000 --> 00:01:51.000 Oh sure. You just said, when was I born? When and where? Okay. I was born on (redacted), which happens to be (redacted). In San Diego to my lovely parents, Joe and Shirley Johnson, and I was the only child. So, growing up in San Diego, specifically the southeastern region of San Diego, where it's primarily Black and Latino population was very, I would say culturally dense, and I appreciated being able to grow up around folks that look like me and even from just different cultures and backgrounds, where I was able to experience a lot that I feel influenced my childhood. 00:01:51.000 --> 00:02:07.000 So that actually brings me to my next question. So, it helps you culturally, so you were saying, it helped you to culturally grow up. So how specifically when it comes to like understanding of your culture and your Blackness, how did your childhood affect it? 00:02:07.000 --> 00:04:31.000 I think it definitely was beneficial to be within a community and be brought up in a school system that reflected the things that I valued as a person, as a Black woman or a Black girl at the time and being able to be in, there was a program when I was growing up in elementary school called the GATE program (gifted and talented education), and it was like the gifted and talented, like something and where you were on this, like special track, where you, I guess were grouped with other students that scored in the same standardized test range as you--We were afforded different opportunities and field trips and to help cope with, not cope, but to help pair with the things that we were learning in the classroom and so being in that program exposed me to students that look like me that were excelling essentially in school and academics, as well as being able to see and be with my first teachers of color, and I think that was very pivotal in establishing my foundation with growing, and the different school systems that I attended afterwards, with just knowing who I was and knowing and having, I guess, faith and belief in my potential as well as the capabilities that I had to excel in education. And so, I think that was very, just very critical and just super-duper important basically (laughs) to the, I feel like who I have developed as today. 00:04:31.000 --> 00:04:43.000 Okay. So, were you taught a lot about Black history and the Black experience in your childhood particularly, like in your lessons, et cetera? 00:04:43.000 --> 00:07:53.000 In my childhood I would say that I was exposed to a good amount of Black history, but I think it was very, you know, like the kind of like superficial level or key coders within, like the Civil Rights Movement and things like that. So you have your, Dr. Martin Luther King, Rosa Parks, a little bit of Malcolm X, and I think as growing up within, I would say high school going into college is when I got to learn a lot more about, like my people as African American history by taking like I remember in high school I was a part of a (word inaudible) called, Black Coal and Rose Society--shout out to Miss Shaunda--that we, during Black History Month, we were, we decided to participate in this like Black history presentation, and she challenged us to try to research Black African Americans, like individuals that we didn't already know, that weren't the people that were usually in conversations when talking about Black history. And so, with that, that's when I was able to dive a little deeper in my research on the internet and be exposed to folks like Garrett Morgan and Ida B. Wells and just dive in deeper to see that there were more people that contributed to this movement. And then from there being able to go to college and select my classes to be able to deliberately take like an African American history course or even just from the past but also like modern day history, as well, with folks that are continuing to contribute to this movement and us as a people. So that was, that was very exciting but I felt like I got kind of my foundation with having conversations with my parents and specifically my grandparents that told me about their experiences with growing up in the rural South in like Monticello and Selma, Arkansas, and their experience in cotton fields and on farms and things like that and then being able to build upon that once I was able to go to like high school and then in college. 00:07:53.000 --> 00:07:57.000 Ok. So, how-- 00:07:57.000 --> 00:08:00.000 I hope I’m like – oh, sorry (laughing) 00:08:00.000 --> 00:08:14.000 (laughing) You’re okay. How has the Black social justice and activism, such as Cvil Rights Movement, feminism, the natural hair movement, and the Black Lives Matter movement affected you? 00:08:14.000 --> 00:08:24.000 Oh, that is a question. Let me make sure I have all the movements-- 00:08:24.000 --> 00:08:26.000 We can go— 00:08:26.000 --> 00:08:31.000 --that you listed. So, you said the natural hair, civil rights. 00:08:31.000 --> 00:08:35.000 We can go one at a time if you want. So, we can start off with the Civil Rights Movement. 00:08:35.000 --> 00:10:24.000 Okay. Let's do the--okay. There we go. The Civil Rights Movement, gosh, I feel like that is such a pivotal point in our history, both being like African American, Black, as well as just American history. Just that I feel like Black African American folks went to, went through, in order to get like simple liberties that were afforded to them, and I think that was like, that influenced what I do today to be able to speak up, and if I feel like there is something that's not right like in my heart or even in my gut, to be able to stand on the shoulders of, to be, like to address it and feel confident about that when doing so because knowing about what folks went through, through the Civil Rights Movement with like, with voting rights and just being able to be people and be recognized as human beings, mind you, this is in like the 1950s and sixties, which is fairly recent. So, it's hard to not be able to look back in that particular movement because it was just like so, so, so close (laughs) for a lack of a better word, but yeah. 00:10:24.000 --> 00:10:30.000 So, how about the feminism and the natural hair movement? How did those directly affect you? 00:10:30.000 --> 00:14:07.000 Feminism, especially Black feminism, plays such a major role in my identity development especially with coming to a, to San Marcos and not really being exposed to like the feminist movement or even knowing, having an idea about what that was. I never knew until I stepped foot on campus and, in particular, within the Women's Center at the time. So I began undergrad in 2011, yes, August of 2011, at Cal State San Marcos and, that my freshman year was when I decided to apply to the Women's Center that was on campus and so, fortunately, I guess I must’ve said something right because I was hired, I believe my title was like the Communications and Outreach Specialist and I just love, absolutely loved the environment that my supervisor at the time, her name was, (unclear) that she cultivated within the space, where it was so welcoming to folks that identified as women but also folks that didn't and wanted to also learn about the everyday struggles and theories within like feminism, and then she also opened the space for us as a staff to get connected with one another but also continue to strengthen our knowledge base and development as feminists within this space. And so, I felt like that was just so like crucial in my identity development and being able to recognize and bring on that identity within me so I really, I truly appreciate that opportunity as my first job ever was on campus at the, at Cal State San Marcos Women's Center, now Gender Equity Center, and being able to spend some of my most formative developmental years within that space. That I think led to just a lot of, I put it into words, but just being around folks that were just like-minded and were basically just like bad-ass feminists, like that's just what they were and being able to really back behind that movement and it was folks of all different shapes, colors, creeds, everything, men, women, transgender individuals, like you name it. 00:14:07.000 --> 00:14:09.000 Mmm-hmm. 00:14:09.000 --> 00:21:42.000 Just being able to be a part of [unclear] and like, well, we can say, like, when I tell you it just exposed my whole mind, I'm like, We can talk about like sexual orientation and all this stuff? Like what? I cannot believe this. This is how I knew I was like in a total different world. But it was so freeing and just being in that space and Take Back the Night, like all these events that are probably--I don't know if they still do them now--but just all of these events about women empowerment and about embracing survivors and believing survivors and just about terminology with inclusive language and just all that stuff. I never looked guys in such a critical sense before being a part of the Women's Center, and I'm all like, Wow. Just like how, like, it's like the patriarchy is (unclear) in the language. I'm like, Oh my gosh. (laughs) So just coming from there and then just with the feminist and even Black feminism leading into the natural hair journey, I can remember this like it was yesterday, my God. So, being a part of the Women's Center, Gender Equity Center, for like my sophomore and junior year goes, and then, I believe, that’s when I started thinking about—no--that's when, during that same time I was also involved in the Black Student Union, and one of my good, good, good friends, her name is Akilah Green, she was the President of Blacks, of the Black Student Union, and I was the Vice President of Black Student Union, but Akilah was somebody that I always had looked up to. ‘Cause I remember like my first year on campus going to U-Hour (University Hour), and I see this bold, vibrant personality in the middle of the quad which is like in front of the library because we didn't have a student union at the time--in front of the library--and she is just like, has so much energy, she's like, that way and I'm like, Who is this person and how can I be her? Because she has this, all this energy, this liveliness and I was like, I want to be her friend. So, from that initial moment to us being a part of the Black Student Union and being a part of the leadership within the Black Student Union, we were able to kind of like mash our strengths together and say, Hey, like, this is happening in our community--we like, we always talked about Historically Black Colleges and Universities, which are HBCUs for short, and so I remember she was like, I'm going to a HBCU, I'm going to HBCU, and I remember I was like, What is a HBCU? At the time (unclear) like colleges or universities were, and I was like, what? And so, fortunately for me, she never transferred to an HBCU, which led us to like the leadership of the Black Student Union, and so, since we weren't able to go to those campuses as students, we’re like Well, let's bring some of that culture here to Cal State San Marcos. And so, I think that's when she developed the brainchild of having a natural hair show. So, I believe it was in 2015 or fourteen--it was either 2014 or fifteen. I think it was fifteen, though, when the Black Student Union had our first natural hair show and the first one I remember was a short presentation including two videos of, I remember it was like two controversial like hair-related things that happened in the news, where either somebody was getting like their hair cut, I don't know if it was their dreads or something else. It wasn't the wrestling one because that actually happened way after, but it was two controversial videos and then there was a presentation about where not loving your hair stemmed from to like modern day and then going into the natural hair movement and so hair show it was about that. The first half we had that and then we had a runway, where students and like staff, faculty, and community members can participate with being a model in the runway portion, which was like the second half and then I think at the end is when we had like a small little circle, where we were able to come together and talk about natural hair remedies, what type of products are good for certain hair textures and some things like--And we just had this heart-to-heart circle and so mind you, for the first natural hair show, it was maybe like fifteen people, maybe fifteen people, and it was all women at the time and where, I have attended like recently where it has just expanded so much, where there's been so many like different (student identity and inclusion) centers and stuff that have also took that on and being able to add to it and develop it from that. But, I'll never forget that that first initial natural hair show and the purpose behind it and the empowerment that I received from that, which planted the baby seed in my head like, I've got to cut my hair, so that didn't come ‘til like about (audio cuts out) to your chop, but I felt like that was definitely a very pivotal moment with attending that first natural hair show to be able to embrace my natural hair texture, to be able to gain the confidence enough to be on that journey and know that I wasn't by myself. So, if I did decide to do the big chop and what, and the things that come with that--both positive and negative--that I had a village around me. So, I feel like with those two movements in particular, the feminist movement combined with the natural hair movement, that helped me find my safe space, or my brave space, to be able to engage in both of those things. 00:21:42.000 --> 00:21:52.000 Oh, wow. I'm so glad you're able to find that space. So, how did the Black Lives Matter movement affect you? 00:21:52.000 --> 00:26:24.000 Wow. The Black Lives Matter movement, my goodness. Gosh, just like the other things that I've mentioned I think it's like a compilation of everything, Civil Rights Movement, Black feminism, natural hair movement, Black Lives Matter. Like it's kinda’ like the (unclear) of all those things combined, and for, me with the Black Lives Matter, the first time I really heard about it, the movement was in 2012 and that was tensions around the Trayvon Martin trial, the what had happened, everything, so that's when I first started hearing about the Black Lives Matter movement. And then from 2012 to now it's still very relevant and very, I feel, necessary. Gosh, especially in the world that we're currently living in with police brutality and--not like that's been a recent development because police brutality has been around for centuries, like centuries, well before I even got here, honestly probably well before even founders of the Black Lives Matter movement was even alive. But for that to be something that is still, something that we're still fighting for and just to be recognized as human beings and for just having that movement to be able to like to reflect those thoughts and things. I think it's very important for folks that are growing up now, especially Black folks that are growing up now, to be able to have something to hold onto and I think that's what the Black Lives Matter movement represents is for folks that look like us to be able to grapple onto that and that's like a support system. But I think with the Black Lives Matter movement, it really influenced my, the way I looked at myself at a predominantly white institution as a Black student and being more conscious of who I was on campus and what community I identified with and so at the time, where the Black Lives Matter movement was gaining more traction within the media was when like--and then and allies and folks was like, Hey, like this is also affecting us as well. This is not just in Florida. This is not just in freaking Ferguson, Missouri. This is not just in these rural are, areas that are so far away from us, like this actually happens here in like our state, as well, and so from that movement is where I feel like Black students especially had to be on a kind of like a united front and realize that we need a community, we need a space, we need support on this campus and at the time the Black population--the Black student population at Cal State San Marcos--was like 3%. And I don't think much has changed since then, but we're like, We're a part of this 3%, and even though we're like a small percentage, we still want to be recognized, we still want our voices to be heard, and we need to be supported as such. 00:26:24.000 --> 00:26:31.000 So, what role did you play in the establishment in the Black Student Center? 00:26:31.000 --> 00:34:22.000 What role did I play? Hmm. (laughs]) That is a good question. For me, I would say overall I feel like I played the role of the sound board for a lot of the students on campus. I say this because at the time before the establishment of the Black Student Center, I was a part of Associated Students Incorporated (ASI), which is the student governing body at Cal State San Marcos, and I remember my first position within student government was the student Rep At-Large for Diversity and Inclusion. I think that that was the title then. And I really, and I think I was the first person because they went into like this whole like title changing, role changing thing through ASI and it was the first time within that title was being available for students and so, I was able to run for that and got voted in that position and that position, in itself, I feel like helped catapult me in this whole student advocacy and policy kind of realm that I wasn't necessarily exposed to before. So, being able to serve in that position afforded me the opportunity to be able to serve on different university committees, where the only student representation might have been just me. And so, being able to be in those meetings with like vice presidents and associate vice presidents and deans and different staff on campus, to be able to be that student voice that is all through a diversity lens, that was just amazing. Both an amazing opportunity, an opportunity, but also a frustrating opportunity, as well, because just being sometimes the only student voice there and thinking that some of these conversations or some of these topics that I'm bringing up that, Of course, you all should know about this. I thought this was like common knowledge, but at the time and in those spaces, knowing that actually it wasn't common knowledge and being able to have patience but also the courage to actually say something within those meetings, in those spaces, too. So I think with that position kind of helped expose me to that--to those spaces—and from there, I was like, I really like being a part of these conversations, because I felt like I was being able to enact change through that, by bringing student voices to the table, but also bringing light to voices that are not necessarily always looked at or have been in the margins and being able to bring those voices as well to those settings. So that was such a great experience and that led me to staying a part of student government and then eventually running for the Vice President of University--Student and University Affairs--and so that was the year, I think that year was 2015-16, where myself, Tiffaney Boyd, and Bianca Garcia made up the first all-women of color exec team, and so that was what, like five years ago. Yeah. The first all-women of color exec team, us three. So, Tiffaney Boyd served as President and CEO of ASI. I served as the Vice President of Student University Affairs, and then Bianca Garcia served as the Executive Vice President. And so, within our roles, we were able I feel like to do things that we had set our minds to do at the beginning of our campaign, and I would say before even beginning my role as VP--the acronym is VP SUA--as VP SUA, I had already, I already knew what the conversations were on campus. I knew what students were talking about. I knew what students were passionate about, what they were yearning for. And I was like, I remember making a list--I think it was like maybe the summer before we started our term--of the top priorities, for me like myself, and for the students that I had conversations with was about having a Black Student Center on campus, a Black space, to be able to have Black African American fraternities and sororities on campus either--at the time it was like either/or--and then it was those, I think those are like the primarily two biggest things within that list and, being able to see both of those things come to fruition from like the very beginning until like the end of our term and graduating (unclear) things that are still on campus today, I think was extremely, extremely rewarding and as we mentioned I feel like all of those steps from like the beginning to, from like elementary school to like high school and then eventually to college, the people that I was able to meet it and so I would say at the time, I was VP student, VP SUA, but I would say like the role that I played with students that wanted this to be done and I felt like I tried to do everything within my power and within my role to be able to make that happen or at least have folks hear us out. 00:34:22.000 --> 00:34:30.000 So, what do you think was the vision from the students and the faculty for the Black Student Center? 00:34:30.000 --> 00:37:47.000 The vision, I--let's see. I think the top three priorities that the students and faculty had for the Black Student Center was number one, a space to be able to develop community ; number two, the opportunity for mentorship, a space where students, faculty, and staff could come together ; and then also number three, I would just say that priority would, was scholarship. Community, mentorship, and then scholarship. Those were like the three main priorities that I remember hearing from students, staff, and faculty was to be able to have this space that could encompass all three. I remember having conversations with folks within the Black Faculty and Staff Association (BFSA), with faculty of color within various departments on campus, as well as Black and actually just students of color on campus to say that they wanted a space where they were given permission to be themselves. And I think that was something that before the Black Student Center, didn't exist on campus. There were different centers that played a role in trying to help and create and open that space for Black students, but I felt like there was just something missing, and so I think with the creation of the Black Student Center, it created that space for students, faculty, and staff and then being able with that space comes mentorship because there's this one focal point, where all these populations can come together. And then with like scholarship, to be able to have like this entity, this institutionalized entity, that can potentially fundraise and have, and be able to give out like scholarships eventually, and be able to help fund students with their academics and things like that. So, I think those were, that was the vision and the priorities for students, faculty, and staff on campus of the Black Student Center. 00:37:47.000 --> 00:37:55.000 So, to kind of piggyback off that, what do you think the university administration communicated was their vision? 00:37:55.000 --> 00:38:00.000 What do I think the university’s vision was? 00:38:00.000 --> 00:38:05.000 Yeah. The administration. 00:38:05.000 --> 00:40:39.000 Hmm. The administration. I think their vision was for the Black Student Center was student success. I think that with the administration, they heard our voices, they heard ASI’s resolution, they heard actual student voices at town hall meetings, they heard these in staff meetings with faculty and staff. I think they heard us and they acknowledged us by being able to support us or actually come together as a team to be able to bring this student center to fruition, and I think for the university administrators, for them, I think it was number one, acknowledging that--acknowledging us and our voice--and then number two, also being able to be, the Center being a vehicle for student success of some of our most vulnerable populations. And I think that was probably, I think that was like the two biggest things of what they saw the Black Student Center being as. Because it wasn't the first and nor do I think it will be the last student services center that will be on campus. But I feel like they've had a necessary blueprint with the Women's Center, now Gender Equity Center, the LGBTQ Pride Center, and the California, California Indian (Culture and) Sovereignty Center. Like they've seen these centers and how they can be resources and support for student success and so I just think it was just a, a natural but also inevitable direction into the, into the development of the Latino (Latinx) Center that is there now and the Black Student Center as well. 00:40:39.000 --> 00:40:52.000 So, do you know of any pushback or anything external or internal that going, people were trying to go against the opening of Black Student Center? 00:40:52.000 --> 00:55:25.000 Shoot, the opening of it, there was pushback before it was even a, a thought (laughs). Before it was even a thought. Oh gosh, and it's so funny cause kind of look at, I feel like I haven't really thought about this and so like reflected on just the steps that took to get there. But, wow, yeah there was pushback, and I think it was something that wasn't surprising because I think with change there's always, there's always some resistance to change. And so, with the Black Student Center, I feel like throughout it all, we had more support than opposition with the Black Student Center and from its infancy stage of when--let me think, let me think-- the infancy stage. So, I would bring that back to from going back to when I was telling you that I had made, at the beginning of my term as VP, I remember it even with seeing that on paper and trying to like say like this is going to happen, there was doubts even then ‘cause I'm like, ‘cause even with like with these spaces cost money and at the time we were like, Okay, we're already paying so much for tuition. Students don't want to pay no more fees. The university is like kind of gridlock right now because, you know, the recession and all this stuff like it was like and so for the, even for us to even think of the possibility of establishing a Black Student Center there were all those things that it was already going against it as far as doubts in the mind. But once you know different political and social movements started to gain traction and more Black student voices were being highlighted within campuses, and I remember there was like right down the street at the University of California, San Diego, UCSD, they had the Compton Cookout. They had the Compton Cookout where it was like predominantly white students. I think it was like a white fraternity decided to throw this party where they did blackface and had like durags and bandanas and like it just the whole playing different stereotypes and tropes of like the Black community and different things like that. And this was a campus that was literally like thirty-two miles away us and from that and having the Black Lives Matter movement and having all these police brutality cases and incidents and all this happening and gaining traction it actually almost reminded me of the 1960s, like Black Power movement, where you saw like a lot of Black and African American students at universities, like making their voices heard, fighting back with administration and making demands and being free to who they wanted to be. So, it kind of reminded me--I think that we're in this moment like right now. It has come full circle, and the movement that we're doing is like Black Lives Matters now and so it's just crazy to see how that evolved from there. So, like from that having all of this and having students like around the nation, Black students around the nation making demands and like, You know what, we're not asking permission anymore. Like we're not asking permission, and we need these things to happen in order for us to be successful. And so, from that environment and then going into specifically at Cal State San Marcos, President Karen Haynes had a town hall meeting about, I think it was about student success and retention, and I remember there were students there, were some students there that had organized to address the President about what are these things that, what are you and your administration governance at Cal State San Marcos. And so many students were coming up to let their voice be heard by asking these direct questions to the President of the university at the time. And I remember with, walking into that meeting because, of course, I had my hat on as the VP of Student University Affairs, so, I'm here representing ASI and so was a lot of my other--I'm there to represent ASI and hear what students had to say. So, just being there and feeling just the energy in the room, but then also walking in and noticing that there are like police officers on the roof and there's like heightened police security because I guess people just assume that this was going to be a very tense town hall meeting. And I'm all like, These are students. These are students. What was the point of having all this heightened police security? And like, that was like the first time I ever seen police officers like on the roof. Our UPD (University Police Department) on the roof and like just in the surrounding areas and feel like the town--the town hall was at, is it University Hall 101? It's like that big like lecture--Oh, it's not University Hall, it’s Academic Hall. Yeah, all this, like police everywhere, but in the hall being able to be in there and see that, and I feel like that was also kind of like, whether they knew it or not, or whether it wasn't intentional or not, that was also like something like a tactic to be like of intimidation. Like you're coming to this town hall where you kind of want to express how your experience as a Black student on this campus and you're like sitting here asking the university and its administration about how they're going to support you and then you have all this police presence. So, I think that was also an example of just kind of some pushback and whether it was intentional or not, no one knows for sure. But that was just something that it still impacts, you know, the environment. And then, so from that initial town hall to like the Black Student Union at the time writing like a letter, which wasn't necessarily a list of demands, or was it? I can't quite remember, but I know it was like the Black Student Center, I mean, not the Black Student Center, Black Student Union kind of writing this organized letter like a formal letter of everything that was kind of communicated within that town hall written on paper to send to (unclear). So, like after that town hall, she was like, I hear you, reached out to like the Black Student Union and was like, can you formalize all of your requests, write them down in a document or a letter, and be able to deliver it to my office? And so, the Black Student Union was able to do that and within that letter was the formation of a Black Student Center among other things. I can't really remember what it was word-for-word, but (unclear) the letter off to President Haynes and then I think like about like a month or so later, she addressed the campus community that she was putting together a Black Student Center Task Force that would look into the funding options and to be able to develop basically like a blueprint and everything about the formation of a possible center. So, once that happened, it was like, Oh, wow, that’s (unclear) to this. And then at the same point in time, I believe the ASI—'cause one role that the student government can play is that if there is something that we would want university administration to support, like an initiative that we would want university administration to support--we do what is called a resolution, and so at that moment, and I believe it was like February of 2016, is when we had our (unclear) in where one of the things on the agenda was a Black Student Center resolution. And so, there was this support resolution that was like backed by various faculty, departments, student organizations--both on campus and off campus--even statewide that was backed, everything on this and I think you can actually look at the resolution on Cal State San Marcos’ website. They have a list of resolutions there. But it was backed by so many people, and it was supported by just people both on and off campus. And so, I remember having this AS general body meeting in February, mind you it’s Black History Month, and that's when tensions arose, like that--if pushback was coming to a head, it was at that meeting. And that's where we saw, you know, our supporters and then we also saw people that opposed it as well. Not necessarily the guests that were there but also members of our (ASI) board that represented the different colleges that were on our campus that were, that opposed the resolution. And so, that was by far like the tensest board meeting I had ever attended. And that's where we saw it on our board that clearly stated that like, that slavery didn't build the foundation of our nation. Like, you can just see like the different opposing views and arguments just within the room and yeah, it is, it's just so hard to articulate at this moment. But just being there and being present and listening to opposition’s arguments, and I hear the voices of the folks that supported the resolution, but in the end, after all that deliberation, the resolution ended up passing and so we were able to send that resolution to also President Haynes as like the official like stamp of student voices that this is what the student body wants and accompanied with the Black Student Union (BSU) letter of like demands and stuff like that. And so, from that, it was the Task Force developed and so many people served on that community, that committee and from there, I think from there that's when things started, you know, kind of steam rolling ahead. But yeah, I feel like there was pushback from like the very beginning from even getting it from just this thought or idea or vision to the actual fruition of it. 00:55:25.000 --> 00:55:35.000 So, after that the Black Student Center was opened--after all the deliberation? 00:55:35.000 --> 00:58:27.000 So after, let's see, so we had the town hall meeting, there was the ASI meeting for, to pass the resolution. There was the BSU letter of like demands and then the Task Force was created and then after the Task Force and the budgetary things were kind of outlined, it went to another committee within the university, I think it was the university’s like, I forget, I forget what the acronym is now, but it was like the university's budgetary committee, and then it passed then, and then that's when like, the construction and stuff started for the Black Student Center. So, at this time, the University Student Union was already created, and it was already up and running and where the Black Student Center sits now (unclear) tranquility room, it was two tranquility rooms and like, an extra kitchen area, I think for that, I think it's that Jazzman’s, Jazzman's coffee shop there. And then, so they ended up relocating like the tranquility room and things, and like (unclear) of like the space, because the goal was to have it a part, to be with the rest of the student centers. So, since there was no more room on the third floor of the University Student Union because I believe it's like the Pride Center, Gender Equity Center, the Latino (Latinx) Center, because before the Latino(x) Center that was a social justice and diversity library in that space. So, they had renovated that space, made that to, made that the Latino(x) center and then there was the Cross-Cultural Center. Since all those spaces were taken up on that third floor, they had renovated that fourth-floor section to be, to house the Black Student Center. And so construction, reconstruction for that I believe started in, started in 2016. Yeah. Like starting in 2016. And then yeah, it was ready for like the grand opening that following year. 00:58:27.000 --> 00:58:34.000 And were you able to attend that grand opening? (technical difficulties) 00:58:34.000 --> 00:58:35.000 --Sorry? 00:58:35.000 --> 00:58:38.000 Sorry. Oh, no, no continue. Sorry. You cut off oddly. 00:58:38.000 --> 00:59:18.000 Oh, oh, okay. I said, so it does kind of seem a little fast, but I think all in all it was about like a three-year process, and I think what made it a little easier, too--and I won't necessarily say easier--but I feel like there was already kind of like a foundation and blueprint kind of laid out with the Latino(x) Center that had been created like I think a year or two before. So, they kind of engaged in the same process. Yeah. But you were saying about the grand opening? 00:59:18.000 --> 00:59:23.000 I was just asking, were you able to attend? 00:59:23.000 --> 01:01:03.000 I was and that was such a great experience. I was also able to sit in on the initial hiring cycle for the first Director of the Black Student Center. Because fortunately after I graduated, I was able to land a job in the Global Education Office on campus and so, I was able to transition from a student to staff and sit in on those meetings and hiring presentations. So, I was able to meet and connect with the Director of the, the first Director of the Black Student Center, and then I was able to attend the grand opening of the center, which happened to be in February of 2017, I believe, with Akilah (Green), who I said was so instrumental and connected me with (technical difficulties, unclear) on campus and (Tiffaney) Boyd, who was the sitting President while I was VP of ASI. And we were able to have, to share a few words at the ceremony and be a part of the whole, the whole celebration. And so, that was very, very rewarding to see something that I feel like we had put so much energy into to finally come back to campus and see it as an actual space. 01:01:03.000 --> 01:01:16.000 So, to kind of go back here. So, do you have any specific names or groups of people that you want to say, talk about who like helped with the opening of the Black Student Center? 01:01:16.000 --> 01:06:35.000 Oh my gosh. Oh, I wish I could like, could have thought about this to write down a list! But, oh my gosh, goodness, I am going to start from, let's see from the, I would say from like the bottom up because it was (grass)roots initiative. First, I would like to thank, or I would like to give recognition to the student organizations that helped support the Black Student Center initiative, and there was so many, there was, and if I forget anybody charge it to my head and not my heart, please. It was the feminist was, it was the, what was that? What was that collective called? Of course, it was the Black Student Union. It was MEChA (Movimiento Estudiantil Chicano de Aztlán) at the time. It was KA, I think it was Come Along, Come Along Alliance. I'm probably butchering that name, but KA. It was like a coalition of social justice something. It was a student organization that they contributed a lot. Specific names: Karen Guzman (transitioned to Kai Guzman) she was instrumental. Or--instrumental. Her pronouns are they now, so they, they were instrumental in helping to articulate and be at the forefront of voicing their specific experience on campus. They were just able to just share their support with, with the initiative. So big shout out to--oh, and they don't go by Karen Guzman anymore. It's Kai. Yes. Big shout out to Kai! Shout out to or bringing recognition to our Sociology Department. I believe she was the chair at the time, Dr. Sharon Elise, and Geoffrey Gilmore, doctor--Oh my gosh. The list goes on. Dr. Dang (Chonwerawong), she's no longer at the university anymore, but she was over like student support like services (Student Academic Support Services) and stuff like that. Dr. Dang. Gosh. Akilah Green, Tiffaney Boyd, Bianca Garcia, Louis Adamsel, Jake Northington, Daniel Fare, just, gosh there's so many people. But those folks as well as even the support of our administrators, such as Dr. Lorena Checa and President Haynes, President Karen Haynes, for being able to hear our voices and acknowledge them and also being able to support that. Yeah, gosh, I--that's so crazy. I'm totally blanking, but there was, there was so many people, so many people. I remember reflecting after like graduation how, after everything has settled down, and really thinking about like my journey as the student and the connections that I made and even how those connections and relationships played a role into like the development of the Center, and it was like, if I would have never did this, and I would have never met this person and this person, and we would’ve never been there in order to have this occur and like—so, I think the universe and God works in just extraordinary, amazing ways and just to see how everything just the small things and the intricacy of how relationships and building bridges can lead to so many, so many things. So, yeah, that's all, that's what I can remember for now, but as I mentioned, if I forget anyone, please charge it to my head and not my heart. 01:06:35.000 --> 01:06:54.000 (unclear) So can you tell me a little bit about the early initiatives and programs and events that the Black Student Center focused on after its opening? 01:06:54.000 --> 01:11:36.000 Gosh, let me think. I think that--I could remember a lot more--but that was like four years ago, and I guess I have a horrible memory. But I believe the events and stuff that the Black Student Center focused on was building community. So, with University Hour being a thing, so I think it was like Tuesdays and Thursdays from the hours of twelve and one is like a no class period and so having events that built community within that timeframe so that students can come and visit the space and also be able to meet people. I think that was like a big thing and so there were different, what were the talks called? There was like a series that they would have, (unclear) of a weekly thing where students could come. I think right now they have something called Unity Hour but before that, it was something else like (unclear) lunch and learn or something like that. I don't know. But I know that was a thing also with being able to bridge partnerships with the local community colleges. So, for Black African American students that were transferring to cultivate that relationship with the campuses there, so that way there will be a good transition, where students know like when they come to campus that this is a resource for them. I know that was a big thing and specifically with the Umoja program that was at MiraCosta (College) and then also being able to bring folks on campus like different speakers and things like that. I remember like a comedy show, where this pretty big comedian came, and that was pretty cool. Being able to attend an event with the Black Panther Party. So, members of the Black Panther Party came, and that was an event. Also, about the Tulsa, the Tulsa Race Riots that happened and so like Black Wall Street, with the city (district) of Greenwood (Tulsa, Oklahoma) so being able to have representatives that are a part of that history to come and actually shed light on that event that happened for foundations that are associated with that. Being able to see and take a picture with Dr. Cornell West. I thought I would never, ever like meet him before. And so, then being able to help and—also, I won't say that the Black Student Center was the sole department to put on these events--but they were able to work with in collaboration with other departments on campus as well. So, like the Office of Inclusive Excellence and (unclear) and all those different departments, too, they were able to collaborate together, as well as the Black Faculty and Staff Association. But to bring these prominent Black folks on campus and have students be able to meet these people or be able to hear like kind of what they have to say, give advice and things like that, so opening that opportunity, that's what they were able to do that bring those events, those larger scale events to campus, too. So, I would say like in the beginning the Center primarily focused on community building, making sure folks knew that the Center was there and for them to utilize, and also being able to bring these big names to campus and building relationships with the local community colleges in in the area. 01:11:36.000 --> 01:11:39.000 So-- 01:11:39.000 --> 01:12:44.000 Oh, I would say, before I forget--because I remember this--I would say, one of the events that still sticks with me today, one of the first ones that the Black Student Center did was a Black women's appreciation luncheon, and that was our first time a center had held that on campus that I believe (unclear) Black women and where I was able to see a good amount of Black staff and faculty on campus that were able to come into the Black Student Center, like for the first time, and then actually receive a certification, not a certification, but a certificate and like free lunch of being appreciated. And so, I really appreciated that moment and being able to be a part of that. 01:12:44.000 --> 01:12:55.000 (Unclear) Do you know any of like wrinkles or problems that happened during the early days of the Black Student Center? 01:12:55.000 --> 01:14:28.000 Any wrinkles or problems? Let's see. Any wrinkles or problems. You know. Hmm. Not that I can really remember because in my experience at the time I was a staff, so I wasn't able to be in this space as much as like students were or other folks were, so I didn't really hear like too much about, especially if anything negative was happening in the Center. So as far as there being any like, can't really say too much about that because I wasn't, I wasn't privy to the information or anything like that. I think, only one thing that I can think of is like, I think just the formalities of hiring for student assistants. I think, I don't know if, yeah, how that went, but that's just stuff that I heard. 01:14:28.000 --> 01:14:38.000 Okay. So, in your opinion, what do you think the main purpose of the Center's creation was? 01:14:38.000 --> 01:15:34.000 For me, I think the main purpose of the Black Student Center was to have a space for Black students, Black faculty, and Black staff to be able to meet and fellowship with one another. And with that, with folks being able to come in this space to build this community, I think, led and leads to mentorship, scholarship, and other opportunities that we’re not necessarily privy to when we're in our silos. But I think the Center creates that space for us to really come together and be able to, a knowledge tank basically and exchange knowledge with one another. 01:15:34.000 --> 01:15:38.000 Do you feel like that purpose is being accomplished as right now? 01:15:38.000 --> 01:16:50.000 Right now it's kind of hard ‘cause we're in Covid times, and you know, folks aren't necessarily on campus as of yet, but I think that if it's not being done right now, I think it's going to be even crucial for when students do return to campus and for students that are anticipating on applying to Cal State San Marcos, for those students to know that this is a space that they can come to when they need help, when they need support, when they need resources, when they need to be connected to somebody on campus. I feel like the Black Student Center should be that one-stop shop for those students that are looking for those answers. Yeah, I think the role that the Black Student Center plays is going to be even more important as students start to come back to campus, Black students just start to come back to campus and staff and faculty for that matter. 01:16:50.000 --> 01:17:00.000 So, do you, how do you think the Black Student Center affected the community, the campus community as a whole? 01:17:00.000 --> 01:19:46.000 As of right now? I think it has, gosh, I mean, that's kind of hard to say because I'm not on campus anymore, but I think what I could gather from just the different like emails and social media postings is that they're bringing awareness to topics that affect Black people, certain things that, and I think that is helping to expose folks within the campus community that haven't had the opportunity to engage in those types of topics or conversations, for them to be able to have the ability to now and present that space for them to be able to engage in those types of things as well. Like talking about natural hair and talking about even different policies and legislations that maybe other folks within the campus community didn't know about, weren't aware about or didn't know how that impacts, you know, students or Black students specifically. That's one thing, but also about just other different topics that we talk about with how important community-based learning is to Black people like and being able to explore their research (unclear) when they apply that to within the classroom or even outside of the classroom. Also, about just different, you know, current events that happened, um, within the world. So specifically like with the Black Lives Matter movement and police brutality and the different cases that are associated with that--being able to have that space to talk about those things, not just within our community but also within the campus community as well, to see how other folks are dealing with these types of things that happen and for there to be healthy conversations that can come with that. 01:19:46.000 --> 01:19:56.000 So how has the Black Student Center impacted you personally? I know you’ve touched on it a bit, but-- 01:19:56.000 --> 01:22:29.000 Yeah, Black Student Center impacted me personally. I would say it’s more like, I guess, theoretical than like literally because I wasn't able to experience this, the space, as a current student. But just the process and the development of this, of the Center, it had impacted me in so many ways to believe in myself and my potential, to believe in the support and the village, how necessary it is to have a village around you and have folks and relationships of support. It has also impacted me in a way to know that (technical difficulties) used to love and it's from, I first heard it from A Cinderella Story with like Hilary Duff. But I think someone had told me that somebody else has said it somewhere but anyways, I think it was like Babe Ruth or something. I don't know, but it's a baseball like analogy and it's, “Never let the fear of striking out keep you from playing the game.” And for that, I could say that is applicable for the Center because, as I mentioned before, on that little piece of paper like there were so many doubts and fears that came with for that to even potentially be a thing. To not let in those doubts and fears, keep me from being a voice for students, being able to build and nurture those relationships on campus and not taking no for an answer. And I think that has helped to, the Black Center, the Black Student Center has helped to reinforce, to reinforce the power in my potential and even the folks around me and like leave your mark on campus. 01:22:29.000 --> 01:22:38.000 So, you've seen it grow and evolve. So, what do you want next, to see next for the Black Student Center? 01:22:38.000 --> 01:25:30.000 I would like to see the Black Student Center expand in space. I would like to see more funding put towards the Black Student Center to support additional roles within the space. So, for there to be like a Director and Associate Director, a coordinator, graduate assistants, student assistants, a team of volunteers. I would like to see for more funding to be put towards the Center to expand the staffing, as I just mentioned. I would like to see the Black Student Center really pushed to go against the grain, to tap into different areas that are not necessarily looked at on an everyday basis to continue strengthening the relationships that the university has with the community colleges but specifically with the Black organizations on those campuses to increase, you know, the Black student population to push them in a role in recruitment of Black faculty and staff, to be able to work in partnership with the Black Faculty and Staff Association as well as like other entities on campus like Omega Psi Phi, Incorporated, and Sigma Gamma Rho, Incorporated, to do like a Black student orientation or even a high school conference or with the Black Student Center, honestly, there are so many avenues that it could go down that will ultimately lead to student success, specifically with our Black students. And so, I'm just excited to see direct--the direction that they take especially after students return to campus. And just seeing the continuation of the events and programs that they already have as well as being able to tap into other workshops and things that they haven't necessarily explored yet, too. 01:25:30.000 --> 01:25:36.000 Well, those are all my questions for today. If you have, do you have anything else to add or anything you would like to say? 01:25:36.000 --> 01:27:03.000 I would say, well, let's see, is there anything else I would say? I think the last thing that I would say is that I truly and dearly hope that the essence of the Black Student Center continues to fulfill its purpose at Cal State San Marcos. And I hope that it will endure forever and when I go back and visit the campus like ten, twenty years from now that it is not in the same area with the same dimensions that it before I was, I mean, after I was a student, or during the time I was a student, but that it has expanded and its initiatives have expanded and it is still present, it's still a presence and dynamic as ever on the campus. So that is, that is one thing that I hope for, for the Black Student Center is that it stays and remains like on campus fulfilling its purpose. 01:27:03.000 --> 01:27:09.000 Well, I'm glad. Thank you so much for allowing me to interview today. It was a wonderful interview. Thank you so much. 01:27:09.000 --> 01:27:16.000 You're welcome. Thank you. Gosh, you got my wheels turning today. (laughs) 01:27:16.000 --> 01:27:18.500 I'm glad. Thank you. NOTE TRANSCRIPTION END ]]> https://rightsstatements.org/page/InC/1.0/?language=en video Property rights reside with the university. 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Persons wishing to quote, publish, perform, reproduce, or otherwise make use of an item in the library’s collections must assume all responsibility for identifying and satisfying any claimants of the copyright holder. &#13 ; &#13 ; The researcher assumes full responsibility for use of the material and agrees to hold harmless the University Library, and California State University, against all claims, demands, costs, and expenses incurred by copyright infringement or any other legal or regulatory cause of action arising from the use of the library's materials. &#13 ; 0 https://archivesoralhistories.csusm.edu/ohms-viewer/render.php?cachefile=JohnsonJamaela_FordAyana_2021-04-30_access.xml JohnsonJamaela_FordAyana_2021-04-30_access.xml https://archivesearch.csusm.edu/repositories/3/resources/19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Johnson, Jamaéla. Interview April 30th, 2021. Description An account of the resource Jamaéla Johnson is an alumna of California State University San Marcos. While at CSUSM, she worked in various capacities on campus with the Gender Equity Center, the Black Student Union, and Associated Students Incorporated (ASI). Much of her work involved talking and working with fellow students regarding their shared needs around campus. In her interview, Johnson discusses her roles in advocating for the Black Student Center, as well as the journey towards the Center's opening. Identifier An unambiguous reference to the resource within a given context SC027-06 Date A point or period of time associated with an event in the lifecycle of the resource 2021-04-30 Format The file format, physical medium, or dimensions of the resource video Creator An entity primarily responsible for making the resource Jamaéla Johnson Contributor An entity responsible for making contributions to the resource Ayana Ford Subject The topic of the resource Black experience in America California State University San Marcos, Associated Students Incorporated California State University San Marcos, Black Student Center California State University San Marcos--Students Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Marcos (Calif.) San Diego (Calif.) Publisher An entity responsible for making the resource available California State University San Marcos University Library Language A language of the resource English Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC/1.0/?language=en" target="_blank" rel="noopener">In copyright</a> Rights Holder A person or organization owning or managing rights over the resource. Jamaéla Johnson Type The nature or genre of the resource moving image Is Part Of A related resource in which the described resource is physically or logically included. <span data-contrast="auto" xml:lang="EN-US" lang="EN-US" class="TextRun SCXW102966250 BCX0"><span class="NormalTextRun SCXW102966250 BCX0">Black Student Center Oral History Project</span></span><span class="EOP SCXW102966250 BCX0" data-ccp-props="{}">&nbsp;</span> Black experience Black Student Center Oral History Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oral Histories Description An account of the resource Video and audio oral histories can be viewed here. Histories are listed alphabetically by last name. Individual histories are indexed and transcribed and can be searched. Publisher An entity responsible for making the resource available California State University San Marcos University Library Rights Information about rights held in and over the resource <p>Rights to oral histories vary depending on the history. The library owns the copyright to some histories, and has license to reproduce for nonprofit purposes for others. Please contact CSUSM University Library Special Collections at <a href="mailto:%20archives@csusm.edu">archives@csusm.edu</a> with any questions about use.</p> Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Ayana Ford Interviewee The person(s) being interviewed Ariel Stevenson OHMS Object This field contains the OHMS Hyperlink (link to the XML file within the OHMS Viewer) https://archivesoralhistories.csusm.edu/ohms-viewer/render.php?cachefile=StevensonAriel_FordAyana_04-15-21.xml OHMS Object Text This field contains the OHMS Index and / or Transcript and is what makes the contents of the OHMS object searchable in Omeka 6.0 Stevenson, Ariel. Interview April 15th, 2021 SC027-02 00:57:14 SC027 California State University San Marcos University Library oral histories collection CSUSM This oral history was made possible in collaboration with the Black Student Center and with generous funding from the Instructionally Related Activities fund. csusm Activism, Student ; Anti-Black racism ; California State University San Marcos. Associated Students Incorporated ; California State University San Marcos. Black Student Center ; California State University San Marcos. Office of Inclusive Excellence ; Student success, Black ; San Marcos (Calif.) Ariel Stevenson Ayana Ford mp4 StevensonAriel_FordAyana_04-15-21.mp4 0 https://archivesoralhistories.csusm.edu/files/original/4bba51350f71895f7c2665d9240d7951.mp4 Other video English 0 Interview Introduction Oral history interview of Ariel Stevenson, April 15th, 2021, by Ayana Ford, University Library, California State University San Marcos. 0 ["[\"\"]"] 31 Childhood Stevenson talks about being raised in Farrell, Pennsylvania, in a tight-knit community with a high population of Black folks. Warren, Ohio ; Farrell, Pennsylvania ; community ; small population 0 ["[\"[\\\"\\\"]\"]"] 163 Black identity and conception of Blackness Stevenson discusses her early knowledge of being Black and the importance of her community center in shaping that conception. She reflects on a negative experience she had outside of her community. community center ; Black identity ; Black pride 0 ["[\"\"]"] 315 Impact of Black advocacy and social justice movements Stevenson reflects on her family as a key influence in her cultivation into Blackness and Black history as well as her civic engagement in her younger years. active ; activated ; family influence ; Sandusky, Ohio ; Kent State ; mayor ; politics ; civic engagement ; natural hair ; community cultivation ; Civil Rights Movement, Black Lives Matter ; Buffalo Soldiers ; Karamu House ; Underground Railroad 0 ["[\"[\\\"[\\\\\\\"\\\\\\\"]\\\"]\"]"] 594 College experience Stevenson talks about getting her undergraduate degree at Albright College in Reading, Pennsylvania. Upon moving to North San Diego County to pursue her master’s degree at California State University, San Marcos, she found racism that was reminiscent of her time spent in Ohio. master’s ; California State University, San Marcos ; Reading, Pennsylvania ; Albright College ; racism ; North County 0 [""] 681 Early campus spaces, outreach to Black students by Black staff and faculty Stevenson discusses the lack of campus spaces when she first arrived and the role of Black faculty and staff on campus in outreach to and retention of Black students. Her first position on campus was at the front counter, where she interacted with many prospective Black students and their families. Students lead the campaign for a Black Student Center, but faculty and staff encouraged them. space ; belonging ; University Student Union ; Clarke Field House ; Markstein ; Social and Behavioral Sciences Building ; entry-level position ; front counter ; orientation ; African American Faculty Staff Association ; Black Faculty Staff Association (BFSA) ; retention ; families ; cold calls ; welcome program 0 ["[\"[\\\"\\\"]\"]"] 1102 Needs of students, staff, and faculty involved in the Black Student Center's creation Stevenson speaks about how because the Black student population was small, it was important that Black students had a place to gather and be in community with one another. In this place, students could discuss shared experience amongst peers. Black population ; presence ; representation ; student experience ; peers ; gather 0 [""] 1272 Opening of the Black Student Center Stevenson reflects on the opening of the Black Student Center and the important ways that different student groups, such as students affiliated with the Latinx Center advocated for the Black Student Center. Jamaéla Johnson ; Tiffany Boyd ; Darniesha Thornton ; and Dani Thornton, Akilah Green ; strong women ; Latinx Center ; Black Lives ; Asian Americans ; Dr. Luke Wood ; advocates ; President Karen Haynes 0 [""] 1537 Opposition to the creation of the Black Student Center Stevenson speaks about opposition to the opening of the Black Student Center, including calls for a white-only space and resistance to the Black Lives Matter movement. She also talks about the people and strategies combating the social tension. Daryl Smith ; white space ; Ku Klux Klan ; Conversations that Matter ; Dr. Sharon Elise ; Dr. Melina Abdullah ; Black Lives Matter ; social tension ; Gloria Ladson-Billings ; resistance 0 [""] 1831 University Administration's vision for the Black Student Center Stevenson talks about how University administration attempted to work with students in designing the space and budget. She specifically reminisces about the first three women of color to serve as the Associated Students, Incorporated leadership. These women had to be persistent in the face of opposition. Dr. Lorena Checka ; assignment ; budget ; research ; Tiffaney Boyd ; Jamaéla Johnson ; Associated Students, Incorporated ; leadership ; women of color ; persistence ; opposition 0 [""] 2068 First visit to the Black Student Center Stevenson reflects fondly on the opening of the Black Student Center. However, the opening of the Center was not a panacea, and challenges continued to exist. celebration ; dashiki ; Black student retention ; challenges ; Black Lives Matter ; Latinx students ; Floyd Lai ; Cross-Cultural Center 0 ["[\"\"]"] 2322 Early focus of the Black Student Center Stevenson discusses her excitement to be involved with the Center. She states that the expectation of some that the space would be the end all be all for Black students and issues was problematic. excitement ; Student Affairs ; Academic Affairs ; vision ; Black scholars ; Black scholarship ; end all be all 0 ["[\"\"]"] 2424 Initiatives and programming in the Center's early days Stevenson lists some of the early initiatives of the Black Student Center including collaborations with the intent of highlighting Black faculty and staff on campus. Black step shows ; Black Wall Street ; Black Panthers ; Hidden Figures ; Black Excellence Month ; Unity Hour ; Black Faculty and Staff Association ; programming ; interests 0 ["[\"[\\\"\\\"]\"]"] 2577 Hurdles in the early days of the Black Student Center Stevenson discusses the nascent mission and goals of the Center when it opened and how this could lead to conflict. Once again, the idea that the space could be everything to everybody was not coming to fruition. mission and goals ; inclusive environment ; pandemic ; identity ; conflict 0 ["[\"\"]"] 2727 Purpose of the Black Student Center Stevenson talks about how the Black Student Center should be a hub for Black student success and those in roles that are working to make this purpose a reality. Black scholarship ; Black student success ; gather ; be in community ; facilitator ; hub ; John Rawlins III ; pandemic ; Dr. Gail Cole-Avent ; identity crisis 0 ["[\"[\\\"\\\"]\"]"] 2991 Impact of Black Student Center on Stevenson Stevenson speaks about her love for the Black Student Center as a welcoming space and collaborative colleagues. space ; welcoming ; events ; collaboration ; conversation 0 ["[\"[\\\"[\\\\\\\"\\\\\\\"]\\\"]\"]"] 3060 Future expectations for the Black Student Center Stevenson shares what she would like to see for the Black Student Center in the future, including a continued focus on Black student success and scholarship. Black student success initiative ; John Rawlins III ; collaboration ; scholarship 0 ["[\"\"]"] 3130 Stevenson's role on campus as Assistant Director for Programs and Initiatives Stevenson discusses her role on campus as including the broad umbrella of inclusion, diversity, equity, and justice. She works with faculty to revise curriculum, creates and implements trainings, and builds relationships so that this work will be done across campus, not just in the Office of Inclusive Excellence. Assistant Director for Programs and Initiatives ; Office of Inclusive Excellence ; Chief Diversity Officer ; inclusion, diversity, equity, and justice ; anti-racist ; implicit bias ; curriculum ; Faculty Center ; Ethnic Studies ; facilitate ; build relationships ; Dr. Ranjeeta Basu ; capacity ; President Ellen Neufeldt 0 [""] 3376 Stevenson's thoughts on the Black Student Center Oral History Project In conclusion, Stevenson expresses her excitement about the Black Student Center Oral History Project and her appreciation to the University Library for their partnership. institutional memory ; University Library ; students ; partnership ; research ecosystem 0 ["[\"[\\\"\\\"]\"]"] oral history Ariel Stevenson works in the Office of Inclusive Excellence at California State University San Marcos where she works closely with students to increase the diversity on campus. Stevenson has been on campus for 15 years. In this interview Stevenson discusses her impact on campus, including the way she helped get the Black Student Center open through student impact and support. She also discusses her experience as a Black student and CSUSM employee. NOTE TRANSCRIPTION BEGIN 00:00:00.000 --> 00:00:28.000 Okay. Today is Thursday, April 15th, 2021 at 11:35 AM. I am Ayana Ford. I'm a student at San Marcos. And today I'm interviewing Ariel Stevenson for the Black Student Center Oral History Project, a collaboration between the CSUSM Black Student Center and CSUSM University Library Special Collections. Thank you for talking with me today. 00:00:28.000 --> 00:00:31.000 Absolutely. Happy to be here. 00:00:31.000 --> 00:00:37.000 I'd like to start by talking about your childhood, when and where you were born. 00:00:37.000 --> 00:04:46.000 Okay. Childhood. Born in Warren, Ohio, raised in Farrell, Pennsylvania, super small population. The size of my community is not even three miles in Farrell, Pennsylvania, all the way around. For the size, population, I would say probably under two or three thousand. I'll have to look it up. Super, super duper small community. Most of the people in that community come from working-class communities, middle-income communities. At the time, factories and steel mills and those kinds of companies existed when I was younger, but those jobs started to fade away as I probably--by the time I entered maybe seventh and eighth grade. So, just a lot of working-class folks in those communities, right? Like when I think back on my childhood, ‘cause you surprised me with that question, I think about like being from one of the, they call them weed-and-seed communities, right? So, from the Department of Justice, kind of like the war on criminal activity and drugs. Right. Which is interesting because the community is so small. So, thinking about maybe even being policed in a community that was policed--looking now back then--but it didn't feel like that growing up. I remember just like football games and neighbors and fun and super love. And when you say community really being in like a community, right? Like parents knowing other parents really closely, looking out for one another, really tight knit, and most importantly for me, our Black community and with Black identity. I knew I was Black at a young age. That was super important for good reasons and when I would travel outside of my community, for other reasons. Like I remember being at my auntie's house, and we were playing kickball on the street, and this car with a Confederate flag, right, yells “get out the street, n-word.“ And then it becomes this whole thing in the neighborhood. I remember that, and I was a little girl, and so, you know, having that, even in the eighties, late eighties. Right. But in the nineties really just formulating who I was in my Black identity, because I went to a community center, it literally it was the center of our lives. My mom worked many jobs and so after school, we were at the center until it closed, and we did our homework there, and we wrote essays there, and we learned how to play chess there. And we learned how to garden there--guerilla gardening, which we used to like go to empty lots and plant seeds and grow food like for the community, right. Like the state or the government owned it, and we were like, We're going to take it back. Doing that at a young age because we had a lot of--when I was growing up-- there was a lot of Black pride. So, we had a lot of folks who were Africanists and being Black and proud and African identity, knowing that you were more than a slave was like super important in our history. That's what we were taught a lot at the community center. So, very fond memories of my childhood in my formative years, but definitely one that shaped who and what I am today. And that I'm proud of, yeah, super proud of. 00:04:46.000 --> 00:05:09.000 That's wonderful. That was actually my next question on how that shaped you. So, specifically on when it comes to the Black social justice movement, such as the Black Lives Matter movement, the Civil Rights Movement, the feminism movement, and the natural hair movement. How do you think those affected CSUSM and you personally? 00:05:09.000 --> 00:05:12.000 That's a big question. [laughter] 00:05:12.000 --> 00:05:16.000 We’ll start with you, like, how did that affect you primarily? 00:05:16.000 --> 00:09:04.000 So, because I came from a place where I was already cultivated in Blackness, and I say this, like, I remember being young and my uncle, my family was always active and activated. And so, things that they did not like in the community. So, the community where my mom came from where I was born, right. We were still pretty active ‘cause that's where my aunties, my grandmother, and my family lived. And then even though I was raised at another school in another community, you know, my mother, we were always back and forth. And so, I just remember, you know, stuff on the news where--I remember these things, Ayana you are recalling some things--like with the police pulling over this guy with a broken taillight. He ends up, you know, getting beat. I remember Sandusky, Ohio. And then I remember working there in the summers for college and Black folks having a very, having to protest in that area because of what was happening to Black college students. I remember my uncle running for mayor. He was going to be the first Black mayor at that time. And he went to Kent state, which is significant because I think during that time, that's when the shooting happened of a Kent state student, historically, if I'm not mistaken. My uncle, he's no longer with us anymore. But I say that to say like, so politically, my family has always been involved. I even remember from my civics class, being like the seventh grade and volunteering to count votes and doing the--this is how old I feel now--doing the chalk and writing the names on the board in the community center. And as it was coming in, really playing a role of like helping to count up the votes, where are we? Right. ‘Cause it's a small community. So, really every vote counting. I remember those things. I remember being like, when I was on, when I used to cheer, natural hair back then it wasn't as prevalent as it is now. But there was a--she's a woman now--there was a girl, she was a year older than me. And she was on the team, and she started just wearing her hair natural. And she was like, Why would I straighten my hair every day? And I was like, Why are we straightening our hair every day? Especially if the perm doesn't even take, like and it's a whole process. And I remember being seventeen or eighteen and wearing natural hair. And it was not the thing, Ayana. It was very much like, Why did you cut off all your hair? You know, people not thinking I'm not as pretty anymore. ‘Cause I had, you know, nice thick hair. So, all of those things, I had already gone through those things and those processes at a young age. So, by the time I came to Cal State San Marcos and even when I went to college, like I should say and also note I grew up--because I grew up in a Black community--I also went to a high school that was majority Black, my vice principal was Black, my science teachers were Black. And so, that's what I mean when I say I was cultivated. And when I went to undergrad, I had a very shocking, like Where are all the Black people? kind of moments. And so, what was good is that I was cultivated by my community, and so even though I was shocked in undergrad, I was, I felt prepared for the things that came with that and the experiences. So, by the time I came to Cal State as a master's student and as a working professional, that was seen in terms of like natural hair or what were the, some of the other things you named, Ayana? 00:09:04.000 --> 00:09:08.000 The Civil Rights Movement, Black Lives Matter movement-- 00:09:08.000 --> 00:09:53.000 Right. The Civil Rights Movement, like growing up knowing those things. Just because when I went to the community center, we learned about the Buffalo Soldiers and then we would go to the Karamu House in Cleveland, and they would do the play. And then at the bottom, they would do the tour of one of the places along the Underground Railroad because it was built on top of it or near it, where we would do a tour. So, the Civil Rights Movement and those teachings were a part of how I was cultivated as a young Black girl and transitioned into my later years. And so, Cal State San Marcos, I was just ready for it all, you know, is how I'll say it. 00:09:53.000 --> 00:09:58.000 So, did you go straight from high school to Cal State San Marcos? Or did you go-- 00:09:58.000 --> 00:10:39.000 No, I went to, I did my master’s at Cal State San Marcos. I did my undergrad, so I went from high school to college, and I went to college outside of Philadelphia, in Pennsylvania, at this place called Reading, Albright College. And then from there, I worked for a year and then I moved to California because when you're from the East coast, you know, people talk about California in this way, like the sun and the trees, and so you're excited. And my mom, when she was younger, had moved to California--my mom and dad for a little bit--and so I had always had this fantasy about California. 00:10:39.000 --> 00:10:40.000 Um-hmm. 00:10:40.000 --> 00:10:58.000 So, I showed up, and I was like, This felt like Ohio, politically and socially, at least in North County, where I'm located and where I stay. So yeah, they got the palm trees and the sun, but racism is very similar. 00:10:58.000 --> 00:11:18.000 That, yeah, I’ve been to the South, and I know that there's a kind of in that area. It’s very hard. So, have you seen, so during your time there, have you seen it like directly affect CSUSM and like the opening of the Black Student Center and stuff like that? 00:11:18.000 --> 00:14:24.000 Yeah, I mean the student would come, and they talked about it for a while. Like not having a space and not having a place and not feeling like they belong anywhere. And at that time, there was no USU (University Student Union), so let's just be clear. The Clarke Field House was the main multipurpose space for everything that we had had on campus. At least my time. I came to campus at year, 2006 to 2007? So, I've been with the campus it'll--on the seventeenth--ooh, it'll be fifteen years that I've been with the campus. Yes, my whole youth. So, the campus at that time, it was growing, like Markstein was like the newest building and there was no SBSB (Social and Behavioral Sciences Building), there was no USU--I already said that. Yeah, a lot of the building, there was no bench that's out there--that bench from the last president. It just looked different, and students would come to our--first, you know, I haven't always worked in the inclusive excellence office. So, my entry-level position was at the front counter, and I loved it because I feel, like I really feel like it's the gateway to students and families, and I would come, and I would see so many families and so many students. And I would interact with them prior to orientation because you know, we're helping them navigate, like what's missing on their application or if they have questions or the parents have questions. And so, that's how I first started to get to know a lot of the students that came through. But a lot of the students that were Black remembered my face and the other woman who was working, who was Black at the time. So, they would just come back because they remembered seeing me at orientation and whenever they would have a question, they would feel comfortable. And I would say, you know, You're here, we welcome you here. And whatever I could do for your experience to enhance it, to make it better, to help you navigate, I'm happy to do that, right. Because even, you know, you work your job, well--as sometimes on this campus as Black folks--you work your job, but you also work other jobs in this labor. And so, when there wasn't a space for Black students, the Black faculty and staff, we were the space. At the time was called African American Faculty Staff Association. And a lot of the programming is now called Black Faculty and Staff Association (BFSA) to be more inclusive for Black-identifying folks from all over the Americas. Right. All over the world. When they come to Cal State San Marcos so that they see themselves and their identity. Were you going to ask me another question? 00:14:24.000 --> 00:14:35.000 Oh, I was actually going to ask you about, so early on, did you hear like a lot of the push for the Black Student Center? Like a center for students who identified as Black or African American? 00:14:35.000 --> 00:17:08.000 I felt like it was a push for, by students, yes, and led by students. But faculty and staff wanted them to have a space as well. Because going back to what I was saying is that, like, we just felt like the retention of our students, they were, they didn't, they didn't have anything. They didn't have anybody but us, as faculty and staff members, right. That's why I talked about, like, just being at that front counter and welcoming students, like that seems like a small thing. But seeing, like students have told me and their families, like, you know, I told my, I told my daughter, I told my son to like, you know, that lady, Ms. Stevenson, you find her ‘cause she's going to be helpful. She said she would help you. And they would come back. And so like, we became Black bodies at Cal State San Marcos became the institution for Black students. So, to answer your question, yes, students definitely led it, but faculty and staff definitely encouraged them to say, Yeah, you do belong. You should have a space. There's nothing wrong with asking for a space, yeah. ‘Cause we would even do cold calls, like Black Faculty and Staff Association would get on the phone—that’s how you know it's back in the day. And if students did not do their intent to enroll, we would call, we would have like a couple of days and we would split it up, and we would get in the office because, you know, we needed an outreach office or we used the outreach office. They would let us use it. And they would let us use their phones, and we will sign it for a few hours. And we would say, May first is coming. Right. Like right now. And if we didn't see it, We want you to choose Cal State San Marcos. We are Black Faculty Staff--or African American Faculty Staff Association--and we want you here. We'll, you know, take care of you. We'll love on you. We did, Ayana, we used to. And I smile because it's some of my best memories because you know, cold calling students, you know, we use everything now digitally, but calling them, a phone call meant something. Even, you know, twelve years ago, fifteen years ago, it meant something. It meant we want you ; we care about you. And you could come to us, and it meant to parents that they were in good hands, that even if whatever was happening or whatever their thoughts was about the institution that as Black Faculty and Staff Association, we were trying to dismantle those thoughts and say, No, you know, we'll still, we'll look out for them. 00:17:08.000 --> 00:17:14.000 That's, that's wonderful. ‘Cause that would probably get a lot of students to feel welcome to come to San Marcos. 00:17:14.000 --> 00:18:09.000 We used to have a welcome program. I still think we have, it's just a little different. So, we would, you know, we would call them and then we'd have the welcome program. And the admissions director would be there and all the key resources and support for mental health for all of the Black faculty and staff, it was like a big deal. ‘Cause then they would come in on move in day and then we would invite their parents because we wanted their parents to say, like, You can't say you're going to be accountable to somebody's child. People want to look you in the eye because then they say, You told me he was going to be accountable for my child. You know? So, and it helped make some of the conversations easier to say, like, they will want to know What's they grades? And we'd be like, FERPA is a thing, we can't just bust out and tell you the grades, you know. The students have rights. I know they're eighteen, and they're your babies, but you know, so yeah. 00:18:09.000 --> 00:18:25.000 Oh, my goodness. That takes me back to when I first got on campus. So, what do you think that the student and staff and faculty involved in the creation of the Black Student Center felt like they needed from the Black Student Center? 00:18:25.000 --> 00:21:00.000 I think they needed a place to see one another. That because the Black population is small, I think we're under, still under four percent, that they didn't see each other--and I can tell you this--they didn't see each other until it was time for the graduation and recognition ceremony. So, so many times prior to having a space where they gather, they do this part, where they call open mic. So many of them would look back to their student peers and say, I did not know that there were so many of us here. If I knew that, I would have, maybe my experience could have been different. So, I think just having a space where they know that they knew that they were there and present, because presence and representation means something. To be in a place, where you can have honest conversation about your experiences because I don't know where else and who else could identify with their experiences except for them, and faculty and staff--they're still professionals, right--faculty and staff are older. So, even though they're having a very similar, or they were having very similar experiences, students needed peers to kind of like, just talk to and talk through, right. And even if they were having classes or being able to share and say, You know, I took this professor, this professor is good. You'll definitely pass and do well. They needed that system. I'm going to say they needed their own railroad because they were trying to figure it out in this way, being sparse and in between and trying to find each other. And the Center became this place where they gathered. I will say the Black Student Union at that time was like, was a big facilitator, as well. I don't want to leave them out. That was, I almost felt like the numbers for their participation was large prior to the Center, just because it was the only space for students to be together and to gather. But if you were a student that was at like Extended Learning (Building) and you weren’t on main campus and you couldn't make the meetings, right, because of the schedule, then it was harder. But now I think the Center being open and being a present and stable place, and a sustained place, now they just know where to go. Am I answering your question? 00:21:00.000 --> 00:21:02.000 Yes! 00:21:02.000 --> 00:21:04.000 Okay. I'm like, I'm just on memory lane. 00:21:04.000 --> 00:21:11.000 We want--I want that. We want that. [laughter] So, were you able to attend the Black Student Center’s grand opening? 00:21:11.000 --> 00:25:31.000 Yes. I wasn't going to miss that! I attended, I was there with the young women I remember, like Jamaéla (Johnson), Tiffany (Boyd), the twins Darniesha and Dani (Thornton), Akilah (Green), such beautiful women. And those women, they really led, those young women really led the conversation for the space to be created. And I also want to note this piece because I don't know if people know this piece that when the Latin center, Latin (Latinx) Center was being built, a lot of Black students supported that space for the Latin(x) Center to be built because they felt like they understood, and then when Black students needed the space, a lot of the Latinx students also supported. I was at the meeting, the open forum where some of the students came in and they had the sign, and they stood, and other students, I remember some of the Latinx leaders at that time, they stood right along with them because they remember when those students stood up with them when they needed a space. So, I would even say that those two spaces really came about because of students' voices, because students wanted a space and because those different populations were advocating for one another, which is super important, you know, when we think about what's happening in terms of you mentioned Black Lives. It's important to see when you see all over the internet and all over the world that you see different organizations, you see Asian Americans standing for Black Lives. You see all the different diverse groups standing for Black Lives. That means something, especially with the experiences of Black Lives and what that means. It's a very unique experience. And other experiences have their experiences and unique--I wouldn't take away from them--but to even focus on Black, what it means for a Black life right, in academia. I think – what I know is yes, Black lives matter. So Black scholarship matters, Black mind--as Dr. Luke Wood would say in his whole movement--it matters, you know. Black grades matter. Black, you know, leaders matter, right? And then higher education is where they're being shaped. So, to go back to those young students, the women and the newer young men that came on working together to make sure that it was a space, it was a very, it was a very beautiful thing, watching as a professional staff member on the outside, because you see your students, you see them evolve, you see them trying to navigate and understand and understand what the policies are and create a space, and those particular students, they weren't trying to like be disruptive or, if, you know, they were definitely advocating to just be students who were heard and welcomed and having better experiences, and they weren't doing it in a way that was like--even when it got to the protest or protesting at the forum--it wasn't like they were making a bunch of like super, like loud noise. They kind of stood up with a sign. They asked the President of that time (President Karen Haynes), ‘cause it wasn't our current President, for the space. You know, and I always see, when I see those young men and women even now, and they always were just, they were organized and advocates and activated. But when I even think about what they're doing now, they're all in like grad school or in wonderful, wonderful jobs or even coming back to our campus talking about free speech. And so, to me, that's why it's even that much more important for our campus community to keep cultivating those students because they come back and they enrich the campus community. 00:25:31.000 --> 00:25:48.000 Exactly. So, to go back, did you see any external or internal pushback on the creation of the Black Student Center? Or did you directly witness any pushback on the creation on social media or anything like that? 00:25:48.000 --> 00:30:06.000 I did not see it for myself. Right. But I just remember the conversations, folks were saying things like--ooh, actually, I'll take it back. I do remember, I forgot all about this. We brought in Daryl Smith to campus to speak about diversity issues. And I remember a small group of white students standing up during her talk. And Daryl identifies as white and does diversity work and is known in the diversity field and really pushed back on the students. So, they were asking for a white space, and they were saying that if we're basically going to make a space for everybody, like we want a space as well. And I remember her saying something like, you have, thinking like that if you want a space for only whiteness in that way that you're saying, because they were saying it in a very harmful way, is how she was and how she took it. And she said, Yes, you have a space for your ideas. Go and join the Ku Klux Klan, where you belong. Right. Like that was like, that was controversial. But just trying to point out the supremacy in that thinking and culture, the way that it was approaching and not really understanding the conversations. And so, there was a lot of conversations about what it meant to have a space. One of the things that I do in our office, we have Conversations That Matter. And so, one of the things that's involved or that's a part of the Conversations That Matter series is you have to have a call to action. And I remember we had one that talked about Black studies matter, because we needed to educate folks on, well the students and the faculty wanted to come, and they want it to educate folks on what it meant to have Black studies in Black spaces. So, it was a campus conversation on that to try to negate, I guess, pushback or to answer questions. Right, and that was great. ‘Cause it had founding faculty from San Diego (State), founding faculty from the African, Africana Studies program, I think from SDSU, it had, I would have to go back. Dr. Sharon Elise had led that conversation. Dr. Melina (Abdullah) from Long Beach, who heads the Black Lives Matter LA version, I think, was on that conversation. I'm getting people's titles all wrong. But the point is, Black faculty from the CSU came to support CSU San Marcos on that conversation because it was a larger conversation, I think, having--happening in the system around spaces for Black students. And, you know, at that time Black Lives Matter, this is Black Lives Matter. People were not acceptable of Black Lives Matter. Like now you see people like donating bunches of, a bunch of money or protesting together and saying, “Black Lives Matter,” no matter how diverse they are to my point earlier, but that wasn't the conversation nationally. It was very much like when you say Black Lives Matter, what about blue lives? What about white lives? So, that is the tension, the social tension that was happening, even in the midst of like, they were coming off of that, even in the midst of this space of higher education, you know. And centers in itself, cultural centers, have been a longer conversation historically, I think, Gloria, Gloria Ladson-Billings, around her publishings on cultural centers. So yeah, it, there was. So yeah, to answer your question, I guess, to go back, there was some pushback for sure. Yes. And resistance coming from--yeah, there was. Sorry I had to reflect a little bit more. 00:30:06.000 --> 00:30:19.000 Oh no, please, please reflect ‘cause that's, that's really interesting, actually. So, what did the university admissions communicate was their vision when it comes to the Black Student Center, as well? 00:30:19.000 --> 00:30:21.000 Wait, say that again? 00:30:21.000 --> 00:30:31.000 What was the vision for the university administration communicating with their vision? 00:30:31.000 --> 00:34:19.000 If I remember correctly, I just remember the students had requested the space, and I think they were Dr. (Lorena) Checka and the President because she (Dr. Checka) oversees Student Affairs, was responsible for working with the students to kind of like look for a space, think about the budget, think about those things. So, I felt like the students were charged with making it happen, with the support of, maybe Dr. Checka trying to like help them make it happen, if that makes sense. But to be honest, I feel like, yeah, it was kinda’ like we asked for the space, the students, this is what the students had told me: We asked for the space and now they're making us do all of the work that administration would normally do to create the space. I think that could have probably been a little bit clearer for students because it made them feel like they're like, Well here, if you want the space, you figure it out, right. Where I think the, they were trying to do--and this is where I don't know for sure--but I think they were trying to be in partnership with the students so that the students also understood this is what it takes to create a space, this is what a budget of a space looks like, making them do the research which is okay. I feel like students need that scholarly, like this is how you research. So, if you get in a nonprofit or you request money or request a space, you need to know this information. But I think originally like just how it came across was interesting. And then even, you know, at the time, I felt like it wasn't, there because there wasn't specific ownership of the space--and maybe you’ll interview Tiffaney Boyd and she’ll have a, as a student, a better, she’ll have more to say about this. But, I remember, so, when Tiffaney was President (of Associated Students, Incorporated, ASI) and Jamaéla (Johnson) was one of the execs, and there was another young woman. I’m forgetting her name. They were, I think, the first women of color to be ASI leadership and executives, at that time, during their leadership time. And they themselves, as women of color, specifically Black women on this campus, was having some challenges just being the leaders of the student body. And, you know, some of the things that were just coming towards them was very, very interesting, like I was surprised, you know. I’m very proud of them because some folks did not make it easy for them. And they had some moments, you know. So, they had to be tough and strong, and they’re students, you know, they’re students trying to be students. But also trying to do this very important political and social thing for students futuristically, you know. And I don’t think that part of the story gets told. That those women of color, when they were leaders, they had some opposition for sure. And I think about that because, you know, whatever we could do to assist, where we could assist, you know. But, you know, I look at them, and they were strong. Whether they wanted to be or not, they had to be. And they had to figure it out. What was your question? I feel like I digressed. 00:34:19.000 --> 00:34:28.000 Oh no, you, you answered it perfectly. (laughter) So, what was it like when you first visited the Center for the first time? 00:34:28.000 --> 00:38:28.000 So, when they had a celebration, in the spirit of it all was like a super proud day. There was a ribbon cutting, there was like smiles everywhere. People had on, I felt like everybody had on the dashiki or dashiki dress or like something to be connected to their African-ness and faculty and staff--not everybody--but faculty and staff, they showed up, supporters of the space showed up. And so, being in that space in the very beginning and what it meant because the people who've been here for a while historically understood what it meant to gain such a place for Black students, when Black student retention and equity gaps and all of those things have been a conversation for so long. And to have this, yes it was one center, but to have it, really felt like okay, now we're going to be able to expand the Black population and do all of these things. So, the spirit of that day, the spirit of that first, you know, year on the outside was interesting. I think that the people who worked in the inside, the students and the staff probably had some interesting experiences ‘cause I think that people felt challenged. One thing about when people focus on things that are Black, it sometimes feels like everybody has input on why it can't be focused on just Blackness, which is interesting. Anytime that Blackness is centered, and we see that right, with Black Lives Matter, right? We can't even say Black lives matter without something, without somebody saying, What about blue lives? What about white lives? And people constantly saying, We never said that those things were not important! We’re saying that you never deemed Black life important since day zero. And we are making--like the young folks are making sure that we matter and that we count and to see that is important. And so, when the space to say like, Yes, all students matter! But we are making sure that we say we recognize and understand the experience, the negative experiences that Black students have been having, and we're trying to improve those, is important, right? That’s why I mentioned, wanted to mention the piece around the Latinx students who support it because I think they understood because they also had some similar things happening in a different kind of way, but just understood when people say we are focusing on this population, and there is nothing wrong to focus on this population. So, I think that the folks who worked there when people would come in and they didn't understand what the space is for, and were like Why? Or if they saw social media saying, here we go again with, you know, whatever people were saying. I think it was a challenge to, for them. And I think it was difficult for them. And you know, they did what they do and as Black folks, they held their head high and shoulders back. But that doesn't mean that those Black students who are just looking for a space, didn't feel again, like, Why is this happening? Why are people making us feel like we don't belong? Why are when I talk about Black people, you're saying et cetera and making me talk about something else, you know? But I think that's important. And also just like and other people that support it. I feel like even the director, Floyd Lai, from the Cross-Cultural Center always has been supportive of the other spaces. Just that understanding and those things are important as well. 00:38:28.000 --> 00:38:43.000 Yeah. Those are very important to know. So, continue, can you tell me a little bit about the early focuses of the Black Student Center, the programming events and focuses? 00:38:43.000 --> 00:40:08.000 Yeah, I mean, I remember--I should say this too, Ayana--I remember I was excited for the Black Student Center. I had applied to be the director of the Black Student Center at one time. I was excited, like this is the place, you know? And so, the vision around it being a place really, even though being in Student Affairs, being connected to Academic Affairs, really developing Black scholars and scholarship, having that historical understanding for folks and that education. Before it was formed, I know that like it was, people have the vision, honestly, that it was going to be the end all be all of everything, which is problematic because one space can't answer all things for Black students. And having people realize that, you know, the diaspora is not a monolith, right. And the students are not monolithic in their thinking and their approaches. So, I think even now, you know, that's a challenge, understanding how the richness and diversity among Black people and Black students. So having it be this end all be all is interesting, was interesting. So that's ‘kinda what I remember about it. My little piece. Yeah. 00:40:08.000 --> 00:40:23.000 Mmm. So, expand upon that a little bit more about that. So, on that early, you didn't, any initiatives or programming specifically that you like knowingly like saw push, like right after the Black Student Center? 00:40:23.000 --> 00:42:40.000 I don't know if it was right after, but I know that they started to have Black step shows. They started to have Black Wall Street. They had the Black Panthers. They had one of my favorite events, they had something called Hidden Figures, and they were recognizing, they had it on so-called Valentine’s Day in February, which was also during a Black Excellence Month and they would recognize Black faculty and staff members on campus and their, the work that they did in a hidden way, and I was one of them. But one of the Black women, she doesn't work here anymore-- many of the Black women that were here don't work here anymore. It was just one of those events, it was one of my favorites because it was like, a we see you from the students, right. It was the student stance of Black faculty and staff, like we see you, we know what you do. They may not know, or other people may not know, but we know what you do for us, and we appreciate you for it. And it just, it was a really good event. So, there were a lot of great events when it first started, yeah, like four or five. But there they were having--oh, they would have Black Unity Hour, Unity Hour, I think they still have that. And they would try to do a lot of coordinator with the Black Faculty Staff Association. So, trying to welcome the Black Faculty Staff Association. They have this thing--I forget what it was called--but the Black Faculty and Staff Association, one person a week could come in and lead a conversation with the students on whatever topic that they were interested in. And, you know, so that was nice. I remember I did a topic in there with them, with another colleague, and we focused on white supremacy, white groups, and kind of like, what does that mean for Black lives and Black students, something like that, you know? So, they were doing a lot of programming, and they had a lot of interests. 00:42:40.000 --> 00:42:48.000 So what are some wrinkles that do you think were worked out in the early days of the Center? 00:42:48.000 --> 00:42:50.000 That I can talk about? (laughter) 00:42:50.000 --> 00:42:54.000 Yeah. That you can, yeah. (laughter) 00:42:54.000 --> 00:45:20.000 Yeah. I think understanding the mission and the goal of the Center, like I think they might even be working on that, like understanding that, like we know it’s a Center and we know it’s the space for Black students. But having a unified goal from the very beginning, not sure if they had that from the very beginning. Who could be in this space? It was always like a conversation. Who could be in the space? And I was like, Well, the space is open to all, right, ‘cause we're an inclusive environment, but let us not forget the space is gonna’ focus on Black scholarship, like what it means to be Black and those different things. And so, they had to always debunk myths. I feel like in the beginning, people would, they had to debunk myths, because people were like, Well, can I be in here? And they're like, It's a space like any other space on campus. Do you ask the other spaces if you can be there? Like they had to do a lot of like that teaching folks, they probably still have to do that. And I'm saying, I don't know for sure ‘cause we're in a pandemic, but you know, but they're still having virtual events. But that was like one of the things like people were out constantly asking people who maybe who didn't understand if they could be in the space and they would always be like, Yeah, you could be in the space, but just know in the space, this is the focus. And if you support the mission and the focus of the space, then there's no problem. And I do think, I do feel like the students were challenged a lot in the space. And I also think there was some internal things happening in this space. Yeah, just trying to work out the identity. I think the identity of the space being worked out and what it meant, you know, and because it didn’t come with a very strong mission or had a strong mission, people made the mission, or the identity of the space based on who they were and what they wanted to see out of the space. So that, I think sometimes that leads to conflict. In terms of just like everybody had their idea of going back to, even, you know, faculty and staff. Everybody had wanted the space to be everything for everybody and then realizing real quick that that cannot be the case. 00:45:20.000 --> 00:45:27.000 So, what would you say is the purpose of the, of the Center specifically? 00:45:27.000 --> 00:48:05.000 Yeah, I would say the purpose of the space is Black scholarship for students is the first and foremost important part of the space. The space is in a place for higher education, and so the goal is to make sure that in whatever way the Center can help facilitate Black student success. So, Black student success and Black scholarship is what I would say is the most important facilitation of the space, right? Like how has that space facilitating Black students to graduate on time, to make sure that Black students know how to write, to make sure that, right, like we have the Writing Center and we have those other spaces, but if Black students are not going to those spaces for whatever reason, that they're also giving, getting that in some, to some degree, in the space. So, I think that’s one of the--this is my opinion--but yeah, one of the most important things that like Black, that Black student success is happening. And so, how they go about Black student success? I think the space gets to determine, right. But just like some of the things that I named, but also a place on a list to, if I had a list of what it's for, students to gather and be, and be in community. There's a long history, I think I even started with my beginning of like the importance of community to Black folks in the Americas. I would say globally, but I'm a scholar in the US mostly, I shouldn't say that. I have a Latin American studies minor. But and that was still like examining Blackness, you know? But yeah, Black student success overall. I know that's super general, but whatever it means for Black students. So, like if a Black student trying to graduate from Cal State, making sure I graduate, like, and I want to graduate, go to graduate school, what things can the space provide in conjunction with the services we have on campus? So maybe, you know, the Black Student Center is a facilitator, making sure that the students know what resources are available throughout the campus. So, a hub of facilitating that student success. 00:48:05.000 --> 00:48:11.000 So, do you think this purpose is being accomplished, the multiple lines that you mentioned, currently? 00:48:11.000 --> 00:48:15.000 Do I think the purpose is being accomplished right now? 00:48:15.000 --> 00:48:16.000 Mmm-hmm. 00:48:16.000 --> 00:49:04.000 Yeah. I think that with their new student director, John Rawlins (III), I think that, well that we’re in a pandemic, but even in that, I think that John is trying to create some sustainable foundation for the space that wasn't there. So, I would say with the new director and with the new AVP Dr. (Gail) Cole-Avent (Associate Vice-President, Student Life), who also oversees all of the centers, they're definitely in tandem, working that that space is a place for student success, Black student success. Yes. I think they're on the journey. I don't know if they've arrived because the space is how old now, like three years? 00:49:04.000 --> 00:49:07.000 Three years, it'll be five coming up, about four years. 00:49:07.000 --> 00:49:42.000 Four years, and it’ll be five. Okay. So, and I think John has only been here one, maybe two, years, and Dr. Cole-Avent maybe one, maybe two years. So, you know, the space has gone through some, I want to say identity crisis, but I'm going to call it that for the lack of a better term. And they're trying to shape that and build that foundation and repair some things, repair some things. So, to your question, yes. I think that they are on the road to recovery and the road to making sure that the foundation for Black students for that space is student success. 00:49:42.000 --> 00:49:52.000 Ok. All right. So how has the Black Student Center affected you personally? 00:49:52.000 --> 00:50:54.000 I love the space. Sometimes just when I walk the campus, I'll go visit all the spaces. But I love that when I come in the space, I feel welcomed by students. I'm happy to see them and they seem happy to see me. Unless they think I'm going to have them, assign them some things. (laughter) Or ask them some questions about classes, if they've gone or not. But the presence of the space has been great to like some of the events that have, I don't know of the capacity if you, of those events could have been had on campus without the space and the collaboration of the space. But just going in there and just seeing like, what's going on, what are y'all up to? What are y'all working on? Sometimes, especially in, you know, thinking about some of the conversations that they were having or some of the programs just to walk by or to stop in for a moment just to see what's going on. So good on campus. 00:50:54.000 --> 00:51:00.000 So, with all that's going on, what do you expect to see next for the Black Student Center? 00:51:00.000 --> 00:52:00.000 I really expect that the Black student success initiative that's going to come down, I really hope that it can help grow our Black student population and have that space be a hub. And I say that, I'm trying to be gentle in saying that because John (Rawlins III, Director of the Black Student Center) is one person, right, and so doing, you know, the best that he can as one person. But what I would like to see next is those student initiatives out of the space, really concrete, and really growing and seeing scholarship, the scholarship that the students produce, the presentation opportunities, seeing, you know, the way that faculty continue to collaborate with the students and produce scholarship. That's what I think some of the next steps are. 00:52:00.000 --> 00:52:10.000 Okay, so you had mentioned previously, but can you talk a little bit about your role on, on the, on campus currently? 00:52:10.000 --> 00:56:09.000 Yeah. I'm the Assistant Director for Programs and Initiatives (in the Office of Inclusive Excellence). My role is to make sure, help make sure that the campus is inclusive and welcoming, to help make sure that the CDO (Chief Diversity Officer) and I, that we advise our presidential administration team on the best decisions for the campus to strategically be doing the work of inclusion, diversity, equity, and justice. And so, I know that's super broad, but it’s broad because, Ayana, it entails a lot. It looks different in different ways, right? It can look like a summit on what we're doing for specific populations. It can look like anti-racist work and implicit bias training. It can look like, what are we doing for students for putting together diversity work and sustainability work, and how is that helping student success? It can look like what are we doing with our social justice grants and how are people doing the work of diversity across campus? It has many forms. I do many things. It can look like, how do we decolonize a syllabus and work with the Faculty Center on a program, such as that and making sure that our faculty and staff also feel welcomed and included on campus doing this work. And that students, no matter where they go on campus, that we have some inclusive curriculum. It can look like there there's a new Ethnic Studies program coming, possibly, not program, I'm sorry bill or conversation, right. Like the work of the Office of Inclusive Excellence is very expansive across the campus because the goal was to make sure that inclusion is in everything that we do, whether in hiring, whether in our search process and our retention of our faculty, staff, and students, and our, again, in our curriculum, and the daily operations of like vendors and policies and how they're applied. So yeah, it's all of that with many forms and my job is to help facilitate it where I can, how I can, really building relationships across the campus and making sure that our Office is you know, also there to advise or to help and guide where folks need the assistance when they're, when they're trying to transform their department from, you know, a more inclusive space or department and they don't know what that looks like. So, it's a lot. I enjoy it. I enjoy working with our current, interim CDO (Dr. Ranjeeta Basu). We're in the midst of hiring a new chief--and I say CDO--that's the Chief Diversity Officer. And so, just trying to figure out where do we go from here? And I know where we go, we need to expand the capacity of our office so that we could continue to do this work all over, consistently. But what's nice is that the new President, President [Ellen] Neufeldt, has said this work belongs to the campus, and it is not just relegated to one office and that we all do this work of inclusion together. So, that's been a great relief, and you know, I applaud the new President for that. 00:56:09.000 --> 00:56:16.000 Okay. So, those are all my questions. Do you have anything you wanted to add or anything you would want to say? 00:56:16.000 --> 00:57:05.000 Yeah, I think this is a great project. I think that it's going to be important. I'm all into the institutional memory that we need to carry forward, especially with the conversations we're having now about like naming of buildings and why do we have those names or why do we have this space or what was the purpose. So, I'm very excited about the project and I love that the University Library was happy to partner with students, graduate students, with the (Black Student) Center, a lot of students, yourself and other students, who are doing the interviews, it becomes this whole research ecosystem, and I'm all happy for that. So good job. 00:57:05.000 --> 00:57:10.000 Thank you so much for allowing me to interview you. This is a wonderful interview. Thank you so much. 00:57:10.000 --> 00:57:12.000 No problem. 00:57:12.000 --> 00:57:14.000 Have a nice day. NOTE TRANSCRIPTION END ]]> https://rightsstatements.org/page/InC/1.0/?language=en &#13 ; video Property rights reside with the university. Copyrights are retained by the creators of the records and their heirs. &#13 ; &#13 ; This resource is licensed for noncommercial educational use using CC NC-BY 4.0. 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The researcher agrees not to record, reproduce, or disclose any Social Security number or other information of a highly personal nature that may be found. 0 https://archivesoralhistories.csusm.edu/ohms-viewer/render.php?cachefile=StevensonAriel_FordAyana_04-15-21.xml StevensonAriel_FordAyana_04-15-21.xml https://archivesearch.csusm.edu/repositories/3/resources/19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stevenson, Ariel. Interview April 15th, 2021 Description An account of the resource Ariel Stevenson works in the Office of Inclusive Excellence at California State University San Marcos where she works closely with students to increase the diversity on campus. Stevenson has been on campus for 15 years. In this interview Stevenson discusses her impact on campus, including the way she helped get the Black Student Center open through student impact and support. She also discusses her experience as a Black student and CSUSM employee. Identifier An unambiguous reference to the resource within a given context SC027-02 Subject The topic of the resource Activism, Student Anti-Black racism California State University San Marcos. Associated Students Incorporated California State University San Marcos. Black Student Center California State University San Marcos. Office of Inclusive Excellence Student success, Black Date A point or period of time associated with an event in the lifecycle of the resource 2021-04-15 Creator An entity primarily responsible for making the resource Ariel Stevenson Contributor An entity responsible for making contributions to the resource Ayana Ford Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Marcos (Calif.) Farrell (Penn.) Warren (Ohio) Reading (Penn.) Publisher An entity responsible for making the resource available California State University San Marcos University Library Language A language of the resource English Rights Information about rights held in and over the resource <span><a href="https://rightsstatements.org/page/InC/1.0/?language=en" target="_blank" rel="noopener">In copyright</a><br /></span> Rights Holder A person or organization owning or managing rights over the resource. Ariel Stevenson Type The nature or genre of the resource moving image Format The file format, physical medium, or dimensions of the resource video Is Part Of A related resource in which the described resource is physically or logically included. Black Student Center Oral History Project Black experience Black Student Center Oral History Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Transcripts Description An account of the resource Written oral histories and transcripts are available for researchers that prefer the written word, or to see the whole interview in a document. Transcripts of <a href="https://archivesoralhistories.csusm.edu/collections/show/5">audio and video files</a> are also available as part of those video files. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Judith Downie Interviewee The person(s) being interviewed Lynda Cull OHMS Object This field contains the OHMS Hyperlink (link to the XML file within the OHMS Viewer) https://archivesoralhistories.csusm.edu/ohms-viewer/render.php?cachefile=CullLynda_DownieJudith_2017-05-11.xml Interview Keyword This filed adds keywords to the Omeka Oral History item type. Keywords are included in the OHMS XML, this field in Omeka will allow for full data migration between OHMS XML and the Omeka Record. This field does not impact the OHMS / Omeka integration and is optional if you do not need to map the "keywords" field in the OHMS XML to the corresponding Omeka record. San Diego brewing;women in brewing;home brewing;brewing industry;craft brewing OHMS Object Text This field contains the OHMS Index and / or Transcript and is what makes the contents of the OHMS object searchable in Omeka 6.0 Cull, Lynda. Interview May 11th, 2017. SC027-068 00:40:01 SC027 California State University San Marcos University Library oral history collection CSUSM csusm San Diego brewing ; women in brewing ; home brewing ; brewing industry ; craft brewing Lynda Cull Judith Downie Sound CullLynda_DownieJudith_2017-05-11.mp3 0 https://archivesoralhistories.csusm.edu/files/original/b4107f0ccb3c2b31d1ad90a3e9b6c721.mp3 Other audio Oral history interview of Lynda Cull on May 11, 2017, at Stone World Bistro and Gardens, Escondido, CA. Cull is a home brewer and financial consultant specializing in the beer industry. In this interview, Lynda discusses how she got into home brewing and her career as a financial professional in the brewing industry. She speaks to her experience with brewing groups in the San Diego area and as a woman in the brewing industry. NOTE TRANSCRIPTION BEGIN 00:00:00.000 --> 00:00:20.000 Okay. Today is May 11th, 2017. This is Judith Downie, interviewer, working with Lynda Cull, interviewee, at Stone Bistro in Escondido, California. (discussion about audio quality) 00:00:20.000 --> 00:01:37.000 Well like I was saying just a second ago that the entire reason I got into the brewery industry and home brewing and everything was when I was studying abroad in Spain, I realized that first off, I don't really like wine that much, which just kind of a, kind of a bummer when you're in Spain of all places. But it was very cheap to get beer everywhere. You know, you could get little glasses of beer at bars, and it was two, three euros, which is hardly anything. So, we would go out for beer a lot, and at some point, I kind of realized that all of these European beers where they're all lagers, so they all taste like bread. They're all liquid bread. They're not, they're not super interesting. They didn't inspire a lot of, you know, different things in me. But when I was traveling, I realized that, you know, I'm coming back to San Diego, which is this huge tourist location, and I really hadn't done a lot of these San Diego kind of things. So when I came back, it was like, Well, beer is cool. I like beer, and San Diego is the, you know, craft beer capital of the world, supposedly. So, if I'm going to do San Diego things and I want to pick something, that's going to be easy and casual, why not beer? You know. 00:01:37.000 --> 00:01:38.000 What year was this? 00:01:38.000 --> 00:11:19.000 That was in--I came back in 2014. So, in 2014 was when I really started kind of paying attention to what breweries were down here and kind of testing them out and trying them out. And you know, one thing kind of led to another. I didn't realize because I'd been used to drinking all these European beers that all taste the same, and then I got down to San Diego and realized that there's all these different styles and every single beer tastes different. And a batch from the same brewery will taste different different times. So, that was really interesting to me. And just the entire culture of it. You know, everybody in the craft industry is pretty friendly. Everybody's a little bit nerdy. They like to talk about their beers and what's in it and everything. And it really goes to that kind of next level, where it's a little bit more intellectual in San Diego. You can tell who, when you're talking to someone, if they kind of know what they're talking about or they're totally into it 100%. It seems like people really fall onto one end of the spectrum or the other. So started going around and just trying different breweries. There was a little bar by my house that would do Kill the Keg nights on Wednesday nights. So, it was four dollars--it was three dollars. It started out as three dollars a pint. And then they raised it to four dollars a pint, which is kind of a bummer, but that really expanded my horizons as well. And at the same time, my fiancé--boyfriend at that time, my fiancé now--is up in Santa Barbara. So, I would go to visit him and there's just a handful of breweries up there, but that's really how I got into it was just, I want to do something San Diego-y. Beer is San Diego-y. So that's kinda’ what I got into and then not super long after that--I want to say in 2015--one of my friends just for Christmas bought me a little one-gallon brew kit for home brewing. He was like, “Oh, you'll totally have fun with this.” And it had all the ingredients in it and everything. And to be honest, it sat in my closet for like six months before I finally pulled it out to do anything with it. And it was really funny because, you know, I did it with my fiancé. We were brewing together, and it was like, Okay, it comes with the grains. It comes with the hops and the yeast and the fermenter and all the pieces and parts and everything, and it's reusable. So, I was like, Yes, this is going to be great. And the box said that it was a pale ale, and my favorite style is an IPA--pale ale--because I like those hoppy beers. So, I was like, Okay, this is going to be great. Awesome. The first time we brewed, it was kind of a disaster because we, first off, we didn't realize how many like pots and how much water we would need to do all of this. And we're like brewing in my little kitchen on our electric stove, which is terrible for brewing because the temperature doesn't stay even. And so we, at the end of the day, we've got like ten--we didn't start until eight o'clock at night, which is dumb. I don't know why, but it was so--we had pots and pans all over the place. Everything's a mess. And then, as we were taking our oil and putting it into our ice bath to cool it down again, the fire alarm goes off in our building. And we live in an apartment. It's a very loud, noisy, can't really get away from it kind of thing. So we had to go outside. So my first ever beer is sitting in the sink crashing. It's really close to the temperature that I need to take it out, fire alarm’s going off, you know, my bird is freaking out. We only moved into this apartment like a month before. So, it was, it was just a disaster. So, we went outside but came back in right when we came in and beer was at the perfect temperature. Okay, great. So took it out, fermented it, bottled it, the whole nine yards. It didn't turn out bad. It was drinkable. We called it The False Alarm. ‘Cause we were like, Eh, this turns out crappy? Huh. False alarm. But we, it turned out okay. It did not taste like a pale ale. It tasted more like a Hef (Hefeweizen), which I was a little bit upset about. But, I guess you kind of can't blame it because the kit that we got said it was a pale ale, but the ingredients themselves, it was literally a bag that said malt, yeast, hops. Like I have no idea what kind of yeast, what kind of malt, what kind of hops--don't know how fresh they are or anything like that. So, that was the first round, which, like I said, it turned out drinkable. We learned a lot. So, the second time we tried, we went to the Home Brew Mart just because that was the closest home brew store to us at that time. And it was really convenient because we didn't really know what we were doing and really just kind of, there's like a cooking side to beer and then a science side to beer. We were really just trying to make something drinkable. I have no idea what alcohol content it was, you know, gravity. I had no idea. I wasn't really worried about that at that time. So, we went to Ballast Point—Home Brew Mart--and they're really useful there. We said, Well, we want to brew an Irish red ale next. And they said, Okay. So they went and found a recipe. They scaled it down to one gallon for us because most people brew in five gallons. I just don't have the space for that so we only do one gallon. So, they helped us get all of that set up, so get home brewed it, turned out great. My fiancé says that it rivals the Red Trolley Ale, the Karl Strauss. I don't necessarily think I would go that far, but it was, it was pretty good. So that was fun. We're in our fifth batch now. We're doing an IPA this time, so we'll see how it goes. But I freaked out a little bit because I had--all the other styles that I've done besides the first one have all been dark styles. So, the malts have been really dark, and then when you put it in the fermenter you get a little bit of crud on the top of the fermenter, but it was always dark because that's what the malts were. So, this last time, I checked on it--just a couple of weeks ago--I checked on it, and I had a little bit of a heart attack because there's all this gunk at the top, but it's kind of like greenish a little bit. And I have to like dry hop my beer, and I'm like, Oh my God, I don't want to open this. It's going to be--I'm going to infect it. If it's not already. I thought there was mold on the top or something. I thought I was going to have to throw it away. I was so heartbroken because this is the first IPA we've tried to brew since the disastrous pale ale that wasn't a pale ale. But you know, I went online and posted on my little home brew forum and everybody was like, No, it's fine. You're totally good. That’s fine. So, we're supposed to bottle that this weekend. So, we'll see how that goes. I guess it's going to be a mystery in two weeks to see if it turned out well or not. So, that's kind of how I got started in beer and in home brewing. And then, when I started my career as a financial professional, it was really like, Okay, well anybody could be my client, but who do I really want to focus on? And literally my thought process was, Well, I like the people that work at breweries. I like to drink beer. I'd like to have an excuse to go drink beer while I'm working. So, I guess I'm going to target the beer industry, which I did. I cold called some breweries to try to do more like a financial wellness type program for the employees. I joined Pink Boots kind of not really knowing what it was but still getting that it was women and beer. And because I was working with breweries at the time and had a couple of clients that worked at breweries, I was able to say, Well, I am technically in the industry, which is why they let me in. So that was a big bonus. And that's really expanded a lot of just being someone who likes beer to actually feeling like I'm a little bit more part of the industry, a little bit more in the know and in the loop about different breweries, and who's doing what. At this point, all of my friends are, you know, they come to me all the time like, “What kind of beer should I drink?” You know, they like to go to breweries with me and try all kinds of different stuff. So that's been really fun to kind of get both sides of it--the home brewing side and the more industrial side of it--because I feel like there's a lot of overlap, but at the same time, not quite as much. I know one of the questions on here is your with QUAFF (Quality Ale and Fermentation Fraternity) and other brewing groups. So, part of when I was looking to get into brewery industries, I thought, Okay, home brew groups would be a good place to go. So, the first one that I actually went to was the one up here in Escondido, the Society of Barley Engineers. So I first went to that meeting and it was nothing like I'd ever been at before, you know? (Conversation with waitress) What was I saying? So I went to the Society of Barley Engineers, you know, kind of talked with some of the other people that were there. It was kind of funny because I realized very quickly walking into the room that I was one of the only women with a room full of, you know, 40 people. Um, there's maybe two or three women in there, but most of it is other older men and— 00:11:19.000 --> 00:11:20.000 --older men— 00:11:20.000 --> 00:14:25.000 Yeah. They're mostly older men. I mean, there's a couple of young guys in there, but they're mostly older. And when I was kind of asking around and chatting a little bit beforehand, I realized that a lot of them are more of the analytical science-y types, like the engineers and IT people and this and that and the other. So that was kind of interesting to realize. And I just remember, I was talking with this one guy, and we were having a really great conversation. It was my first meeting there. I was by myself, just kind of wandering around, talking to people. And after we'd been talking for ten minutes or so, a good amount of time, he goes, So, why are you here? I’m like, Well, I don't understand. What do you mean why am I here? It's a home brew club, like I'm here to contribute and get some knowledge and, you know, kind of see what's up. And he said something to the effect of like, Does your, does your husband brew, or does your boyfriend brew or something? And like, in that moment, I know that I don't even know what my face looked like, but in my head, like I was just shocked. Like, no, I'm the home brewer actually. I'm the one that brews everything. I'm the head brewer in the house. You know, my fiancé helps me because I make him, but not necessarily because this is what he's interested in. So, that was a little bit weird. And it just, it struck me as kind of funny that that's like--we were having this wonderful conversation, you know, totally nothing out of the ordinary. And then--but in his mind, it was just too weird. Like, he couldn't imagine why a woman would be there without some other male figure. And I did go and talk to the other women that were at that meeting afterwards, just because at that point, it was like, okay, there's three of us here. But they were kind of the same thing that that guy had assumed. They were there with their husband. They were not necessarily there because that was their hobby. It was, you know, their joint hobby. And so they came, but they really deferred to their husband to kind of take the lead on that. So that was a little bit interesting. And then, of course, because QUAFF is much bigger than Society of Barley Engineers, a lot of them were also in QUAFF. So, that was how I found out about QUAFF. And then when I found out about QUAFF, I found out about SUDS, the sorority counterpart to QUAFF. So, I haven't been to another home brewers club meeting besides SUDS since then. So, I haven't been to a main QUAFF meeting before, but from what I understand, it's structured a lo, like how the Society of Barley Engineers is, where there's a lot of beer sharing and talking about the scientific numbers specifics, because apparently that's the kind of crowd that gets drawn into home brewing. So, that was kinda’ my experience with home brew clubs is it was just very weird to realize that other people were looking at me and wondering what I was doing there, as opposed to just, oh, this is another person that's brewing and here to share knowledge. So that was a little bit weird. 00:14:25.000 --> 00:14:26.000 Yeah. That would be. 00:14:26.000 --> 00:16:44.000 Yeah. So, there's just a couple of other weird things that have stuck out to me about that, particularly the way that men have interacted with me when I'm in a brewery. Like I know that the bar that I was telling you about before that had the $3 Kill the Keg nights, I mean, I was pretty much a regular. Every week, I would go. I would always invite some of my friends. If they didn't come, whatever, I'm still going to go and try everything and take advantage of that. So, and it's really cute. They have got a bar, but they've got the entire sitting area. So, I knew that I was--a friend was joining me that night. So, we wanted to sit at the bar. I got there before her. So, I was standing at the bar trying to get one of the bartenders’ attention to order, and it's the guy sitting next to me and talking to his friends. I say, hey, you know, can I look at the beer menu? Sure. They gave it to me. So I'm kind of like looking through it. And then the guy next to me, he's like, Oh, if you're looking for a good recommendation, I would go with the Grapefruit Sculpin, it's really good. And it was just weird because one, I wasn't talking to him, I asked him for the beer menu. I don't need his recommendations. I mean, at that point, I probably know more about beer than he does. Like, I don't need his recommendation. I know exactly what I want. And second off, he kind of showed that he really wasn't that into beer just because I feel like if you're really into beer, of course, you've had Grapefruit Sculpin, you know. That's kind of one of the main staples of San Diego. It's Ballast Point, it's Sculpin, it's grapefruit, but, you know, everybody's had that. So, it was just, it was weird that I didn't ask him for any recommendations. I made it pretty clear. I didn't want to talk to him. He's, you know, pretty obviously like a good twenty years older than me. He's there with his friends. So, I don't know what possessed him to feel like he needed to recommend this to me when--and if you're going to recommend something to me, like, don't make it be Grapefruit Sculpin. I mean, there's thirty beers on this tap list. There's so many other interesting options and you pick Grapefruit Sculpin? (Conversation with waitress) So, I mean, and that's not necessarily the brewing community, it's just kind of the crowd that goes to-- 00:16:44.000 --> 00:16:49.000 Breweries. Just him relying on his prior (word inaudible) 00:16:49.000 --> 00:21:48.000 Yeah. Exactly. You know, I'm sure that if I hadn't known anything about beer, it probably would have been more of an opportunity to strike up a conversation with him. But because I'm like, Eh, you know, I don't need your help. I don't need your recommendations. I really don't care what you think, honestly. I'm not talking to you. And so that was, that was a little bit-- that was one of the moments that really stuck in my head is like, Oh, wow, this is, you know, I think it's totally normal. Of course, I walk up to a bar and order a beer, and I know exactly what I want, but just because I'm a woman, most people are not going to assume that I know what I want, that I know what I'm talking about. A little bit in line with the brewing thing--I was talking with a group of friends. We were around--there was some acquaintances that I talked to a few times, didn't really know super well, and somebody else in the group had started talking about home brewing. And one of the guys is like, Oh yeah, you know, I go to this store and that store. And so I inserted myself into the conversation, and we were talking about different stores and styles and what he preferred in brewing equipment, what I had, and this and that and the other. And, again, same kind of deal as the home brew club. We'd had a good ten-minute conversation, and then he's like, So does your, I mean, is your fiancé brewing? Like, is your husband brewing? You know, basically that same question is like, he, even after talking with me about all of these different home brewing things, he just couldn't believe that it was me that was doing that. He assumed that I was just kind of tagging along on my significant other's hobby. I'm like, What if I don't have a boyfriend? I don't have a husband? I mean, I do, but you know, what if I don't? So, it's just--and this was a guy that--he's similar in age to me, he hangs out with a lot of the same friends that I do, who I would basically consider to be very equitable when it comes to that kind of stuff. But that was just his assumption. And, and it was so funny because as soon as he said it, I knew that as soon as it left his mouth, he was just like, Oh no, I shouldn't have said that, kind of foot-in-mouth syndrome a little bit. But it's, you know, it's that kind of thinking that that really makes me want to continue in the brewery industry and not necessarily get discouraged by it or upset by it. It's a little bit weird and off putting when it happens, because you know, those are the first two times it happened, and I'm sure it's not going to be the last two times, but it'll happen. Especially if I continue to get more and more into the industry and everything, but that's, it's kind of the weird thing is knowing, going into these kinds of things, that other people are going to assume that I have never done this before. I don't know what I'm doing, when it's the exact opposite. I think a lot of people--and a lot of my friends have told me--Quite frankly, there are people that like beer, there are people that love beer. And then there's where you are, which is on a completely different level, taking it to the next extreme. And there's a lot of other people in San Diego that take it to the next extreme, ‘cause that's kind of the city's thing, but very interesting. Interesting reactions I've had with--and it's always men--like I've never had another woman be like, Oh, where's your husband? Why are, you know--I've never been to a SUDS meeting or a Pink Boots meeting, where I'm expected to have a male counterpart with me, and that's my justification for being there. You know, it's never been, I need to have somebody else that's doing this with me to come. It's just, Oh, we're all women, we're all beer aficionados, let's get together and talk about beer in a place where we're not going to get that weird kind of, What are you doing here? Who are you with? Where's your man basically kind of thing. I mean, and because I started not that long ago, these are recent things like that interaction with the acquaintance with my friend group, that only happened four months ago. So I think it's getting better. I think a lot of people are just like, as soon as he said the words, he was like, Oh no, that's not, I shouldn't have said that. So, I think more people are becoming accustomed to the idea that there are women in brewing that are home brewers and do it at their own accord. Not because it's their significant others’ hobby. But obviously there's still room to grow into that. You know, it's still very masculine. It's still considered very masculine, which I don't really understand because it's basically cooking. I'm not sure how that one really gets explained away. But that's kind of where I feel like it's gonna’ get better, but it's probably going to take a long time. I will probably continue to get those kinds of weird, like, What are you doing here? kind of questions. Probably for a long while until more women start popping up. 00:21:48.000 --> 00:22:00.000 I think as long as you take it gracefully and it's another opportunity to educate, you know, it's like, that's one thing about craft beer lovers. They do like to educate the non-craft beer drinkers. 00:22:00.000 --> 00:22:06.000 Oh brewers love to hear themselves talk. Me included. (Laughter) 00:22:06.000 --> 00:22:20.000 So, where do you--I mean--you have such a small system now. Do you see in the future moving up to a larger system? Or are you happy with the size you're producing because it's enough to drink and enjoy and then on to the next thing? 00:22:20.000 --> 00:23:52.000 I'm kind of on the fence because at first, I thought, Well, a gallon of beer, that's enough for me to drink and give a couple of bottles to my friends. So, I thought, That's fine. But then once I actually started getting into it, and my friends started hearing about it, of course, everybody wants to try it. And then my office wants to try it. And then my friends of friends want to try it. So, at first, I thought, Well, five gallons of beer is a lot to try to get rid of, but now I realize that it would be very easy to get rid of five gallons of beer. Eventually when I have the space, I'd like to upgrade to a bigger system and start doing the five gallons. But at the same time, I'll probably keep doing one gallons just because I can do all grain. If I had a five-gallon system, I can't do an all grain recipe with five gallons of beer. There's just too much grain to fit into a pot humanly. So, I bought several bigger pots so that I can do all grain for my one-gallon batches. So, extracts are kind of a--I've never done an extract beer. I know that there are ways to do like a half-extract, half-grain kind of recipe. So, eventually when I--our plan is to buy a house in the area, and then, of course, once we own a house and have enough space, then I'd be more than happy to start brewing on a bigger system. But for now, space-wise, and because I do like the all grain--I think that's a lot of fun to actually take it the very first step of doing the grain. So, we'll see where it goes. It's kind of up in the air right now. Going both ways. 00:23:52.000 --> 00:23:53.000 Keep your options open— 00:23:53.000 --> 00:23:55.000 Exactly. Exactly. 00:23:55.000 --> 00:24:11.000 Okay. So, let's see. And you did mention with the Spanish beers, how they all tasted the same, like bread. I find that really interesting. Did you, while you were in Spain, did you have a chance to go outside of Spain and maybe head closer to Germany and experience any beers there? 00:24:11.000 --> 00:25:43.000 I'm kind of kicking myself because, you know, when I was living in Spain-- (conversation with waitress) When I was in Spain, I wasn't necessarily as into beer as I am now, so I didn't go to Germany. I didn't go to any of those big, you know, beer-producing countries, which I’m kind of upset about now. You know, the next trip that we go to Europe, we're definitely going to do that. My sister is studying abroad in the Czech Republic, so we're going to visit her and go to Belgium and Germany and kind of do a little beer tour. I did have a couple of craft breweries in Spain. They're kind of few and far between, but there was one--I forgot what it was called--but there was one that was kind of near Madrid that our local bar got a couple of bottles, and they had three options. It was a Hef, which is basically what everything tastes like. But a little bit better ‘cause it's, you know, it's a craft beer, it's not the local well drink. And they had a red ale, I think, and a wheat ale. So, nothing like the IPAs, you know, down here and everything. So, I didn't do a lot of beer drinking when I was there outside of whatever was available, which you know, now--I went to Spain, came back, and then got into beer. So, now that I'm into beer, I really want to go back and kind of try some of these other places, too. 00:25:43.000 --> 00:25:50.000 Now what makes a red ale? Just realizing that I don't brew, so— 00:25:50.000 --> 00:26:47.000 I'm pretty sure it has something to do with the malts. I feel like whenever I go places, I see a lot of different variations on a red ale. Um, I mean, like when we brewed one, we've brewed an Irish red ale, which has a particular grain profile and not very hoppy at all, much more malty bready kind of tasting, but still as that kind of caramel-y taste to it, which is why it's red ale because you're using darker malts. So, they end up being a little bit more roasted, a little bit more caramel-y, more on the sweeter side. So that's--but I've also seen things that say just red ale or there's a Flanders red ale. So, there's all these weird variations of it, and my entire thing about beer styles is so long as you can justify why it's in that style, I mean, anything goes really. I’ve had pale ales that I would say is an IPA, and IPAs that I would probably call a pale ale or something different. 00:26:47.000 --> 00:26:50.000 The categories do seem somewhat subjective. 00:26:50.000 --> 00:27:14.000 Exactly. I know that there are technically like hard, fast rules for what's supposed to be in which style if you're going by like GABF (Great American Beer Festival) standards, but nobody's keeping track of the big breweries. I mean, I think it's a call, their style, so it's whatever they want. Basically, just kind of cross your fingers and hope that it kinda’ sorta’ is what you were expecting when you order it. 00:27:14.000 --> 00:27:16.000 And enjoy it, no matter what. 00:27:16.000 --> 00:27:18.000 Yeah, exactly. 00:27:18.000 --> 00:27:27.000 And then, on the Kill the Keg that you mentioned, were they brewing in house, or were these kegs from various brewers? 00:27:27.000 --> 00:27:58.000 Yeah, they were from various different breweries. They mostly did San Diego breweries, but they would have a couple of one-off ones from further away. Actually, funnily enough, right around the same time that I moved out of that area and stopped going to that bar, they did set up a little brewing system in the back. So, they're brewing their own beer now. I haven't tried any of it. But we’ll—eventually, I keep meaning to make my way back over there. It's right next to SDSU. So, there's, there's no reason why I can't just drive down the street and check it out. 00:27:58.000 --> 00:28:04.000 And now have you gone to White Labs and tried their taster flights, where they have the same beer brewed with several different yeasts? 00:28:04.000 --> 00:28:15.000 Yeah. That's crazy. I was so upset when I first heard about White Labs and how they do the different yeast stream tasters because they close at eight o'clock, and I'm usually still working— 00:28:15.000 --> 00:28:18.000 And that’s why you were upset. You weren’t upset about the fact they experiment with different yeasts. 00:28:18.000 --> 00:28:53.000 Definitely not. I was upset that I couldn't manage to find time to go to them. So, then when I found out that the SUDS meetings are all at White Labs, I was like, Yes, sign me up. I'm going to do that. I love that. I feel bad because my, you know, I've been to White Labs now several times. My fiancé has not, but it's just because it closes so early, you know, it's hard for--We live in UTC, so it's not that far, but by the time I get home, and we both change and we get ready to go and we eat dinner. And then by the time we get over there, it's like 7:30 and it’s last call. 00:28:53.000 --> 00:28:55.000 That doesn't leave you any time to actually enjoy. 00:28:55.000 --> 00:29:21.000 Right. I mean, because I'm usually done with work so late, we actually tend to pick the breweries that are open until ten because the breweries either seem to close at eight or ten. There's not a lot of in between. So we basically pick the ones that go until ten because, you know, I don't want to get to a brewery and it be last call right when I get there, you know? I’m the kind of person that sits there and drinks one beer in three hours. 00:29:21.000 --> 00:29:23.000 And then you feel guilty keeping the staff late. 00:29:23.000 --> 00:29:41.000 Exactly. Exactly. So we will look for the ones that are open at 10, but we will make--this Saturday, actually, we both have our days free for once, so we'll probably make it over to White Labs, but there’s so many other breweries. So we'll see. 00:29:41.000 --> 00:29:46.000 Yeah. How many breweries would you say you've been to at this point, at least the local? 00:29:46.000 --> 00:30:14.000 At least the local ones. Gosh, I have no idea. I'm going to throw out at least thirty. We tend to go back to the ones that we like a lot. So, Kilowatt’s one of our favorites, we go there pretty often. Ballast Point for a long time--we were both pretty hooked on. Still one of my favorite breweries—I’m a little bit mad that they sold out--but I'll enjoy them until the quality changes at least, you know? 00:30:14.000 --> 00:30:17.000 So, you haven't noticed a change in their quality since they sold out? 00:30:17.000 --> 00:30:18.000 No, not yet— 00:30:18.000 --> 00:30:19.000 Taken over. 00:30:19.000 --> 00:31:17.000 Right, exactly. It was since they were bought out, taken over or whatever you want to call it. And I, I know that a lot of the people--when they first sold--a lot of the people that worked there were like, No, the original people are going to stay. The brewers are going to stay. All the recipes are still there. So, you know, I give it like five-ish years maybe until the quality changes. I mean, I could be totally wrong. I, you know, I really have no idea. It was so recent ago that I feel like they haven't had enough time to do a ton of changes yet, but you know, Home Brew Mart is Ballast Point. I mean, that's how Ballast Point started, so they've got the Ballast Point tasting room there. So, I always get Ballast Point beer, while I wander around and look at all the other equipment and dream about the things that I wish I had the space to do. But I haven't noticed a significant change. I guess we'll see as time goes on. 00:31:17.000 --> 00:31:40.000 And you mentioned that you have a forum that you get online with. And so, you've got the face-to-face through the home brewers and Pink Boots. Do you find--how do you compare the support you get between virtual and in-person, barring the male response to you as a woman brewer? 00:31:40.000 --> 00:33:42.000 Yeah. I honestly--it's pretty even. If I had a question and I went to one of the home brew clubs or Pink Boots, I'm sure they'd answer it, and they would give me the entire explanation as to why. Same kind of thing online. I think it's a little bit more interesting online because different regions have different styles and opinions, and I feel like when you're talking to people in the same home brew club all the time, like they all pretty much use the same techniques probably. But when I go online and I'm talking with other people that maybe, you know, they have different equipment than I have accessible, or maybe they get different ingredients because they can get different hops or this and that and the other. So, I mean, the support is definitely still there. I think it's a little bit easier online to cheat just because no--it's very anonymous--so nobody really knows who I am or if I'm a woman or a man or old or young or whatever. So, it's a little bit more non-judgmental online, I would say. If I ask a specific question, I'm going to get a specific answer for what I was asking versus if I'm talking to someone in person and I ask a question, they might give me the more basic answer when I'm looking for the intermediate answer. You know, again, just based off of appearances, like young woman. So that definitely plays into it when I'm talking with people, who don't know me super well. But when you're online, I mean, people assume that if you're on this home brewing subreddit (online forum) that you kind of know what you're talking about, or at least you know enough to have found your way onto this website. And I've definitely asked some stupid questions, but everybody's been really nice about it in both spheres. That's something that I do really like about home brewers is that there are people that know a lot, and you can get really, really into it, but everybody is very, very kind to the newbies. You know, it's very collaborative. Everybody wants more people to start home brewing just because, you know, it's fun. It's not like there's any competition. 00:33:42.000 --> 00:34:01.000 Yeah, I have to say, I have found the community extremely welcoming and very warm and just wonderful. But of the home brewers, you know, is there anybody talking about going out and opening their own brewery, or is everybody pretty much happy with what they're doing? 00:34:01.000 --> 00:34:23.000 Most people are happy with what they're doing. Um, which, you know, being in the finance side of things as my career, I kinda like that. I don't hear a lot of people (Conversation with waitress) Um, you had asked me about— 00:34:23.000 --> 00:34:26.000 Home brewers starting their own— 00:34:26.000 --> 00:34:56.000 Oh, starting their own breweries. I haven't heard a lot of that just because I feel like a lot of people realize that you don't just get to brew beer all day. You do have to actually start a new business, which I feel like a lot of people realize is not nearly as easy. I mean, you can make the best beer in the world, but unless you know how to run a business, you're not gonna’ make it. So, I personally don't have a lot of home brewing friends that are thinking of starting their own brewery, just because it's--that's a life commitment right there. 00:34:56.000 --> 00:34:59.000 Just getting through the ABC (Alcoholic Beverage Control) seems to be a life— 00:34:59.000 --> 00:35:32.000 I mean, it's just insane. And then you have to figure out how to brew on these industrial systems and balancing your income versus your expenses. I mean, most small businesses are not profitable for the first three years, at least. So, if you're going to be opening a brewery, that's a big commitment. So, the people that I hang out with are not necessarily looking to go that route. You know, they just want to brew at home and have their own beer to drink and enjoy the process. Not really trying to make it big. 00:35:32.000 --> 00:35:42.000 Do any of them seem to have ramped up their systems just to meet the demand of friends and family like you're talking about—that it would be easy to brew five gallons and get rid of it? 00:35:42.000 --> 00:36:39.000 I don't know. I feel like a lot of people start on five gallons. So, I kinda’ went the opposite direction, where I started on one gallon. I don't know a lot of other people that started on a one gallon and that kept with it. I feel like a lot of people get those one-gallon brew kits for gifts. And then kind of like what I did, you know, I threw it in the closet for six months and then didn't look at it again. And it was only through sheer determination and my friend that gave it to me, his persistence on the Why can’t I drink this beer? Why isn't it done yet? When are you going to start it? When are you going to do this? So, he kind of pushed me a little bit more into making it a priority. At first I was like, Oh, this is just some weird, stupid hobby. I'll try it out. It'll probably be fine. I'll probably do it once, realistically, and then never look at the thing again. But when I made the first batch, I was like, Okay, this did not turn out the way I wanted it to, what did I do wrong? What can I do the next time so that it does turn out the way that I want it to do. 00:36:39.000 --> 00:36:41.000 So you're seeing a challenge in the brewing. 00:36:41.000 --> 00:37:34.000 Yeah, definitely. It’s not very consistent because I keep picking different styles for every single batch, so it's not easy to compare everything. And also, I only have a one-gallon kit, so I usually drink all the beer. And then by the time I go to brew another batch and that batch is done. I mean, the first batch was gone two weeks ago. We drank it. It's been fun so far, but, uh, I don't think a lot of people that start out with those one-gallon kits really stick with it. So, I don't know a ton of people that have upgraded, but I imagine there's gotta’ be people out there that have done the same thing. You can buy refill kits online, so it's gotta’ be a thing. I went to Ballast Point instead because I wanted to actually talk to a real person and kind of look at everything, but you can order kits online. 00:37:34.000 --> 00:37:47.000 Now when you go to Home Brew Mart or any of the other supply stores, do they sell set quantities or can you buy, you know, like you said, they downsize the recipe for you. So you don't wind up with a lot of leftover materials that you've got to deal with. 00:37:47.000 --> 00:38:31.000 Right. Well, with the barley and the grains and stuff I don't because they sell that by weight. But like for example, I have three different hop pellets varieties in my fridge, because since I'm only brewing on a one-gallon kit, I'll only need half an ounce of hops, but they sell them in five-ounce containers. So now I'm kind of stuck with the leftovers. So that's kinda’ my next project is Okay, looking for new recipes that I can kind of recycle some--like the leftover yeast, you can't really keep ‘cause it's yeast. So, you kind of have to use it and pitch it, which is a bummer. But I do have extra hops all over. They’ve kind of taken over the fridge. They're getting a little bit out of control, but— 00:38:31.000 --> 00:38:40.000 Well, or go back and brew some of those earlier recipes you did to see, you know, if you (word inaudible) a little bit here, is it going to turn out the same? Be even better. 00:38:40.000 --> 00:39:02.000 Exactly. Like I said, that Irish red turned out real good. So, we'll--I kept the recipe. We didn't change the recipe at all. My fiancé is kind of like, Well, why don't we throw this in it? And why don't we throw that in it? I'm like, No, no, this is the first time we've tried this style. Let's just follow the recipe and make sure that it turns out right first off. And then we can, then we can try to experiment a little bit more. 00:39:02.000 --> 00:39:06.000 Is he the one that wants to try to challenge the recipes a little bit? 00:39:06.000 --> 00:39:34.000 He's the cook, so he's the one that's in the kitchen all the time, and it's kind of his kitchen. He doesn't follow recipes. He basically just makes stuff and throws other things in. So he kind of wants to do the beer in the same way. And I'm much more like, No, we gotta’ follow the recipe. I want this to turn out the way I wanted it. So, it's an interesting dichotomy, but you know, again, I'm the head brewer and he's the assistant. So, I get to make the calls at the end of the day as to what's going in the beer. 00:39:34.000 --> 00:39:38.000 Exactly. Okay. Well, I think that covered all of my questions. 00:39:38.000 --> 00:39:39.000 Perfect. 00:39:39.000 --> 00:39:45.000 So, if you have something else you want to add? I think you've been very informative. 00:39:45.000 --> 00:39:48.000 I don't know— 00:39:48.000 --> 00:39:50.000 What's going on for the home brewers-- 00:39:50.000 --> 00:40:01.000 Well, I hope it’s a useful entry at least. Will go forward into time and provide some insight. But yeah, that's about all I've got. NOTE TRANSCRIPTION END ]]> https://rightsstatements.org/page/InC/1.0/?language=en audio Property rights reside with the university. Copyrights are retained by the creators of the records and their heirs. &#13 ; &#13 ; Please see the related “Preferred Citation note” for language on citing materials from this collection. &#13 ; &#13 ; Permission to examine Library materials is not authorization to publish or to reproduce the examined material in whole, or in part. 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The researcher agrees not to record, reproduce, or disclose any Social Security number or other information of a highly personal nature that may be found. 0 https://archivesoralhistories.csusm.edu/ohms-viewer/render.php?cachefile=CullLynda_DownieJudith_2017-05-11.xml CullLynda_DownieJudith_2017-05-11.xml https://archivesearch.csusm.edu/repositories/3/resources/19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cull, Lynda. Interview May 11th, 2017. Description An account of the resource Oral history interview of Lynda Cull on May 11, 2017, at Stone World Bistro and Gardens, Escondido, CA. Cull is a home brewer and financial consultant specializing in the beer industry. In this interview, Lynda discusses how she got into home brewing and her career as a financial professional in the brewing industry. She speaks to her experience with brewing groups in the San Diego area and as a woman in the brewing industry. Identifier An unambiguous reference to the resource within a given context SC027-068 Date A point or period of time associated with an event in the lifecycle of the resource 2017-05-11 Format The file format, physical medium, or dimensions of the resource audio Creator An entity primarily responsible for making the resource Lynda Cull Contributor An entity responsible for making contributions to the resource Judith Downie Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Escondido (Calif.). San Diego (Calif.), Spain Publisher An entity responsible for making the resource available California State University San Marcos University Library Language A language of the resource English Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/InC/1.0/?language=en" target="_blank" rel="noopener">In copyright</a> Rights Holder A person or organization owning or managing rights over the resource. California State University San Marcos Subject The topic of the resource Brewing industry -- California -- History Microbreweries -- California -- San Diego County Home brewing Brewchive(r) Community history Women's experience